Ajnabee

During this movie I watched it in theaters and Bipasha basu became my first teenage crush.

Though its adapted from a hollywood movie, still its gripped in entertaining. It doesn't lose the thrill. The antagonist seems funny and funny throughout. I see it only for him. It's not the best movie in its genre but from the entertaining side it deserves a praise. For some it still is refreshing. It gave what it was meant to give. Bobby deol and akshay both are good. Akshay just acted his heart out, really fits in the role. A thrilling entertainment. 8/10 for its entertainment value. An 80 on a scale of 100. NOTE- Keep the volume low.

Rating 2/10 Badly copied Bollywood thriller makes a mess of it's script. The plot is stretched to ahsurdity. While Kumar relishes playing the villain the rest of the cast is all at sea. Avoidable

Way ahead of his time. Might be copied from some Hollywood flick but it takes courage to make such movie in that era in Bollywood when SRK's so called love story crap bandwagon was in hype Mind blown when saw first time . What a twist !

Much hoopla has been made about the Americanization of Indian cinema and how Abbas-Mastan have dared to cross all barriers of culture by copying a bold film like "Consenting Adults", the theme of which revolves around wife-swapping. Well, rest assured - this is Hindustan and our "lajja" is still intact (R.K. Santoshi might feel otherwise). Let me dare to reveal to you that though the idea of wife-swapping does come up, it never really occurs. Still - Neeraj Vohra has managed to write an entertaining story which Abbas-Mustan have infused with their usual slick direction. The film follows the plot of a newlywed couple - Raj (Bobby Deol) and Priya (Kareena Kapoor). They move to Switzerland so Raj can be a professional polo player where they encounter another couple - Vicky (Akshay Kumar) and Sonia (Bipasha Basu). The couples become close but it becomes apparent that the husbands share more common interests with the opposite wives. To top it off - Sonia tries to seduce Raj and Vicky goes one step further. He suggests to Raj that they swap wives for one drunken night. The next day things go haywire as we learn that somebody is murdered. And somebody is framed. Or are they guilty? Abbas-Mastan do a good job managing what would otherwise be a confusing narration. They manage to reveal just enough to keep the plot tracking along the line of indifference. The problem is that with four lead characters and one supporting actress introduced pre-intermission in a fleeting scene - it isn´t too hard for the audience to put two and two together. This is not a complex "who-done-it". Still, they are somehow able to maintain as neutral a narrative as possible which is commendable in Hindi cinema - where nothing is really a secret. We all know not to believe somebody is dead unless you see their body and they attempt an interesting twist to get around that fact. Enough said. The performances of their lead cast add to the slick direction in maintaining any suspense possible. Akshay Kumar is the real star here - but this is his third film with a similar role. It didn´t work for Shahrukh and it gets tiresome even here. Bipasha Basu makes a commendable debut in her seductive, confident role. Just brush up those dancing skills, honey! Bobby Deol does his job as the protagonist well. And Kareena Kapoor breezes through a relatively simple role. She is particularly good in the comedy scenes (David Dhawan, are you listening?). Music? It does the job. The one song that really sticks in one´s mind is the one that is already there - "Mehbooba Mehbooba" - which is nicely shot. Cinematography? Switzerland. Nobody has the power to make it look fresh at this point. Comedy track? DA. That´s "Don´t ask" for those that have seen the film. This isn´t necessarily great cinema. Still - in a time where the world is at war, it managed to make me forget about that fact for almost three hours. That in itself is a commendable feat. "Ajnabee" is Hindi cinema at its escapist best.

this was one of the most planned scripts written in all of time good direction as usual from the Abbas-Mustan duo and a script that's written by all of the known sweet writers into an ultimate story songs are pretty average and the acting by Akshay Kumar is great he delivers his dialogues with lots of fun and passion Shyam Goel dialogue writer delivers dialogues with passion and writes with wit screenplay is average but good story by Neeraj Vora us good being Bipasha Basu's debut is good overall average film with great acting story every element a movie needs this has songs need a little work and the screenplay could do with that as well but overall good movie by creative directors and highly enjoyable action direction

I liked the music, I liked the acting, and I liked the movie. But it wasn't anything special. Strictly mediocre. The beginning of Ajnabee had to be the best part. Wife-swapping, drinking, sex and a lot of crime fills the rest. I thought the best performance was from Akshay Kumar, I don't usually like his films but he was pretty strong in this one. (Though Akshay licking Kareena's lips nearly had me gouging my eyes out.) Bobby Deol does an acceptable job and Kareena is also quite good I admit. Bipasha looked right for her part and fitted in nicely, I thought she was a good Soniya. I really liked the music, especially Mehbooba Mehbooba, which was really catchy. Good for timepass. An okay thriller.

Abbas-Mastan's movies are known to make suspense thrillers. Although the topic of wife swapping was a new theme for Indian Cinema. Ajnabi too is a copy of Hollywood flick 'Consenting Adults' (1992) staring Kevin Spacey, Mary Elizabeth Mastrantonio and Kevin Kline. Abbas-Mastan are known to lift stories from Hollywood movies. Right from 'Bazzigar' (1993) to 'Race' (2007) are all copies. They try very hard though to add some Bollywood tinge, and get away very easily. And in the process have won quite few awards successfully. There is nothing wrong to draw inspiration, but making straight copies frame to frame is not good.

Abbas-Mustan known for lifting Hollywood films, this time lifted CONSENTING ADULTS(1992) which is too advanced for our Indian audiences who rejected Sauda(1995) and Karobaar(2000) too. The film starts off as a normal romance film but when Akshay enters things get interesting till the interval however the forced comedy of Johny Lever does get irritating. The twist at the interval is good and also the second half but things start getting predictable and the manner in which Bobby tries to settle things looks contrived, the climax too is heckeyened. Direction by AM is quite good but not one of their best Music by Anu Malik is decent, songs are tuneful, Mehbooba was Adnan Sami's debut as a singer for films, other songs are good Akshay Kumar did well in his 3rd negative role after Khiladi 420 and Aflatoon where he had a dual role, Bobby Deol too does his part well, Kareena Kapoor is okay, Bipasha Basu in her debut with a dubbed voice is decent Sharat Saxena is okay, Dalip Tahil irritates, Johny Lever and gang irritate more then amuse, rest are okay