With a title like that, how could I resist! This is the first feature film from director Boris Rodriguez who, on the strength of this movie, I predict great things from in the future. Mixing horror with comedy is a delicate balance. Here though, equilibrium is mostly achieved. Humour is genuinely funny whilst Eddie's kills are suitably gruesome. Lars Olafssen, (Thure Lindhart) an artist who's slipped from the limelight he once graced, takes a job at an art school in an isolated Canadian town called Koda Lake. He's been very unproductive recently, to the annoyance of his quote spewing agent (the wonderful Stephen McHattie). At his new home, Olafssen unwittingly finds himself taking in Eddie; a lovable mute with learning difficulties who's been left homeless after the death of his aunt; a major patron of the art school. Eddie is shy and good natured, apart from his habit of going on sleepwalking killing sprees when he's under emotional stress. Olafssen finds this bloodletting to be his muse, enabling him to start painting again. But will he keep encouraging Eddie's homicidal wanderings in order to keep up his own productivity? And how long will it be before sardonic Police Chief Verner (Paul Braunstein) catches up with the duo? Casting for this movie is near perfect. Rodriguez wanted a natural star for the role of Olafssen. Unable to find any in his native country, he looked abroad and found Lindhart; who manages to purvey his character so well that even when he's manipulating Eddie into ripping folk apart, the audience still roots for him. Eddie is played by Dylan Smith (also known as Dylan Scott Smith). He gives Eddie's two natures such distinctiveness that sometimes it's hard to equate the Eddie smeared in blood chasing victims with the Eddie who sits quietly and smiles bashfully when his paintings are praised. Smith and Lindhardt are an effective team. When Olfassen deliberately tries to upset Eddie (so that he goes out to kill) it is genuinely unpleasant as we can believe that Eddie loves him. Look out for Smith in the 2012 'Total Recall', where he has a small role. Another important character is Lesley (Georgina Reilly), who also teaches at the art school. She provides Olafssen's love interest, drawn to him by his former fame and how the paintings he's suddenly producing are financing the school's survival. There's nothing particularly noteworthy about Reilly's handling of the role, but importantly, she holds her own with the leads. Humour is jet black farce and surrealism, helped along with some snappy dialogue; especially from Chief Verner. Only once does the comedy fail – the voice-over during the beginning of the closing credits felt too silly and at odds with the rest of the movie. I also thought the end plot twist was unnecessary Interestingly, the original script had a writer getting inspiration from the killings of a werewolf he befriends. Rodriguez drew inspiration from David Lynch's high tone approach to horror and the performances in the Cohen Brother's 1996 release 'Fargo' whilst directing. If you are a fan of horror movies, or dark comedies you are almost guaranteed to enjoy this film. Rodriguez has been so taken with the reception horror lovers have given his work that he now plans to work in the genre again. Let's hope he does.

Art is all about pushing boundaries and "Eddie the Sleepwalking Cannibal" puts that creativeness on the canvas. This co-produced Canadian/Denmark indie production is a well-made, quirky horror comedy with the blackest of dark humor. I wouldn't call it in-your-face, but still it's deliciously absurd and very well-timed with its dry humorous approach. This might be contributed to the cast taking their roles seriously and not letting it become camp. It just works. I found it hard not be impressed by Boris Rodriguez's directorial debut. Lars was once an acclaimed painter, but now has hit an inspiration slump. He has settled into a quiet little town and takes up a job at the local art school. This is where he meets Eddie. And he finds himself looking after him. A towering and reserved mute man who is scarred from past events. But it's what Lars learns on his first night with Eddie. He sleepwalks, but also transforms from a friendly giant to an ferocious cannibal. But what he also discovers, that his inspiration for his art comes in the form of misery and carnage, which Eddie can bring in spades. There are many droll character interactions, small town atmospherics and few grisly jolts. The satirical screenplay takes á compelling approach. Art is a rush with the pressure to perform, but what is one willing to do and what morals would be broken to present this to the masses.. The script does an earnest job in developing these subtle characters and that of Lars' intense deterioration. One interesting note, is that we never get to see the artwork that was transpired by this pain and suffering. The edgy humour here, perfectly goes alongside the outrageous violence. The gore make-up and dismembered body effects is authentically staged. Cinematography provides some flair and a music score is slight, but playful. The cast look like they are having fun. Thure Lindhardt plays his character spot on. He's likable and provides good intentions, despite his unsettling addiction to bringing out those artistic flourishes. Dylan Smith as Eddie delivers a great psychical performance. The relationship formed between these two characters is endearing, even though it does go down a twisted and dependent path of Lars' eventually abusing it. Georgina Reilly is ably good too. In a small, but memorable cameo; Stephen McHattie plays a scheming arts dealer. Also the closing credits produces an amusing little radio snippet of one of Lars/Eddie's surviving victims being interviewed.

