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Not One Shall Die

Not One Shall Die

★ 5.21957Movie2 h 0 mالولايات المتحدة
Shortدراما

A young doctor, who loses his wife during their attempt to flee Europe, arrives at a JDC Refugee Camp where he meets a Jewish couple from Egypt. They try to persuade him to join them on their journey to start a new life in Israel.

49 people rated
🔇

Not One Shall Die

1957

R

2 h 0 m

الولايات المتحدة

Short

دراما

A young doctor, who loses his wife during their attempt to flee Europe, arrives at a JDC Refugee Camp where he meets a Jewish couple from Egypt. They try to persuade him to join them on their journey to start a new life in Israel.
More

5.2 /10

49 people rated

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أفضل الممثلين(12)
starring avatar
Guy Madison
Stefan Gross
starring avatar
Felicia Farr
Rosa Gross
starring avatar
Agnes Moorehead
Mrs. Lessing
starring avatar
Paul Stewart
Kellerman
starring avatar
Abraham Sofaer
David Lessing
starring avatar
Eduard Franz
Mr Selig
starring avatar
Gloria Castillo
Deborah
starring avatar
Argentina Brunetti
Neighbour
starring avatar
Ivan Triesault
Military officer
starring avatar
Frank DeKova
Egyptian official
starring avatar
George Keymas
Border official
starring avatar
Barney Phillips
Henry

تقييمات المستخدمين

author avatar

Sup...

29/05/2023 07:36
source: Not One Shall Die
author avatar

Nouhaila Zaarii

25/05/2023 07:31
Moviecut—Not One Shall Die
author avatar

Harlow

23/05/2023 03:30
One of the series of films produced by the United Jewish Appeal, Not One Shall Die (1957) continues the tradition of using solid, upper-grade actors and behind the scenes talent to raise awareness of the reasons behind the deep need for a charitable gift and, like Man on a Bus (1955), it does it with a polish not usually associated with what is essentially an industrial type film. Guy Madison is a doctor and Holocaust survivor who has been forced to become a refugee from an unnamed Eastern European country and becomes despondent after being separated from his wife in their escape. Finding himself at the relocation center run by a helpful charity - hint, hint - he tries to work through his grief aided by Agnes Moorehead and her husband who have their own terrible story to convey. Director David Rich is no Joseph Lewis but he keeps things moving along with no lag in interest, although at around a half an hour, there's not a lot of room for dilly-dallying anyway. It's always a pleasure to see Paul Stewart, wildly out of his usual typecasting as the director of the refugee center. I kept expecting him to start cracking wise so the change-up was refreshing.
author avatar

J Flo

30/03/2023 06:46
source: Not One Shall Die
author avatar

Nichadia

30/03/2023 06:46
One of the series of films produced by the United Jewish Appeal, Not One Shall Die (1957) continues the tradition of using solid, upper-grade actors and behind the scenes talent to raise awareness of the reasons behind the deep need for a charitable gift and, like Man on a Bus (1955), it does it with a polish not usually associated with what is essentially an industrial type film. Guy Madison is a doctor and Holocaust survivor who has been forced to become a refugee from an unnamed Eastern European country and becomes despondent after being separated from his wife in their escape. Finding himself at the relocation center run by a helpful charity - hint, hint - he tries to work through his grief aided by Agnes Moorehead and her husband who have their own terrible story to convey. Director David Rich is no Joseph Lewis but he keeps things moving along with no lag in interest, although at around a half an hour, there's not a lot of room for dilly-dallying anyway. It's always a pleasure to see Paul Stewart, wildly out of his usual typecasting as the director of the refugee center. I kept expecting him to start cracking wise so the change-up was refreshing.
— No more content —

تقييمات المستخدمين

author avatar

Sup...

29/05/2023 07:36
source: Not One Shall Die
author avatar

Nouhaila Zaarii

25/05/2023 07:31
Moviecut—Not One Shall Die
author avatar

Harlow

23/05/2023 03:30
One of the series of films produced by the United Jewish Appeal, Not One Shall Die (1957) continues the tradition of using solid, upper-grade actors and behind the scenes talent to raise awareness of the reasons behind the deep need for a charitable gift and, like Man on a Bus (1955), it does it with a polish not usually associated with what is essentially an industrial type film. Guy Madison is a doctor and Holocaust survivor who has been forced to become a refugee from an unnamed Eastern European country and becomes despondent after being separated from his wife in their escape. Finding himself at the relocation center run by a helpful charity - hint, hint - he tries to work through his grief aided by Agnes Moorehead and her husband who have their own terrible story to convey. Director David Rich is no Joseph Lewis but he keeps things moving along with no lag in interest, although at around a half an hour, there's not a lot of room for dilly-dallying anyway. It's always a pleasure to see Paul Stewart, wildly out of his usual typecasting as the director of the refugee center. I kept expecting him to start cracking wise so the change-up was refreshing.
author avatar

J Flo

30/03/2023 06:46
source: Not One Shall Die
author avatar

Nichadia

30/03/2023 06:46
One of the series of films produced by the United Jewish Appeal, Not One Shall Die (1957) continues the tradition of using solid, upper-grade actors and behind the scenes talent to raise awareness of the reasons behind the deep need for a charitable gift and, like Man on a Bus (1955), it does it with a polish not usually associated with what is essentially an industrial type film. Guy Madison is a doctor and Holocaust survivor who has been forced to become a refugee from an unnamed Eastern European country and becomes despondent after being separated from his wife in their escape. Finding himself at the relocation center run by a helpful charity - hint, hint - he tries to work through his grief aided by Agnes Moorehead and her husband who have their own terrible story to convey. Director David Rich is no Joseph Lewis but he keeps things moving along with no lag in interest, although at around a half an hour, there's not a lot of room for dilly-dallying anyway. It's always a pleasure to see Paul Stewart, wildly out of his usual typecasting as the director of the refugee center. I kept expecting him to start cracking wise so the change-up was refreshing.
— No more content —
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