source: Diminished Capacity

Cooper (Matthew Broderick) is a newspaper editor having memory problems after suffering a concussion. He is forced to go on leave, and he goes back home. His mother wants to put his uncle Rollie (Alan Alda) into assisted living. Irratic Rollie is having mental problems of his own, but he has a rare baseball card. Hoping to stay independent, Rollie goes to memorabilia convention to sell his card with the help of Cooper, Cooper's ex Charlotte (Virginia Madsen) and her son. I didn't much like either Broderick or Alda's character. They aren't very funny. Uncle Rollie is very angry. They're trying for quirky and funny. I wonder if quirky and dark would make more sense. This never got funny. And the ridiculous slapstick in the end of them fighting for the card is downright stupid. When the card is so valuable and Rollie is treating it like a pawn shop reject, it's just too frustrating and too painful to watch.

It's hard to understand why this film is rated so low. It just me be that those who go to movies, 14 to 35 year olds have no idea what it means to grow old, and with this aging to lose a sense of self that is encompassed in memory. This film had a patina of comedy, but it was only a bit of sugar on some bitter reality. Having both main characters suffer from cognitive incapacity, but with a difference of one being a decline and the other only temporary was a brilliant device. Alda's sense of despair was perfectly conveyed, as he held on to the one thing he treasured, an old baseball card. But it was difficult to hold onto, and kept slipping through his fingers, like his memory itself. A rare gem of a movie, even more so for baseball fans, more so for collectors of baseball cards, and a jackpot for those who adore the Chicago Cubs.

I actually liked this film. It's a light-hearted look at people suffering from reduced mental capacity (memory loss, lapses in judgement) due to aging (portrayed by Alan Alda), or from post-concussion syndrome (portrayed by Matthew Broderick). The main characters played their characters very well. Alan Alda especially did a remarkable acting job. Bravo Alan! I'm going to have to dig through the archives and see your earlier works as well. Very convincing as the elderly gentleman who's slowly losing his marbles while retaining a very charming outlook on life. The storyline is quite simple. You're not watching this movie for a complex or compelling story but rather to watch the characters and how their relationships evolve with each other. Of course there has to be a romantic interest thrown in and although that was maybe one of the lesser parts of this movie, Virginia Madsen plays her part well and looks very fetching as a 40-something single mother. 7/10

I found this DVD at a garage sale and I was shocked that I never heard anything about this movie. A killer cast with horrible cover art. The story was wonderfully quirky. I cared for the characters and was fascinated by the plot complications. There was a nice combination of humor and sadness. The story of country folks trying to survive in the big city of Chicago was a nice touch. I loved the real Cubs footage and could feel the pain of some of the fans portrayed in the film. I once loved baseball and I would imagine any true fan would get a kick out of the real baseball references throughout the film. Overall a satisfying surprise

I must admit when I rented this movie it was largely because of its cast. I always liked Matthew Broderick and Virginia Madsen. The talents of Alan Alda go without saying ... Hawkeye as part of M*A*S*H was legendary to say the least. I quickly found I was deeply interested in this movie as it began playing maybe because of what we went through with my own uncle who developed a form of dementia that accompanied his Parkinson's Disease I don't know but I was hooked. The antics at times were funny and like other movies very serious at other times. Broderick's character is also suffering from his own memory problems due to a severe concussion and can at least understand some of what his uncle is going through. Though unlike his uncle, his neurologist states he should get better ... Alda as the uncle is excellent in this movie, funny at times but very poignant and serious at other times - as he looks into the mirror his reflection that appears back is haunting and vacant. But he tries to deal with it though at times certainly gets things muddled. Madsen also is very good in this movie as the now divorced old flame but is very strong as her relationship with Broderick's character rekindles itself. Her scenes with her son are also very touching as she tries to deal with his problems. Her character certainly though is not one dimensional as her own potential career as an artist are developed in the movie as well. Her paintings in fact were the reason for her visit to Chicago in the first place but her roots clearly are in their hometown. Madsen in this film is radiant as she has ever been. If she was stunning in the 80s she is radiant now and has only improved her craft and skills. Overall a good movie, well acted and well written. If you like movies with substance and something to them with family themes behind it this is the movie for you. Well worth the watch.

