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Grievous Bodily Harm

Grievous Bodily Harm

★ 5.11989Movie1 h 36 mأستراليا
جريمةدراماأُحجِيَّة

A schoolteacher (John Waters) becomes obsessed with the idea that his wife (Joy Bell) did not die in a car accident, as everyone else thinks.

318 people rated
🔇

Grievous Bodily Harm

1989

R

1 h 36 m

أستراليا

جريمة

دراما

أُحجِيَّة

A schoolteacher (John Waters) becomes obsessed with the idea that his wife (Joy Bell) did not die in a car accident, as everyone else thinks.
More

5.1 /10

318 people rated

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العرض الفرعي

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أفضل الممثلين(18)
starring avatar
Colin Friels
Tom Stewart
starring avatar
John Waters
Morris Martin
starring avatar
Bruno Lawrence
Det. Sgt. Ray Birch
starring avatar
Shane Briant
Stephen Enderby
default avatar
Caz Lederman
Vivian Enderby
starring avatar
Sandy Gore
Barbara Helmsley
starring avatar
Kerry Armstrong
Annie
default avatar
Joy Bell
Claudine
starring avatar
Kim Gyngell
Mick
default avatar
Craig Ashley
Agostino
default avatar
Gary Waddell
Eddie Weaks
default avatar
Gary Stalker
Derek Allen
starring avatar
Marise Wipani
Suzie
default avatar
Saskia Schlicht
Natalie
default avatar
Dominic Gowans
Prentice
default avatar
Don Reid
Headmaster
starring avatar
Richard Carter
Les
default avatar
Sheridan Murphy
Katherine

تقييمات المستخدمين

author avatar

36 🐵𝗹 𝗺 𝗳 𝗿 𝘄 𝗲 7

29/05/2023 22:25
source: Grievous Bodily Harm
author avatar

Fantastic

16/11/2022 13:47
Grievous Bodily Harm
author avatar

Sofanit🦋🦋Honey

16/11/2022 04:05
Stupidest plot, laughable action, and oh my God the acting are you kidding me. Only redeeming feature of this movie was it was shot on location. I always enjoy films shot on location in other parts of the world. If you're not looking for a travel log in Australia, skip this POS.
author avatar

Karima Gouit

16/11/2022 04:05
This Australian film tries desperately hard to be 'film noir' with it's convoluted and somewhat confusing storyline. But that's where any similarity ends as lots of action takes place in daylight and massive sunshine, a noir no-no. Once the story of a man searching for his missing wife emerges more, it turns out it isn't that intriguing anyway. And since she's staying what only seems a few streets away, it doesn't take a rocket scientist to figure it out, except the people in this aren't that smart really... This sort of thing has been so much better in the past with classics like 'Farewell, my lovely' or more recently with 'LA Confidential.' This just isn't in the same league.
author avatar

Funke Akindele

16/11/2022 04:05
This movie was a confusing one, and I found myself struggling to comprehend it. From what I could gather, a man receives photos of his wife in rather suggestive poses and hires a cop (who turns out to be crooked) to investigate. Ordinarily, I like Bruno Lawrence films, but this one just didn't cut it. ** 1/2 out of ****
author avatar

user4529234120238

16/11/2022 04:05
This 1988 Aussie crime thriller is set in Sydney and concerns the hunt by a cynical journalist, Colin Friels, and a tough cop, Bruno Lawrence, to catch a serial killer. (SPOILER ALERT!) The journalist manages to connect the dots faster than the cop, but they both get there in the end. There are plenty of twists and turns, and quite a dramatic end, but we are left with a bunch of questions. The film has some fine elements: some fine actors, good photography highlighting different parts of sunny Sydney and the Blue Mountains, a director who would make some fine films in later years, and some cops and journalists prepared to bend the law to get results. However, the result is somehow less than sum of its parts. Though Colin Friels and Bruno Lawrence are good, John Waters is somehow unconvincing as the villain. The main problem, I suspect, is the script, which has some strange jumps and clunky dialogue.
— No more content —

تقييمات المستخدمين

author avatar

36 🐵𝗹 𝗺 𝗳 𝗿 𝘄 𝗲 7

29/05/2023 22:25
source: Grievous Bodily Harm
author avatar

Fantastic

16/11/2022 13:47
Grievous Bodily Harm
author avatar

Sofanit🦋🦋Honey

16/11/2022 04:05
Stupidest plot, laughable action, and oh my God the acting are you kidding me. Only redeeming feature of this movie was it was shot on location. I always enjoy films shot on location in other parts of the world. If you're not looking for a travel log in Australia, skip this POS.
author avatar

Karima Gouit

16/11/2022 04:05
This Australian film tries desperately hard to be 'film noir' with it's convoluted and somewhat confusing storyline. But that's where any similarity ends as lots of action takes place in daylight and massive sunshine, a noir no-no. Once the story of a man searching for his missing wife emerges more, it turns out it isn't that intriguing anyway. And since she's staying what only seems a few streets away, it doesn't take a rocket scientist to figure it out, except the people in this aren't that smart really... This sort of thing has been so much better in the past with classics like 'Farewell, my lovely' or more recently with 'LA Confidential.' This just isn't in the same league.
author avatar

Funke Akindele

16/11/2022 04:05
This movie was a confusing one, and I found myself struggling to comprehend it. From what I could gather, a man receives photos of his wife in rather suggestive poses and hires a cop (who turns out to be crooked) to investigate. Ordinarily, I like Bruno Lawrence films, but this one just didn't cut it. ** 1/2 out of ****
author avatar

user4529234120238

16/11/2022 04:05
This 1988 Aussie crime thriller is set in Sydney and concerns the hunt by a cynical journalist, Colin Friels, and a tough cop, Bruno Lawrence, to catch a serial killer. (SPOILER ALERT!) The journalist manages to connect the dots faster than the cop, but they both get there in the end. There are plenty of twists and turns, and quite a dramatic end, but we are left with a bunch of questions. The film has some fine elements: some fine actors, good photography highlighting different parts of sunny Sydney and the Blue Mountains, a director who would make some fine films in later years, and some cops and journalists prepared to bend the law to get results. However, the result is somehow less than sum of its parts. Though Colin Friels and Bruno Lawrence are good, John Waters is somehow unconvincing as the villain. The main problem, I suspect, is the script, which has some strange jumps and clunky dialogue.
— No more content —
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