source: Little Sister

This film is a rare gem, watch it. ---Mild Spoilers---- This is one of those films which makes you think about it after watching it. It's a sweet film filled with sadness. The lead actress is struggling to find a structure, her veteran brother is struggling with ptsd and injuries, her brother's fiance is struggling whether with her fiance's new appearance and is secretly a adult cam actress, her mother is struggling with mental illness and committed a failed suicide attempt.

I thought to myself after reading the Netflix description:"A goth chick? Alright, I am ready to hear Emperor, Mayhem, Celtic Frost and other great Black Metal bands!" Boy, was i disappointed. The music was pretty lame. I believe there was some Misfits in there. I never cared for them though. The song the nun girl danced to while murdering babies was just awful. That was a really weird scene too. What was going on there? Throughout the movie the brother plays his drum kit. I was hoping for some brutal double bass drum action and other metal drums. Nope, there was none of that. I have what is probably an unrealistic idea that all Goth girls wear thongs. The main gal's underwear drawer didn't have any of that. All it had was a bunch of socks. Another disappointment added to the list. Other than the music choices "Little Sister" is a cute movie. I can relate to the brother as I am an Army vet who has seen combat. Thankfully I was not wounded or disfigured like him. But that sense of hopelessness and uncertainty about life after the military was handled accurately. His desire to not be called a hero is understandable. I was never called a hero. But I always felt weird when people thanked me in the airport, etc. I definitely appreciate the support (look back to Vietnam). I always thought: "Why are you thanking me? I am just doing my job. The character's situation was different from mine. But I suspect most veterans feel the way the brother feels. This movie also educates about the Catholic Church and the Nunhood. I had No idea there were so many different outfits. My mind always goes to Julie Andrews in "The Sound of Music". The main character's desire to help her brother is nice. I wish everyone was like her. This is a decent film. It had a few minor flaws. Did the brother and his sister's friend have a sexy time? What happened to the brother's fiancé and her adult chatting sexy time? Did the Nun get into trouble for eating pot cupcakes and drinking beers? Did she get in trouble for disobeying her Mother Superior? I have been watching Borat lately. Very nice! High five! Maybe all these loose ends are smoothed over by the viewer in their imagination? Recommended.

Guess it's about time I stopped getting surprised by how well-made and enjoyable these smaller- scale, lower budget productions are now. Hollywood's lowest point in time is turning out to be a great opportunity for independent cinema to thrive -- one that seems to have been grasped tightly by the artists eager to deposit their talent, a graceful offering at the viewer's feet. Very good movie. Subtle. Touching on religion, multiformity, politics, war, originality, depression, esoteric balance. Clever, funny writing, effortless dialogue, casual performances (as per the plot's dictation). Go in fearless, you will enjoy this one -- and a special shoutout to Ally Sheedy's The Breakfast Club persona, Allison Reynolds, who obviously grew up into a true-to-character-progression Joani Lunsford. Very effective casting and a delight to watch.

Great movie! A young nun (Addison Timlin) comes home after years of avoiding contact and tries to reconnect with her family. The simple plot is justified by the most relatable thing for any human which is how to spend your life. I am an atheist, but grew up a Christian and will always love the great morals an values that come with the religion. I often wish I could believe in god and feel part of a powerful community that's out there to do good, but I've spend too much time hating on the dark cynical stuff of organized religions. I have come to see most of them as great money scheme's. This movie called Little Sister made me totally forget about the cynical stuff for a while. It's just simply being part of something good that makes you motivated to do good and ultimately make you feel good about yourself. This movie tackles this feeling in different ways than just religion. I had a sense that the movie put the same feeling on a lot of things in life like going in the army, being a parent or even joining a terrorist group that fights for a cause you believe in. I am just speculating but that's how it translated to me. There you go, a simple movie about a young nun coming home for the first time in years and it still gave me all the good and bad feelings where it needed to and even gave me some stuff to think about. All the actors are very entertaining and believable, but the lead actress Addison Timlin who plays the nun totally steals the show. A beautiful actress that can tell a story with her face. I loved it. I definitely recommend this movie. Even if this is normally not your cup of tea, I would still give it a try. It's just 90 minutes and flows by even faster by great editing. You might be pleasantly surprised. Final Rating: (8/10)

