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The Book of Vision

The Book of Vision

★ 7.22021Movie1 h 39 mالمملكة المتحدة
دراماأُحجِيَّة

إيفا، طبيبة غامضة، تبحث عن إجابة لمعضلة مُلحة وهي تكشف كتاب رؤية الدكتور أنموث. يتدخل ستيلان في حياتها ويضطر لمواجهة طبيعتها وهي تواجه أهم قرار في حياتها.

18104 people rated
🔇

The Book of Vision

2021

R

1 h 39 m

المملكة المتحدة

دراما

أُحجِيَّة

إيفا، طبيبة غامضة، تبحث عن إجابة لمعضلة مُلحة وهي تكشف كتاب رؤية الدكتور أنموث. يتدخل ستيلان في حياتها ويضطر لمواجهة طبيعتها وهي تواجه أهم قرار في حياتها.
More

7.2 /10

18104 people rated

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الحلقات

film
lklk
Netflix
Plex

العرض الفرعي

play
أفضل الممثلين(12)
starring avatar
Charles Dance
Dr. Johan Anmuth
starring avatar
Lotte Verbeek
Eva
starring avatar
Lotte Verbeek
Elizabeth von Ouerbach
starring avatar
Sverrir Gudnason
Dr. Nils Lindgren
starring avatar
Filippo Nigro
Heinrich von Ouerbach
starring avatar
Isolda Dychauk
Maria
starring avatar
Rocco Gottlieb
Valentin von Ouerbach
starring avatar
Justin Korovkin
Günter von Ouerbach
starring avatar
Douglas Dean
Tutor
starring avatar
Vera Graziadei
Rivka Sorkin - Miss Dobileit
starring avatar
Marco Quaglia
Chris
default avatar
Abel Tesch
Eva's ex husband

تقييمات المستخدمين

author avatar

adilmrabbichow2

24/03/2025 03:16
The Book of Vision_360P
author avatar

cabdi xajjji

29/05/2023 18:58
source: The Book of Vision
author avatar

Teezyborotho❤

22/11/2022 14:35
The film's premise is certainly interesting: a multi-period exploration of the transition to modern medicine, the interplay between scientism and Western esotericism, and the subsequent change in doctor-patient dynamics. Dance lends his usual gravelly tones, Korovkin is terrifying, and Dychauk's performance is heartbreaking, yet all are shackled by Hintermann's clunky dialogue. Gudnason and Verbeek's talents are sadly wasted on underdeveloped characters. Indeed, it's the script that fails the actors. The dialogue is so disjointed it feels like a good deal was left on the cutting-room floor, and what remains is devoid of any poetry. The characters are one-dimensional receptacles for Hintermann's reductive ideas, either passionately romantic or coldly clinical, but never complex. It ruins what would otherwise be a very touching story. Hintermann has chosen to approach symbolism with all but the kitchen sink. Visually interesting as individual set pieces, the continuous lack of subtlety climaxes as Verbeek bursts into a 90-second musical number before swooning into Gudnason's arms with all the grace of Fanny Squeers. The next thirty minutes is a fever dream of dynamic shots and ever-changing Dutch angles more suited to a noughties flick than a sombre period piece. Many static shots are filmed on a shaky Steadicam (oxymoron intended) and occasionally the audio dubbing is visibly out of sync. That said, Tufano's costume design is breathtaking, the set design is gorgeous, the music and foley superb. The film's more artistic shots are beautifully composed. I appreciate the film for what it tried to be and look forward to Hintermann's next project - but this is a diamond in the very, very rough.
author avatar

Dr Evan Antin

22/11/2022 14:35
A real mixed bag. A twin timeline, one in 18th century Prussia, a second in modern day. The actors play similar roles in both timelines which flicks backwards and forwards incorporating dream sequences that play a major part in the telling and formulation of the plots. Occasionally, the timelines and dreams are mixed in present day and can become confusing or intriguing depending on how you cope with non linear storytelling. The Good parts are, as ever, Charles Dance, the costumes, settings, the dream sequences and the basic plot outline. Where it falls down is in the execution. The script is wooden in parts, delightful in others. Some actors have had their parts overdubbed for some reason. The ending fails to deliver the emotional punch that the film builds up to. That said it's a pleasant enough ride up until that point.
author avatar

Mohssin

22/11/2022 14:35
Trailer—The Book of Vision
author avatar

Taulany TV Official

22/11/2022 03:51
The Book of Vision
— No more content —

تقييمات المستخدمين

author avatar

adilmrabbichow2

24/03/2025 03:16
The Book of Vision_360P
author avatar

cabdi xajjji

29/05/2023 18:58
source: The Book of Vision
author avatar

Teezyborotho❤

22/11/2022 14:35
The film's premise is certainly interesting: a multi-period exploration of the transition to modern medicine, the interplay between scientism and Western esotericism, and the subsequent change in doctor-patient dynamics. Dance lends his usual gravelly tones, Korovkin is terrifying, and Dychauk's performance is heartbreaking, yet all are shackled by Hintermann's clunky dialogue. Gudnason and Verbeek's talents are sadly wasted on underdeveloped characters. Indeed, it's the script that fails the actors. The dialogue is so disjointed it feels like a good deal was left on the cutting-room floor, and what remains is devoid of any poetry. The characters are one-dimensional receptacles for Hintermann's reductive ideas, either passionately romantic or coldly clinical, but never complex. It ruins what would otherwise be a very touching story. Hintermann has chosen to approach symbolism with all but the kitchen sink. Visually interesting as individual set pieces, the continuous lack of subtlety climaxes as Verbeek bursts into a 90-second musical number before swooning into Gudnason's arms with all the grace of Fanny Squeers. The next thirty minutes is a fever dream of dynamic shots and ever-changing Dutch angles more suited to a noughties flick than a sombre period piece. Many static shots are filmed on a shaky Steadicam (oxymoron intended) and occasionally the audio dubbing is visibly out of sync. That said, Tufano's costume design is breathtaking, the set design is gorgeous, the music and foley superb. The film's more artistic shots are beautifully composed. I appreciate the film for what it tried to be and look forward to Hintermann's next project - but this is a diamond in the very, very rough.
author avatar

Dr Evan Antin

22/11/2022 14:35
A real mixed bag. A twin timeline, one in 18th century Prussia, a second in modern day. The actors play similar roles in both timelines which flicks backwards and forwards incorporating dream sequences that play a major part in the telling and formulation of the plots. Occasionally, the timelines and dreams are mixed in present day and can become confusing or intriguing depending on how you cope with non linear storytelling. The Good parts are, as ever, Charles Dance, the costumes, settings, the dream sequences and the basic plot outline. Where it falls down is in the execution. The script is wooden in parts, delightful in others. Some actors have had their parts overdubbed for some reason. The ending fails to deliver the emotional punch that the film builds up to. That said it's a pleasant enough ride up until that point.
author avatar

Mohssin

22/11/2022 14:35
Trailer—The Book of Vision
author avatar

Taulany TV Official

22/11/2022 03:51
The Book of Vision
— No more content —
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