source: Down in the Delta

It touched me deeply. The black race has been through so much, yet they rise.

"Down in the Delta" truly surprised me in that this was Ms.Angelou's debut as a director and she did not disappoint me. The cinematography was well done. I saw where they were going because I see the same things on the streets of Houston.The acting was fantastic Mpho Koaho really portrayed a good child .Alfrie Woodard as usual was excellent in her portrayal of Loretta .Al Freeman Jr. role was phenomenal his love for Nathan ,heritage ,family ,and his steadfast devotion to his wife Ester Rolle was so beautiful. Many thanks to all who put this movie together it is at the least an Honorable Mention at the Academy Awards .

The opening scenes of this movie, set in inner-city Chicago, are somewhat painful and intense to watch. The wonderful cast communicates very well the conflicts and struggles of living in an urban setting and trying to improve one's lot. -- By contrast, the southern scenes (which comprise 2/3 of the movie's length) are more bucolic, on the surface at least, but the pain and struggle of the human condition is very much in evidence here as well. But also redemption, and that is what makes this movie such a positive viewing experience. -- The cast is superlative and the story-telling strong. Recommended!

Down in the Delta is a great film but not by way of technical brilliance. This is a film in which the main drive is using the characters to tell the story. Maya Angelou takes her time to let the particulars of this tale fall into place and in the meantime creates vivid characters that grow and learn valuable lessons in life and eventually become different people during the film's running time. Alfre Woodard is the best black actress in film period, and like many other great actors or actresses she gets the shaft every awards season in favor of more mainstream actresses or ones with greater sex appeal. This film is yet another in a long line of snubbed movies that lend validity to the ever-growing fact that the Oscars are a joke, a sham, and have degraded into a downright trivial affair. The story of a family embracing their roots and making a good life outside the city is an incredibly reassuring one, but the real narrative gem of this film is the poignant and gradually revealed story of Nathan, which makes us wonder that it wasn't that long ago when the value of human life was less than that of an material object. This film deals with the ugly truth of slavery in the simplest of ways yet I found this one plot thread more compelling than the entire 156 minute running time of Amistad. Maya Angelou should direct more films in the future. Perhaps that would in some way elevate the pathetic lows cinema has reached in recent years. By contrast Americanos shows us how some thing never change. Police will always associate Latinos with gangs, and Latinos will always argue over being lumped into any category, especially "Latinos". This documentary shows us that there is such wide diversity within this "ethnic group" that how could anyone dare to call them by the same name? People represented in this film are all to happy to challenge stereotypes: like the boarder patrol officer, or take them to new, interesting, and most of all challenging heights: like those at the living art exhibit. All in all the message here is the same as in Get on the Bus: These are not Latinos, Hispanics, or all Mexicans. They are people as different from us as they are from each other, but first and foremost they are human beings, as are we all.

This movie was very touching and uplifting. I saw it on a plane when returning from the Brittish Isles. Despite the unpleasant flight, I felt better after watching this. Usually, people fall asleep during the middle. Not in this case. Many of my friends have seen it and liked it. Most of the acting was good, and the directing was good for a beginner.

First-time director Maya Angelou probably didn't plan on making a slick piece of goods about a hard-partying single mom who gains personal strength and direction after a move to Mississippi, but that's what she got. Perhaps too much outside interference watered down Angelou's intentions, leaving the early scenes set in the Chicago ghetto looking pat and Hollywood-ized. I didn't buy a single scene in this movie until Alfre Woodard finally transfers to her new home in the South, and from there the plot (however contrived) gained momentum and focus (much like Woodard's character). The final 30 minutes or so are really worth savoring, but there's a lot of soapy, shallow clichés to wade through first. ** from ****

I knew how this movie was going to end after viewing the first 30 minutes. But, despite that, the journey was worthwhile. The film could have been done a better job of capturing the feeling of the "Delta" had it not been filmed in Canada.

A lot of the issues in this film were dealt with nicely. Alfre Woodard is a wonderful actress and does a great job of making a transaction of her character. Wesley Snipes makes a worthy appearance that's a break from his action-filled career. The problem it has is its ability to distinguish the true importance of "Nathan." Some of the camera work is amateurish, but the intentions were in the right place. Overall, a job nicely done by poet Maya Angelou.

A warm and life affirming story. Alfre Woodard gives another memorable, emotionally compelling performance in a story that engages from frame one. Al Freeman's fabulously inspired and understated performance as Uncle Earl is a lesson in how to fully inhabit a character without chewing the scenery. His is a most convincing and moving performance that should not be missed. Mary Alice has become one of the great African American screen matriarchs now, possessing a vulnerable serenity in this role which underscores our hopes for the rebirth of the urban progeny at the core of this film. Maya Angelou got up to directorial speed fairly quickly in this debut although some blocking and editing from early in the project (in opening scenes especially) are rough. She doesn't show a professional sense of timing in many of her edits and scene endings, but the heart she brings to her material more than compensates. And there are instances of excellent intercharacter cutting in scenes where it counts. It's fair to say that there's not a wasted scene anywhere in this film. It's equally fair to say that some scenes show more directorial finesse than others. Look for even greater work from this master poet. The only disappointment is Stanley Clarke's score, an unfortunate embarrassment for Mr. Clarke who is an accomplished jazz bassist otherwise. His score shows little ability to become emotionally involved with dramatic material and no skill with scenic beats and transitions. Clarke had a major opportunity to deliver here and he blew it -- and this is truly a hard movie to screw up. "Down in the Delta" is movie blessed with plenty of heart and a talented ensemble that delivers. Well worth two hours of your time.