This film had been shown several times in local retrospectives, but unfortunately, we never caught up with it. Finally, TCM showed it recently and we have to thank them for a great movie that will sure entertain as well as disturb the viewer willing to take the ride! Under the experienced direction of Lewis Allen, this 1944 gem of a film, based on the fine novel by Dorothy Macardle, is shown in all its splendor.
Roderick and Pamela Fitzgerald, brother and sister, living on a meager existence in London are lucky enough to find a great house on the coast overlooking a fantastic scenery. What's more, the house is a bargain they can't pass! It needs some cleaning, and painting, but it's almost ready to be inhabited by the Fitzgerald. The only problem is the property is haunted.
The Fitzgeralds buy the house from a rather odd man, Commander Beech, who appears to be local gentry who has been connected to the property. He has a young and beautiful granddaughter, Stella Meredith, who is forbidden to go visit the newly arrived Londoners, but there's an immediate attraction between her and Roderick, as well as a budding friendship with Pamela, the kind sister.
The Fitzgeralds get much more of what they bargained for. The ghost of the past makes an appearance as the new owners feel its presence right away.. Sobbbing can be heard, as well as a strong smell of mimosas permeates everything whenever the specter is felt in the mansion. The Fitzgeralds want an explanation from the Commander, but he's not willing to even consider returning the money. What to do?
The great asset of this picture is the enormously talented cast. Under the direction of Lewis Allen, they give life to all the characters one sees on the screen. It helps to have secured the services of a charismatic Ray Milland who gives one of his best performances. The hugely talented Ruth Hussey is equally fine in her portrayal of Pamela Fitzgerald. Donald Crisp, as the mysterious Commander Beech makes the character more intriguing than what he is.
One of the great surprises of the film is Gail Russell, the gorgeous actress, seen at her best. She makes a great Stella, equally fragile, as well as questioning the mystery surrounding her past. This also was a rare occasion for watching one of the pillars of the American theater, Cornelia Otis Skinner who makes a great Miss Holloway.
This is a picture that is enhanced by the many contributors that made the film so great to watch. The impressive black and white cinematography of Charles Lang is glorious. In the opening sequence the view of the sea breaking against the rocks looks like a painted seascape. The atmospheric music by Victor Young conveys the mystery that surrounds the whole story. Edith Head's costumes reflect the life of the times. The sets by Stephen Seymour are exquisite to look at. We feel as though we are intruding in the lives of all these characters in the England of the 40s.
Excellent film. It won't disappoint!