Into the Sun

careless copper

Look up awful and you'll find the picture of a wig wearing bloated bodied martial artist. This movie just like everything else hes put out in the last few years just plain stinks. Its filled with bad action, bad acting, bad script, bad everything. I don't know how this guy still gets work, he must have put some kind of hypnosis on his fans. I wish he would take some career advice from Van Damme and get his career out of the gutter. But hes too busy counting his money and buying new wigs. I give this movie 1/5, and unless your going to use it as a torture device don't even think about buying this load of garbage.

Mink Directed 'Into the Sun', turns out to be A Good Watch. A Nicely Written Screenplay, along-with Stylish Direction & A Super-Cool Performance by its lead-Star, All-Time Bad-Ass, Steven Seagal, just adds to its glory. 'Into the Sun' Synopsis: When a government official is killed, an American operative with experience in the Yakuza culture is brought into investigate. 'Into the Sun' has an interesting start, an okay middle & a killer end. The Screenplay Written by Seagal himself, is mostly interesting. Mink's Direction is completely Stylish. Cinematography is perfect. Editing is mediocre. Art Design is fair. Action-Sequences are top-notch. Seagal's Super-Cool Performance is among the merits of this film. And Like Always, his fight-scenes are a pleasure to watch. He's an All-Time Bad-Ass! On the whole, 'Into the Sun' works. A Must See for Seagal Fans!

Steven Seagal once again return to straight-to-video hokum as a high-level American operative who is lent out to Japan to investigate a Yakuza hit on a top Japanese government official. Is the new generation of Yakuza out for world domination since they seem to no longer be content with just the drug trade? Will Seagal be able to defeat them all on his own and most importantly will you care or bother to continue watching? Sadly Seagal's career is pretty much DOA. I really enjoyed many of his older films (Above the Law, my personal favorite Hard to Kill, Marked for Death and Under Siege). But sadly his films of late (The Foreigner, Belly of the Beast and now Into the Sun) just don't cut the grade. Never the most energetic and kinetic action stars, Seagal of late seems to have slowed down further and at times appears to be way out of shape. The scripts represent the dartboard method of writing with tired combos that fall flat.

When the governor of Tokyo is killed in his campaign for election, the former CIA agent Travis Hunter (Steven Seagal) is assigned to find the responsible working together with the rookie FBI agent Sean (Matthew Davis). Travis was raised in Japan, has great connections with the underworld of the streets and is a master in sword and martial arts, trained by a former member of Yakuza. Travis discloses that there is a war between the old and traditional members of Yakuza and the new generation leaded by the deranged and sick Kuroda (Takao Osawa), who has associated to the Chinese Tong mobster Chen (Ken Low) in a powerful drug dealing business. When his fiancée Nayako (Kanako Yamaguchi) is brutally and cowardly murdered by one of Kuroda's men, the mission of Travis becomes a personal issue and he seeks revenge. "Into the Sun" is the best of the recent works of Steven Seagal. The story is flawed, full of clichés, but also very entertaining. Steven Seagal does not have the same agility of his first movies, but the plot is well supported by magnificent landscapes, wonderful soundtrack and a great cast. I really have not understood why he alternates speaking in English or Japanese; there are some dialogs that the Japanese characters speak in Japanese and Travis speaks in English, in a complete mess. But in the end, I liked this film. My vote is six. Title (Brazil): "Operação Sol Nascente" ("Operation Rising Sun")

I've watched many Seagal movies and his latest ones in the past 4 years or so have really been downers. Although they were fun to watch because you could always get your kicks out of the cheap acting, unrealistic gun battles and pathetic plot. I rented this movies looking forward to laughing more than paying attention. However, I must say, I was quite surprised because this movie is definitely much better than the other ones he's released lately. It's not near a 10/10 because it's simply put a low budget film and the whole 22 year old girl and Seagal getting engaged was a bit disturbing. But yeah, other than that it was a much better movie this time around.

This movie was poorly written, directed, and cut. Steven Segal has continued to get worse every flick he is in, and this proves it further. Various panning shots with continual cuts of the back of Stevens' lasting almost a minute in length must have been put in the final cut as the actor refused to re-shoot the scene using his actual verbiage. The movie is complete with an Asian setting that truly defines 70's "Kung Fu". Dialog that doesn't match the actors mouths adds to the constant chaos that viewers must deal with as well. I cannot stress enough that there are much better flicks out there to put your money towards. On a good note, as if there is one, there are a few scenes in the movie, trust me only a few, that kept me entertained long enough to say I watched the whole movie. I would have to say though finishing the movie was more painful than the $3.00 that I regretted spending to rent it.

Steven Seagal films are slowly becoming something of the * flicks of the action genre ... you pretty much know what you get bi-anually when you're holding a Seagal DVD in your hands (do they actually make it into the cinema in the US? In Europe they tend to go straight to plastic ...). Well, of course the film needs to start off with the Seagal character being a soldier trying to rid the world of the danger of opiates by gunning down some opium-bandits in the jungle. The opening scene virtually adds nothing - apart from establishing the aging Seagal as veteran - but, probably as manditory as the lion roaring at the beginnings of old MGM movies ... From there it goes to Cyber-Tokyo of 2004. It is there revealed that Seagal has actually grown up in Tokyo - not just Tokyo but the China Town of Tokyo. Viewers are more likely to buy a rotten fish, than that ... Sad is such: when dwelling over Yakuza-classics such as 'Yakuza' (with Robert Mitchum) to 'Black Rain', the Yakuza gangstaz here are portrayed more like Ottaku. Cyber-freaks, Amikan-oh-wanna-be punks who pretty much imitate, well, villains from earlier (and better) Seagal movies. No more 'asian mystique / philosophy within the scoundrel', the days of the clean-cut, samurai sword swinging gangsters are gone. Well, until the end, where naturally suddenly all thugs (and heroes) swing those shiny Japanese blades, having all over suddenly replaced (or lost?) their 20th century guns. Can you imagine how the film ends? If this film had a budget, it might well have become Steven Seagal's 'Terminator 3' ... & Adios, mujajos. But I figure, Seagal still has two, three good years ahead of him. Which would translate into 4, 5, 6 or even 7 more flicks in which he gets to mime the unbeatable hard-ass. Ah, but fortunatley, all times go by and there are often ways to avoid the next Seagal-flick ...

Let's see... it starts out bad and goes to worse. In the opening scenes his army buddy gets killed because Seagal's character (who is supposedly a top-notch operative) does not seem to grasp the concept of "covert mission." Then we have the FBI supervisor William Atherton who had better lines in Real Genius, and calls in Seagal to investigate a power struggle in the Tokyo underworld. Apparently, nobody in any local law enforcement organization understands the Yakuza like Seagal. They totally wasted the fabulous Chiaki Kuriyama - but maybe it's better for her that she was not more visible in this dog. The clichés are hard to keep track of, here are just a few: 1. Alienated loner teamed with rookie 2. Rookie killed trying to impress the IL' tough guy 3. Loner has finally found love with young hottie, which only serves to get her killed (again because of that covert deficiency) 4. Multiple family murder-revenge story lines 5. The clash of the traditional gangster who lives by a code of conduct and the modern ultra-violent criminal with no respect for anyone or anything For as long as Seagal has been making movies you'd also think he'd learn a thing or two - maybe even work on a second facial expression. Also, he seems to have lost the ability to differentiate between fantasy and reality. In both he imagines himself to be a Japanese sensei and reluctant samurai, and this conceit is getting old, old, old.