Trailer—36 Hours

James Garner plays an intelligent officer who is captured in the eve of the D-Day invasion. The Germans try to trick him into think six years had passed and that the war was over in order to get him to reveal what he knows. Off beat spy yarn is a clever idea but never quite gels. Give it points for not going in the direction you'd expect, it doesn't take long before Garner figures out its ruse and then things don't go as you'd think. I like the film more for what it tries to do rather than for what it accomplishes. Its an interesting misfire, thats worth seeing for that reason

Great, offbeat WWII thriller from The Spy Who Came in From the Cold Genre. If you've ever wondered where the Sgt. Schultz character developed from Hogan's Heroes - watch and be surprised! Tight Script and excellent performances from Saint, Taylor, and Garner. Filmed in B & W to enhance the intensity.

This is one of my favorite movies. It makes you anxious wondering when (or if) Maj. Pike is going to see through the Nazi facade or is going to be duped. Look for an appearance by John Banner ("Hogan's Heroes"'s Sgt. Schultz) and a brief cameo by James Doohan ("Star Trek"'s Scotty).

James Garner is one of the men who knows about the plans for the Normandy Invasion in 1944. The movie starts with him waking up in an allied hospital LONG after the D-Day invasion. He was apparently in an accident and the kind doctors and nurses are happy to see he is finally awake and regaining his memory. However, through the course of the film, little oddities conspire to convince Garner that the war MIGHT NOT be over and that the hospital and the accident are all really part of an elaborate ruse! The acting and writing and pacing are excellent. This is a quirky little war film that begs to be seen.

It wasn't a blockbuster, but is haunting. I still remember the first time I saw it, and remember it every time I ... well, I don't want to reveal any plot points. But it is probably one of the films that triggered my love of mysteries.

This is one of my all-time favorite films. Fortunately, we have a video store near us where I can rent old films like this and enjoy the creative story whenever I choose. The main plot of this story, along with the various subplots, held my interest from the beginning. After seeing the film just once, I could recall so many of the details because the film is just THAT GOOD! It is a well-casted film and one that I wish would be shown on TV (I can't recall the last time it was) so that others could become aware of this really suspenseful film. I've rented this movie for my kids and my husband to see because it hasn't been televised and I wanted them to be able to experience the same riveting viewing experience that I've enjoyed so many times.

If you really listen to the very first moments of the opening music, and if you know something of music, then you'll immediately recognize that the Composer (Dmitri Tiomkin ) was not messing around with THIS score. Tiomkin wrote a beautifully impending theme, internally driven, colored with adventure, suspended by taught phrases, and completely in line, and easily telling, of the quality of everything about this movie. ( My thought was that if Tiomkin wasn't messing around, no one else would be messing around either. This movie HAS IT ALL. ) When I heard those first opening passages, especially the quiet and complex timpani part, then I knew I was in for a really OUTSTANDING FILM. So, right then, I put off an important meeting, because I felt the movie would be as good as the music score. If you encounter this movie, put off anything else, except medical emergencies, and WATCH THIS MOVIE. ! ! Life's too short to miss this one, so watch it - NOW ! Yes, NOW !

This film was very original with a clever premise. For the most part, they pulled it off rather well. There are a few implausibilities but overall they make it work. Top notch writing, direction, cast and supporting cast who offer some comedic relief.

Really enjoyed this film, an engaging mix of psychological banter with pre-D-Day espionage tension. The best scenes for me were the dialogues between James Garner and Rod Taylor, they'd make a great film on their own. Garner has that amazing combination of intellect and machismo - he can debate the moral aspect of duty and then knock out a guard just as convincingly Eva Marie Saint's performance is very strong too as the concentration-camp victim unable to express emotion after the trauma that she has experienced. The power of Roald Dahl's writing comes through here, as she acts as a constant reminder to us of the grim realities of the war in the context of the other charismatic characters.