source: Go for Broke!

Van Johnson reports as Platoon Leader of a part of a Japanese-American outfit (the 442) during WW2. His prejudice against Japanese is evident from the start, as is the obvious dislike of the Japaneses troops to having a Caucasian Lieutenant. My only complaint is that the basic story has been done so many times before. In typical fashion, he learns (eventually) to respect these men as they fight their way across Italy and France. While the story is a bit trite, the acting is excellent. The combat parts of the film are very well done, especially for their time. The film is a more or less true story of one of the most highly decorated outfits ever to fight in an American uniform. Well worth a watch!

This movie is significant because of its subject matter: only five short years after World War Two ended, "Japs" have become full-fledged Americans fighting for honor and country. Of course, the movie was released at a time when the US was caught in another Asian war (Korea) and we needed to know the "good" Asians from the "bad" ones. The battle scenes are plausible, if not outstanding, but the greater story arcs are the transformation of Lt. Grayson into a true-blue fan of an ethnic minority he once despised; and the struggle of the Nisei to prove themselves even though they were American all along. Deals with ethnic issues much better than most war movies. Also peppered with humor.

Others have said it quite well -- an otherwise routine war film with the all-too-familiar stock characters (the stuffy officer who eventually loosens up, the belly-aching enlisted man, the bigoted sergeant, the lovable underdog, the kid brother) spiced up by a very intriguing and little-known story about a regiment made up entirely of Japanese-American volunteers. The film-makers deserve praise for making their points with humor rather than "speechifying." Look fast for The Six Million Dollar Man's Oscar Goldman (Richard Anderson) as the officer struggling with the Japanese names in the roll call and Hogan's Heroes' Sgt. Schultz (a younger, much leaner and almost unrecognizable John Banner) as the surrendering German officer stunned to be captured by Asian soldiers.

Tepid account of Japanese-Americans fighting alongside their colleague allies against the Germans in WWII. Van Johnson is a military liaison lieutenant responsible for merging the unpopular, yet patriotic soldiers with the regular divisions. Predictably, they succeed in taking an important military post from the Germans in a bloody battle in the Ardennes. While there's glimpses of a routine war flick, it's frequently punctuated by long discourses on racial prejudice and otherwise political jingoism of the most shameless kind. Johnson is typically likable as the by-the-book uniform who marches his ragtag bunch of cultural misfits into GI Joe exemplars. His rapport with his men leads him to defend them in the face of racial and cultural discrimination, even to the extent he'll beat one of his own mates black & blue for uttering the slur "Jap". He plays the congenial moralist well, but the contrasts are so blatant, that the film comes off looking like a defence recruitment promotion (the largely unknown cast doesn't add anything in quality either). Some of the battle scenes are hardy and well staged (the Irish-Japanese-American O'Hara eats a flying pine tree in one of the more imaginative battle deaths) and the title expression "Go For Broke" is given a run as such you won't soon forget the name of the film. But that's not the same as memorable content, and this, in my opinion, has little to recommend.

This film depicts (for a 50's war flick) the trials of the 442nd Infantry Regiment, a group of ALL-VOLUNTEER Japanese-American soldiers that fought in Europe against the Axis forces. The soldiers in this unit volunteered from the concentration, err... internment camps to fight for their and our country. They performed brilliantly and became the highest decorated unit in U.S. Army history. Former Senator Daniel Inouye was an officer in the 442nd, too! While this is not the most exciting war movie ever made, it is certainly worth adding to a collection, especially since it can be bought in a 2-VHS set with "Gung Ho." Of special note is the scene where two German soldiers are trying to make heads-or-tails of of the Japanese chatter on field phone lines they are tapping.

This little-known film is an interesting dramatic study of real life Japanese-Americans who volunteered to fight for their country despite the interment of their families back in the 'States. Their amazing heroism and patriotism is shown in contrast to the rascism and general mistrust they are shown by white members of the US army that they encounter. Racial issues such as their treatment compared to German-Americans or Italian-Americans are dealt with, but not in a heavy handed way. The dialogue is surprisingly believable and interesting, and even amusing. The battle sequences are good but nothing like Saving Private Ryan - this is a 1950s film, after all. All WWII film buffs should make a point of seeing this film, which sometimes appears on the History Channel.

Being a third generation Japanese-American (Sansei), and having my parents interned in the camps, this movie has a special place in my heart. Robert Pirosh did an incredible job in getting so much information about the Japanese- American situation: the camps, the differences between the Hawaiian and State- side Japanese (Kotonks and Kanakas), the different views of the war and even using a Japanese curse word as a password! I was so impressed and pleased with the results. The movie follows the exploits of the 442, the first all-Nisei (Japanese- American) Regimental combat team in WWII. In early 1942, all the Japanese- Americans in California, Seattle, Oregon and Hawaii were uprooted from their homes and put into camps. All the volunteers were from the 10 internment camps throughout the western states. They felt that this was the only way to prove to the U. S. that they were as patriotic as anybody else, in fact most of them were American Citizens! Since they had nothing to lose, but their lives, their motto was "GO FOR BROKE!" and that's what they did. They are today the most decorated battalion in the history of the U.S. military and proved something that they shouldn't have to be proved, that they were Americans! Van Johnson is used as the "white man" foil, to show how the rest of the country looked at the Japanese-American, and he does a great job. He starts off as a bigot, but as he begins to understand and respect his troops, he becomes one of them. There's a funny scene where one of his men call him "BAKATARE", which is a curse word close to "Damn, stupid...." and tells him that the soldier is being very polite, he's bowing as he says this. This film has everything: humor, action, great characters and... truth!

A humorous look at the war through the experiences of the the highly decorated Japanese American 442nd Regiment, with a realistic cast and Van Johnson walking well through his part as a prejudiced platoon leader who comes to respect his men not just for their valor but for their ingenuity and constantly positive attitudes in the face of hostility from the enemy as well as many at home and the forced internments of their families. Though all of that is hinted at, the film maintains a snappy brightness throughout, even in the battle scenes, where everyone has a can-do perspective on how to take out those pesky machine gun nests. If the film has any drawback it's that there is no dark side, no real tension in the battle scenes nor in the issue of racism. It's contentedness to portray the real meat and bones issues of life and death combat and racism in a light and humorous manner cuts both ways, because this film steps so lightly it doesn't convey much of the hell of war nor the ugliness of racism, but its carried along by intelligence, wit, and wholesome old-fashioned Hollywood patriotism.

I have known about this film since I was young, but it was not until a "dull drab army day" overseas did I actually get to view it. I was impressed with the film. It was nice to see a film from the 1950's talk about ethnic/race relations in a positive way. I thought the message that World War Two was a war for all Americans was good. The film showed that it didn't matter what ethnicity, race, or creed you are, freedom is for all, that all discrimination is barbarism and immoral. It was really encouraging to see the Lieutenant's change of heart and mind by the end of the film. I also, thought it was good that the film was not preachy. Some of the light humor was also well done. Overall I would recommend this film to anybody. This film is based on true events and true people. I would like to thank all those men and women who served our nation in that war. All gave some, and some gave all. This film was a tribute to one group of soldiers that many have not heard of.