source: Wild River

The three main reasons for wanting to see 'Wild River' were for a story that sounded incredibly powerful on paper, a talented cast (including Montgomery Clift post-accident) and that it was directed by Elia Kazan. Not to mention how positively it has been received by many. The story could have been soapy and over-baked, but the potential for it to have a big emotional punch was massive. Clift, Lee Remick and Jo Van Fleet were great in other things and Kazan was a truly fine and influential director. One that may have had the odd not so great/good film (i.e. 'Sea of Grass'), like most directors, but his best work (that included 'On the Waterfront' and 'A Streetcar Named Desire) were masterpieces and even lesser work was better than the lesser work of a lot of directors. As cliched as that sounds. 'Wild River' may not be one of his all-time greatest or his most important. It is though incredibly powerful and near-uniformally fantastic, that it was a commercial failure at the time apparently is hard to fathom. As is that it is not better known, though it is brilliant that many hold it in very high regard. 'Wild River' could have developed its main relationship a little more, as it didn't quite feel fully fleshed out or smoulder enough. Though it is played absolutely beautifully and with intensity and poignancy. Clift though is wonderful here and gives a contender for his best later years performance, in some of his later performances one can tell how much the accident had more than understandably affected him and how he had not fully recovered but not here. Remick is sympathetic and very touching. The best performance though comes from the richly layered powerhouse that is Van Fleet, that she wasn't even nominated for an Oscar here (when her performance is for me even better than the performance that garnered her a nomination, the excellent 'East of Eden') is one of the biggest mistakes the Academy ever made in my view. Kazan directs very effectively and one can see what his appeal was and why he was so influential from watching the film, even if other films of his did it even better. His direction of actors and how they interact and how he managed throughout his career to do wonders with getting such great performances from so many actors (including those that didn't always impress elsewhere) are here in 'Wild River'. It is a very beautifully made and shot film, with a lot of atmospheric lighting. The music score is neither too constant or over-bearing, nothing iconic but it fits the film's atmosphere expertly. In terms of writing, 'Wild River' is very intelligently written without resorting to over-wordy rambling or over-bubbled soap. The story is deliberate but never dull, again it is intelligent story-telling and also very moving. Will admit to crying and getting goosebumps, have not felt that about every recently seen film. To conclude, absolutely wonderful. 9/10

This nearly forgotten film from director Elia Kazan has a plot line closer to a Stanley Kramer film, albeit without the bombast. A government man, played by Montgomery Clift in his last great performance, tries to persuade the matriarch of a backwoods family to sell her land so a river can be routed through it. Clift's performance is matched by the always terrific Jo Van Fleet (only 40ish, but playing 80ish --- Kazan clearly indulges her). Van Fleet's performance is electrifying. Although there is a subplot involving Clift and Lee Remick, it takes a back seat to the Clift-Van Fleet showdown. Remick is terrific and Jay C. Flippin is a plus as one of Van Fleet's more intelligent "boys." A couple of drawbacks: the movie's widescreen and color photography soften its overall impact. There's no real sense that this is the 1930s. Nonetheless, WILD RIVER remains Kazan's nearly forgotten, near masterpiece.

I can see why this movie is considered a classic. A particular version of rural Tennessee is captured very starkly with the characters and atmosphere seeming to walk right out of a painting. That much alone makes it worth a view. The acting is excellent, especially in the supporting and minor roles. They create and carry the film. Given that, Montgomery Cliff, although a great actor, is not as good as one might expect. The attempts at romantic moments with Lee Remick really fall flat and it seems to be his presence that is the problem not hers or the director's. She puts out a good effort but it is not believable when it is pointed in his direction. His other scenes are much better but even with those, this is not one of the great Montgomery Cliff vehicles. There is one confrontation scene that is a bit confused in that it is not exactly clear what the motivations of all the participants are and their actions are likewise difficult to make sense of. It almost came across as a scene that was artificially built up with extra characters that the director wanted to show but had no other logical place in which to do it. It could have been scaled back and been more effective.

