Yes, I was lucky enough to see the long-running original production of Michael Bennett's hit musical. It was an amazing experience and I paid to see the movie when it hit theatres back in 1985. It is awful. Almost everything fails. First off, Attenborough (a fine actor, a good director with the right material) is a sorry choice - almost as bad as when John Huston was hired to mangle ANNIE. The camera is always in the wrong place - they chop up the songs and the CASTING!!! They are awful - the power of the play was these dancers - these hungry, talented performers just wanted a chance to show what they could do and when they got their chance - you couldn't take your eyes off of them. But this cast just gets by dancing, does a "nice" job singing but none of them spark one bit. In fact, look up the cast on IMDb - none of them really went on to do anything much. (OK, OK, Janet Jones married Gretzky - sheesh). So this cinema trainwreck does not capture for one second the magic, the desperation, the passion of the stage musical. A total strike-out! (But even though they try to smother the music - the great music still rises up at times and reminds people how great the score was).

source: A Chorus Line

Trailer—A Chorus Line

A Chorus Line

I admit to having been a fan of the original stage production. I never saw the movie version until very lately on cable, and watched it with anticipation, to see my memories brought alive again, because I adored the original show. Imagine my dismay. This has to be the worst translation of a Broadway show to film ever made. They changed the story, they changed the songs, they lost the soul. I was expecting a trip down memory lane, singing to the extraordinarily touching Music and the Mirror, At the Ballet, and Hello Twelve, Hello Thirteen. Not! Not only did they adulterate the music to an almost unrecognizable point, but they messed up the storyline, adding songs and exterior plotlines (hello Cassie and Michael Douglas) not present in the original, and injecting "drama" where it wasn't necessary. The original had enough pathos on its own. If you were a fan of the original Broadway show, don't bother. I'm sorry I wasted my time, and diluted my memories, watching this tripe.

If you were to judge based on the movie alone, the committee that gave the stage musical "A Chorus Line" a Pulitzer Prize, and Broadway audiences that kept the war horse running for 15 years, were all on heavy narcotics, because one singular sensation this film certainly is NOT. What possessed anyone to think that Richard Attenborough was the right fit for this material utterly mystifies me, but he makes a musical that is almost entirely about movement just sit on the screen like a lump of clay. Not content with the original score the way it was originally written, someone decided that what the film really needed was a brand new song to give the movie some zip. Thus we are assaulted with the Oscar-nominated(!) "Surprise, Surprise." Well surprise, surprise, the song stinks, and so does the movie. Grade: D

Now I've never seen the live performance of this play although I would love to. But regardless, I love this movie. I love their stories and the song and dance. I think my favorites are "At the Ballet" and Diana's song. I also like the song "What I Did For Love", although the only thing I didn't like was the love story between Cassie and Zachary. I just didn't think it was necessary. But I thought the movie was fun and funny in parts. And of course I love the dancing!

A bunch of talented dancers audition for a part in a Broadway show under the scrutiny of tough choreographer Michael Douglas including Douglas' ex and one time big star. In focussing on their acting he asks them to talk about themselves which they do, usually via musical numbers. The drama in all this, including the worry about whether they'll get selected is actually pretty tame and Douglas' tough guy choreographer is a bit of a cliche. What makes this so much fun are the fabulous songs and dance numbers.

A strange picture, as it peels the outer rims of human feelings and aims straight for the raw. Auditioning for a Broadway stage musical are hundreds of youngsters who dream with a place in the limelight. The plot, you can imagine, is basically an audition, with all its highs and lows. And when I say it has raw feelings, i'm talking about the cold process of selection, which is encarnated by the obscure character of Michael Douglas, who, in the obscurity of the audience, with only a little light next to him, says who stays and who goes, even if he has to be brutal sometimes ("Then don't dance!!!", he says shouting to a girl who didn't have any dance classes). The result is a film sustained by the different phases of selection and the suspense of who is going to be a star and who has to leave, which, altogether, will charm only dance-addicts and everyone who would like to be in one of these shows one day.

Why all the bad reviews? Is it dated? Yes. But the music, the dancing, the really skimpy costumes all makes it magical. I recently saw the documentary following the Broadway revival and felt the tug of nostalgia pulling to watch the original. I was watching mainly for the music and the dancing. They did not disappoint. Of course THEATRE is best live and in person - that goes without saying. But I enjoyed my viewing of A Chorus Line.