Set in 2008, this indie is more of a relationship drama than a comedy, and is filled with lots of imperfect characters. It's a quiet movie where for the most part the characters come off as real persons. However, in my opinion, not everything works here and, at times, the movie seems to veer off into places it didn't need to go to be effective. Addison Timlin is terrific in the lead role of Colleen, who's a nun novitiate in a Brooklyn convent. She's temporarily traveling home to Asheville, N.C., after a 3 year absence, at the request of her mother Joani (Ally Sheedy). Sheedy plays up to the hilt her role of the disturbed and drug taking mom. The principal reason for Colleen's return home is to emotionally support her brother Jacob, most ably portrayed by Keith Poulson, who has been severely disfigured by a bomb blast while serving as a Marine in the war. Now, Jacob is extremely isolative and depressed and is suffering both physically and mentally. Thus, the remainder of the film will center on Colleen's attempts to help her brother, remembrances of her goth past, as well as trying to interact and cope with the remainder of her dysfunctional family, All in all, this indie, written and directed, by Zach Clark, certainly has its moments, but I felt, as mentioned, it was too overloaded with on screen drug use and at times veered "off the tracks". Therefore, I would say despite its uplifting ending this was a mixed bag for me.

Roger Ebert had a great line describing the feel of this movie. After quoting a piece of wacky dialogue (talking about lesbian Satanism), Ebert said: "It's a powerful indication of just how well Little Sister works that the above exchange does not come off as 'quirky,' or 'kooky,' or a 'black comedy' ba-dumb-ching punchline." That's what I mean in the title of this review. Although you'd think the story is poised to be a thick satire, it's not. And that's what makes it unique and effective. I mean with a plot about an ex-goth girl becoming a nun whilst reconnecting with her brother who came back from the war in Iraq and her stoner parents in a small town in North Carolina, you'd think this could be every bit as cheeky as Edward Scissorhands without the scissors. But instead, director Zach Clark chose to play it straight. The result is a film that might not be as laugh-out-loud funny or bizarre as it could be, but in its place we get a serious message that we can apply to our lives. I won't tell you what that message is, but if you watch the movie then pay attention to Ally Sheedy's (the mom) monologue near the end which ties everything together and drives the point home. Gosh well I just made this movie sound as dry as a nun's gusset. But no, it's actually interesting and had a few moments of classic humor. One such moment happens when the girl, all gothed up, and her brother, disfigured from the war, are walking in the woods when they come up on a young kid who stares at them and asks "are you monsters?" Awkward silence is followed by the brother shrugging and saying matter-of-factly, "yeah." It's this sort of subtle humor with serious meaning that carries the film all the way through. So, as Roger Ebert said, don't expect a lot of zingers because this movie is pretty subtle. Something worth mentioning is the odd soundtrack composed of a lot of drum solos and 80s alt-metal/punk bands like GWAR ("Have You Seen Me"), Christian Death ("Romeo's Distress") and Kitchen & the Plastic Spoons ("Happy Funeral"). The use of obscure cult classics reminded me of the films "Pump Up the Volume" and "Empire Records", two other great films that have a similar vibe to Little Sister, that is, a wacky plot but played mostly on a serious level to keep things real. Acting is excellent all around with a notable performance by Ally Sheedy who plays a dysfunctional mom who could easily be the grown up version of her iconic character in "The Breakfast Club" (1985). Cinematography is interesting, beginning with conservative shots & reality (hand held camera), but as the plot gets weirder so does the camera, bringing us to a bizarre Halloween climax that could've easily been shot by Tim Burton. Little Sister is totally worth the price of admission and I'll probably be watching it a 2nd time. So I guess you could say this nun flick is habit forming. (How's that for a ba-dumb-ching)

Trailer—Little Sister

Little Sister