Essentially you have here a "B" list cast of actors (Matthew Broderick, Virginia Madsen and Alan Alda) - none megastars, but all solid actors - who, as you would expect, put on decent enough performances. The problem with the movie is a story that misses its potential. I acknowledge that I haven't read the book. Maybe this worked better on paper, but on screen this was lacking. Broderick played Cooper, an editor for a Chicago newspaper who suffers a head injury, and then is called away himself to help care for his uncle (Alan Alda) who's in the early stages of dementia. Madsen is some type of old flame for Cooper with whom he reconnects in his hometown. All three were fine in their roles but this movie had basically two directions in which it could have gone, did a little bit of both and, ultimately, because it had no focus on either, was a disappointment. This could have been successful as a light-hearted comedy; a humorous look at dealing with the problems of dementia. Alda captured that well; he was believable as a dementia victim, and there were things like his fish-writing obsession that could have made this touchingly funny, but those moments were few and far between. Or, this could have gone the route of emotional drama, as we watch Alda's character of Rollie (and those around him) deal with his decline, but again those moments were few and far between. There was a moment when I thought the movie had made a choice - the very powerful scene when Rollie is missing and Cooper finds him in anguish in the bathroom at the card show; lost, confused and embarrassed at what's happened. But that moment also gets lost. Instead of that, the story focuses for some reason on the old baseball card - a 1909 Cubs card that Rollie's grandfather gave him as a keepsake and that he now wants to sell. Even that could have been touching enough, but the card ends up being used primarily as a prop for staging slapstick humour, especially the ridiculous "fight" scene at the end of the movie. Also burdened with unnecessary characters (especially Donny, but even Madsen's Charlotte to an extent) this was really a disappointment. 3/10

I enjoy all the actors in this, so when I first saw this in the remainder bin I grabbed it. I hadn't heard of this release at all so looked forward to breaking the cellophane. The actors - Matthew Broderick, Virginia Madsen and Alan Alda - struggle mightily with a rather awkward wandering script and a movie that can't seem to make up its mind in which direction and what genre it is embracing. Bathos, pathos, slapstick, romance and too many pathetic fight scenes get thrown into the mix and take from a slender story that could have been wonderful. Broderick plays Cooper, an editor for a Chicago newspaper who is called by his mother to sort out an uncle (Alan Alda) who is displaying bizarre symptoms of dementia. Thing is Broderick also has suffered a brain injury (another fight scene) and is having serious mental issues himself. This could have been fully explored in a blind helping the blind scenario but unfortunately it isn't. Instead we now get a road movie with a very valuable baseball card as the impetus for the flight. There were some very interesting underlying themes which were never fully explored and all dealing with Alda, playing Rollie who has a wonderful fish-writing obsession with a typewriter sitting on the end of the dock. I also thought the relationship between Cooper and his mother undeveloped, she seemed a very interesting avant-garde figure. The clichés were many down to the second to last scene when all characters in the stadium engage in an unbelievable fight/chase/fight/chase scene that seems interminable not to mind unbelievable. And then the seen-it-all-before-Joe dinner in the garden with all cast members happily chowing down. Eye-roll. A shame to waste all that great talent on this unsatisfying script. 2 out of 10.

This film is about a journalist with post concussion syndrome and his demented uncle on road trip to sell a precious baseball card. "Diminished Capacity" is surprisingly engaging. The plot is well written, even tiny details are attended to. It has that special charm to engage viewers. The characters are all likable and authentic, and I really care about them. Alan Alda is amazingly convincing as a demented person. Little by little, his dementia is portrayed beautifully, from the burnt bacon to misplacing the card. One annoyingly implausible thing though, is why would no one help in the fight at the end. That dampens the credibility of the plot, but on the whole it is well written and executed.

I saw this film last night and I really enjoyed it. It showcased some human elements that have been forgotten by Hollywood. Sense of family, memories and bonds that are easily dismissed in today's world. Wonderful performances by the whole cast, especially Alan Alda and Matthew Broderick. Two comedic legends, but what touched me was the compassion that both their characters showed for each other. It was a comedy but personally, I found the sweetness more compelling than the comedy. I would recommend it for people who prefer dialogue and listening to the characters to the standard big noise movies that seem to dominate the film world.