source: Lost Angels

Trailer—Lost Angels

Lost Angels

This has to rate as a Hugh Hudson "turkey". As one of the electricians who worked on the San Antonio location shooting, this film lacked the same "Chariots of Fire" quality one would expect from Hudson. The script (directed by Tom Baer of Ninth Street Pictures) lacked in continuity and concept. The cast was for the most part seasoned veterans from film and television. Donald Sutherland played the Psych part (filmed at the San Antonio State Hospital) with the same characteristic deadpan wit shown most evident in M.A.S.H. Kevin Tighe's character was an extreme departure from his days on "Emergency". Amy Locane showed definite promise as a film newcomer, where Adam Horovitz should have stuck to music. Don't waste your money.

I found the movie to be very interesting. It is about the complexities involved with living in the 80's in southern California. The southern California area, this movie deals with, has those societal dynamics because of the different cultures involved. Someone that is not a citizen of southern California might find the movie hard to relate to but it is still worth seeing. If you want a window into what sometimes happens here in southern California you must see the movie. How do I know? I lived a similar life.

This movie didn't "work" for me... the situations didn't feel right, the movie didn't feel realistic, and I didn't care a bit for any of the characters. I did sit through the end of the tape to see how it ended (rather a waste of time). The film itself felt lost... with no direction, no particular meaning and no real plot. Contrived, unrealistic situations and a poor screenplay didn't help a bit. 4/10

Adam Horowitz a.k.a. King AdRock of the Beastie Boys puts in a surprisingly good performance as a troubled teen here, but overall the film is pretty unremarkable. King AdRock and Donald Sutherland? That lineup has cult classic written all over it, but unfortunately, there really ain't a whole lot going on here. There are some great scenes where Adrock gets mad, gets in fights or complains about things, but they are the only high points. Worth watching if you're a Beasties fan, if only to see that Adrock is actually a good actor, but that's it. The film is slow moving and very serious and not even Adrock and Donald Sutherland can save it. Adrock should get back into acting, he's funny as hell, too.

"Lost Angels" may well be director David Hudson's best film. Perhaps, the first-rate script by Michael Weller is the strongest aspect to this work. Well composed cinematography by Juan Anchia and editing by David Gladwell cover some deficiencies in acting by Adam Horvitz, who seems a bit overwhelmed by his role as one of two protagonists. Amy Locaine is a fine young actress on this work. As always, Donald Sutherland provides an excellent foundation for the film. He provides a strong sense of reality, as he does in "Ordinary People." Still, this is not the quality film that "Less Than Zero" or "Say Anything", excellent movies that it resembles, are. Most certainly, this is not "Ordinary People", another related film. Location shooting in San Antonio hurts because that city does not resemble Los Angeles, the setting for the film. I worked for a psychiatric hospital that treated adolescents. This film depicts that ambiance well. It is accurate. This is an excellent choice for viewing.

I was really moved by this movie. I grew up in similar circumstances and was really able to relate to what was happening to the character. Growing up in the city around drugs crime can really wear a kid thin. If you don't make the right choices you'll end up either dead or in jail. This movie portrayed exactly that, but it's happy ending was unnecessary.

Really a sweet movie - yes, VERY formulaic, but that does not disqualify any film. Plot - OK, crap. But Sutherland and Horowitz (yes, the guy from Beastie Boys and son of the famous playwright) do well by the roles they are given. It is the gentle attention that the director give to the characters that makes the movie for me. The two main characters are cast in a very typical ("Ordinary People") situation, but they transcend it with their performances. Sutherland could easily have coasted through this movie for the paycheck, but doesn't. Adam Horowitz could have just posed and postured - but doesn't. Or I'm nuts - could be. There is no harm, however, in a feel-good story that doesn't cheat on the difficulties of the characters' situations or their needs. This plot may speed past them, but the performances give them depth. Honest sentiment is no crime - and I would claim that Sutherland and Horowitz give nuanced performances (not exactly typical for either).