Lars Olafssen is a famous painter. He has stopped painting for an unspecified reason and has a new job as an art teacher in a small Canadian town. His manager Ronny is desperate for him to start painting again. Everybody expects him to paint again. He takes an interest in an odd student named Eddie and fellow teacher Lesley. Eddie needs a place to stay and Lars agrees to take him. The title "Eddie: The Sleepwalking Cannibal" gets me right away. That's a hell of a title. It's supposed to be a black comedy. It's supposed to be a lot things. The premise seems interesting. The movie itself isn't that much of anything. The lead isn't much. Eddie isn't much either. Nobody has much chemistry. There is no tension. There is no intensity consider how many bodies are piling up. With the title and the premise, I want the movie to do something compelling. It's disappointing.

EDDIE: THE SLEEPWALKING CANNIBAL pretty mush says it all; you gets what you pays for. While it's beautifully crafted from beginning to end, EDDIE ultimately lacks that little something extra that distinguishes good movies from Great ones. If SHAUN OF THE DEAD or JUAN OF THE DEAD didn't milk the notion of zombies for all it was worth, then they certainly set the bar a bit high for anyone who followed in their footsteps. Sure, technically speaking, EDDIE isn't so much a zombie movie as a movie about a sleepwalking cannibal, but that's just six of one, half a dozen of the other, right? Midway through, EDDIE begins to get rather predictable and one can see the end coming, but the performances (especially by Lindstadt and Braunstein) are outstanding and the aforementioned craftsmanship is undeniable. Worth a look.

Artist create art, but often they need a bit of inspiration to get the vision of their creation. Artists Lars Olafssen is in a bit of a funk, he has not produced anything in over ten years. So he find a home in a school as a teacher, there he still cannot break his silence. He befriends Eddie, who is a bit slow and an outcast. Lars has the patience to bring him into his confidence and discovers a hidden secret, when Eddie sleeps he craves flesh and his dreams get him carried away as he becomes the sleep walking cannibal. This gruesome discovery excites Lars and he finds inspiration in what would disgust others. This showing was part of opening for the new home of Cineprov! at the Plaza Theatre, where local arts use their improv talent to add color to the scenes on the big screen.

I have no idea where the notion that this was a musical had been instilled in my mind; perhaps I mixed it up with "Cannibal! The Musical" from 1993. Not really sure. But regardless, then I sort of put off watching this movie until now. I will say that it is a fairly entertaining, albeit stereotypical horror comedy. The story is about Danish painter Lars (played by Thure Lindhardt) who has come to Canada to work at an art school. The artist has been in a dry spell for 10 years and have no plans to return to making art. However, as he is stuck with having to taking care of a reclusive mute named Eddie (played by Dylan Smith), Lars finds inspiration for his new paintings as he finds out that Eddie sleepwalks, and does so pretty vile stuff while sleepwalking. Storywise, then "Eddie" (aka "Eddie: The Sleepwalking Cannibal") was entertaining and had a funny - but dark - twist to it. I enjoyed the storyline, because it was a tad bizarre and out there. The movie was really brought to life by some great performances by the people who were hired for the various roles and characters. "Eddie" is good entertainment for anyone who enjoys a dark and bloody horror comedy.

This is a quirky and very black comedy with some excellent performances. Anybody who isn't curious to see what a sleep-walking cannibal gets up to must be very dull. Such is the brilliance of the script and acting that we actually learn it is not the cannibal who is the real monster here, but a Danish artist lacking inspiration. Artists in dark places is not an entirely original idea but brilliantly done here. There are some hilarious scenes that will live with me - such as the sight greeting the postman of a man with a mutilated rabbit on the end of his fishing line. Those artists are a funny bunch eh? Unless you're seriously squeamish then this is a must-watch. Great script, great acting and directing, and all set in the quirky world of Canadia. Love it!

This is a fun film from Canada that, despite being a little predictable, had some great bloody sight, gags, and a very wry sensibility throughout. Especially enjoyable, was the recurring gag of the town's classical music station that only played opera that had to do with violent death like madame butterfly and La Bohème. Stay with it through the closing credits, because there is a fun NPR type interview with one of the victims Who can only communicate using one tap for yes and two taps for no. It was a fun little movie to watch on a rainy afternoon, and had some good performances, especially a note worthy cameo from Stephen McHattie, who always plays such a great villain.

I really enjoyed this one when I saw it at the Edinburgh International Film Festival: it's consistently funny, and reminiscent of the UK's Shaun of the Dead, except obviously with a Danish-Canadian spin. I'm not going to bore you with a summary of the film, as you can easily find that elsewhere on this page, but I will say that it was well cast, well acted, and very well paced. Great comedic timing, and a really interesting character dynamic, in that you feel sorry for almost everyone involved; you don't just feel sorry for Eddie, whose cannibalism is almost being taken advantage of by Lars, but also for Lars, who has trouble finding inspiration, and Lesley, who doesn't understand why he's acting so strangely. That makes for a really compelling story, which is wrapped up perfectly at the end. I left the cinema very satisfied, and it's one of my highlights from the whole festival.

source: Eddie: The Sleepwalking Cannibal