Using the same plot as MGM's LIBLED LADY and EASY TO WED [aggrieved heiress vs. undercover reporter], Fox tried to resuscitate the romantic screwball comedy. However, aside from a few stray witty lines, nothing seems to work: not the comic business that Tyrone Power adeptly performs, not the Katharine Hepburn accent essayed by Gene Tierney, and certainly not scenes like the jailhouse exchange of bedbugs [what were they thinking?] Power and Tierney supply ample star power, and all the cast members are perfectly competent, but the whole enterprise resists laughter. Perhaps it's the brief but awful organ music in the score.

if you're in the mood for a romantic comedy - without anything thought provoking - this might do the fun comes watching the two potential lovers trying to outwit each other - there were a couple obvious steps that might have been taken - but using them right away would have cut the plot short - so try to resist belaboring them Gene Tierney & Tyrone Power were the eye candy of the time - they weren't top actors - but by this time - they had developed an easy charm in place of the finesse of the better actors - such as Carol Lombard - Claudette Colbert - William Powell - Cary Grant the scheming and the repartee were pretty good - but not the best - and the falling in love wasn't so obvious - still the expectation was there to help the audience over the threshold competent in all departments - which may explain why it isn't cited as one of the great romantic comedy - still - it's a good choice for a bit of light entertainment

Just because a performer is attractive, talented and has star power and charm it does not mean they have comedic skills. This farce has few chuckles, let alone belly laughs. It would have been better with comedic actors but not great. It is worth seeing. Power and Tierney are both attractive and charming. They even gave chemistry. They just aren't funny.

I found this movie entertaining and humorous although the ending was abrupt. I couldn't help thinking how topical it was with the tabloids and celebs in the news these days and even the President being asked about a reality show personality when he was on The View. I don't think this movie would have been suitable during WWII but in the relief of the postwar era a light comedy might have filled the bill, and tabloids were flourishing along with fan magazines and interest in the privileged, whether heiress or royal. (The 1947 wedding of Elizabeth and Philip was a big seller, too.) I hope some day to see the original to compare and contrast but as a stand alone, this movie was pleasant with some good lines, a few laughs, and kept me awake longer than I had intended so I could see the end. If you don't have anything better to do, you might enjoy it as a diversion.

Scolding reviewers who go on and on urging you to "see the original" and "this is a bad remake" are ponderous and not too bright, in my opinion. I can separate performances and stories in my mind without any trouble whatsoever. This is a fun movie with lots of clever scenes and great interplay between Tierney and Power, who clearly had personal affection for one another. The supporting cast does a good job of getting out of the way and letting Gene and Tyrone shine. Chill Wills is great as a crooked judge and has many funny one-liners. Its fun and enjoyable! The scenery, whether in Sun Valley or New York is realistic and a history lesson in 40's era lifestyles. I mean, its Gene Tierney and Tyrone Power, for crying out loud! They aren't making movie stars like those two anymore, are they? Enjoy!

Inane farce where an heiress wants to take revenge on the reporter who wrote about her in negative ways and then wooed her along the ski slopes. Gene Tierney takes that revenge by claiming that reporter Tyrone Power married her. As a result, his life is wrecked and the remainder of the picture is where Tierney thwarts the efforts of Power to prove otherwise. Some of the scenes are funny, but the film becomes tedious at best thanks to hopeless writing. Tierney and Power were in such a much better vehicle in 1946's "The Razor's Edge." Comedy was not exactly their forte.