In 1934 field administrator chuck glover(Montgomery Cliff working for the Tennessee Valley Authority is dispatched to oversee clearance of land & property which will soon be flooded but a stubborn landowner refuse to leave while widow granddaughter(Lee Remick) falls for him.There's trouble along the way when he hire's the local coloured work force to work along side the white counterparts which the townsfolk aren't impressed by, especially by his liberal views.the grandmother (Jo Van Fleet) soon moves out leaving Cliff & Remick to marry & leave with her 2 children to a better life.Great location area shot with opulent flavour,nicely directed by Elia Kazan & nicely acted all round.

WILD RIVER is one of Elia Kazan's best films, with brilliant affecting performances, beautiful cinematography, atmospheric settings, and a multilayered plot with important thematic points to make about the rights of the individual vs. the needs of the larger society as a whole. Jo Van Fleet gives one of the all time great performances of the screen in this film as far as I'm concerned. The music is also beautiful and evokes the time and place of the setting, 1930s Tennessee.Why isn't this film on video? Wonderful, one of my favorite movies.

I had to say this movie was so stunning for me. The beginning black and white newsreel of a man who lost his three children in a flood is actually a real clip and it is my grandfather, so I was so amazed to see this. He passed away in 1972. My father lost his brothers and sisters in the flood which was in the 1930s Trumansburg, NY. I believe is was the flood of 1935. How amazing to see an actual news reel of my grandfather!!! I had a hard time finding the movie until I come across it on ebay. My father once had it, but he ended up losing it as the movie was not marked it was a blank VHS and it was unfortunately thrown away. I am holding onto the movie that I got until his birthday. It will make a unforgivable gift.

Years ago, I tried watching "Wild River" but quickly lost interest. After all, the plot is amazingly simply....a man from the Tennessee Valley Authority is trying to convince a recalcitrant old woman to move off her land before the new dam floods her out. However, in hindsight, I was way too quick to dismiss the film...and there is much, much more to the story than this. In addition to Chuck Grover (Montgomery Clift) trying to convince the woman (Jo Van Fleet) to move, many other issues come up. One is the romance between him and Carol (Lee Remick). The other is the racial prejudices dominant in this era in the Tennessee Valley as well as the anti-federal government sentiments. Together, they weave a very interesting portrait of a bygone era....made all the better by nice acting (particularly by Remick) and top notch direction. All in all, I am very glad I gave this one another try...it's well worth seeing.

I found this little gem to be an exquisite piece of ensemble work by some of the best screen actors to ever to be in front of a lens. Elia Kazan impeccable direction and a performance by Jo Van Fleet that could be a learning tool for some of these putrid so-called actress that now are being lauded as the neo-contemporary actress's of the day. When you see a film of this artistic magnitude you can easily understand the dumbing down process of the American cinematic media. Not one of the so-called stars of today could measure up to Lee Remicks complex and sensitive portrayal of Carol in Wild River. Montgomery Clift an actors actor , there will never be another. A master of controlled raw emotion and body language. Gone are the days indeed when this kind of movie production will return. Not special effects or remake after loathsome remake or some equally obnoxious star or starlet will match this cinematic jewel.

Try to see this movie before you spent any money on it, as I did. Sure, there is a lot of beautiful scenery. And some of the acting is great; Jo van Fleet is brilliant! But Elia Kazan's directing is too heavy handed for Clift and Remmick. Clift does his line and then performs the face he is told to show. But there is no connection between the line and the face. Remmick does the same, but since it her début I can't hold that against her. This effect makes this movie difficult to watch. The story is full off holes too: the relation between Clift and Remmick starts totally unbelievable. Wouldn't a mother think of her kids? Her house is her future but check out the map in the beginning of the movie and form your own opinion. (since I'm trying to avoid spoilers I can't go into details)