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Merrily We Go to Hell

Merrily We Go to Hell

★ 6.91932Movie1 h 23 mEstados Unidos
KomedyaDramaRomansa

A drunken newspaperman is rescued from his alcoholic haze by an heiress whose love sobers him up and encourages him to write a play, but he lapses back into dipsomania.

2289 people rated
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Merrily We Go to Hell

1932

R

1 h 23 m

Estados Unidos

Komedya

Drama

Romansa

A drunken newspaperman is rescued from his alcoholic haze by an heiress whose love sobers him up and encourages him to write a play, but he lapses back into dipsomania.
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6.9 /10

2289 people rated

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Nangungunang Cast(18)
starring avatar
Sylvia Sidney
Joan Prentice
starring avatar
Fredric March
Jerry Corbett
default avatar
Adrianne Allen
Claire Hempstead
starring avatar
Richard 'Skeets' Gallagher
Buck
starring avatar
George Irving
Mr. Prentice
starring avatar
Esther Howard
Vi
starring avatar
Florence Britton
Charlcie
starring avatar
Charles Coleman
Richard Damery
starring avatar
Cary Grant
Charlie Baxter
starring avatar
Kent Taylor
Greg Boleslavsky
starring avatar
Ernie Adams
Reporter
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Mildred Boyd
June
starring avatar
Edna Callahan
Bridesmaid
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Leonard Carey
Prentice's Butler
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Harry Cording
Fred
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Milla Davenport
Prentice's Housekeeper
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Neal Dodd
Minister
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Jay Eaton
Friend

Pagsusuri ng User

author avatar

Bad chatty ⚡️

07/06/2023 12:52
Moviecut—Merrily We Go to Hell
author avatar

Mamethe Kolotsane

16/11/2022 01:43
Plucky rich daddy's girl Sylvia Sidney falls for charming drunk reporter Frederic March. Enabling, delusion, mutual dive ensues. Sidney's work is the reason to see this one -- she tirelessly, valiantly tries to breathe life into this otherwise badly-written, badly-directed 'racy' pre-Code weeper. (It pains me to say that: Dorothy Arzner was the only female features director in Hollywood in the 1930s, and reportedly part of Nazimova's crowd of fabulous lesbians). March's work is general and repetitive -- thoroughly unconvincing. It's an amateur's performance. He got a chance to make amends a few years later as the charming drunk in the superior 'A Star Is Born'. Newcomer Cary Grant gets a few seconds screen time as a hot side piece in the tawdry perdition sequence. Old vaudevillian 'Skeets' Gallagher keeps threatening to do something as magical as his name, but never gets the chance. 'Merrily We Go to Hell' is a waste of a great title. Pity.
author avatar

نورالدين الدوادي

16/11/2022 01:43
Director Dorothy Arzner was extremely popular with her stars because she always coddled them with close-up after close-up and ensured they were always fastidiously wardrobed and photographed to perfection, no matter how soap-suddy the screenplay. "Merrily We Go To Hell" (1932) serves as another typical example of her languid, star-indulgent style. Lovers of weepie-eyed Sylvia Sidney and sartorially splendid Fredric March will enjoy both the 9/10 VintageFilmBuff DVD and its 10/10 Universal rival. The only thing I really liked about this predictably plotted, slow- moving film was the unexpected appearance of perennial butler Charles Coleman as a gossip columnist with a well-founded dislike for our wastrel hero. But as for Cary Grant pouring on the charm in a small bit at a party scene, words fail me!
author avatar

ابولووي الشاوي

16/11/2022 01:43
....most of all, the somber ending - very rare for a 1930s movie. The production is A-class; Dorothy Arzner's direction is smooth; Sylvia Sidney looks exceptionally beautiful; and the script is thin but sophisticated: for example, when Sidney complains to March near the end of the movie that he has never told her that he loves her, you realize that it's true. *** out of 4.
— No more content —

Pagsusuri ng User

author avatar

Bad chatty ⚡️

07/06/2023 12:52
Moviecut—Merrily We Go to Hell
author avatar

Mamethe Kolotsane

16/11/2022 01:43
Plucky rich daddy's girl Sylvia Sidney falls for charming drunk reporter Frederic March. Enabling, delusion, mutual dive ensues. Sidney's work is the reason to see this one -- she tirelessly, valiantly tries to breathe life into this otherwise badly-written, badly-directed 'racy' pre-Code weeper. (It pains me to say that: Dorothy Arzner was the only female features director in Hollywood in the 1930s, and reportedly part of Nazimova's crowd of fabulous lesbians). March's work is general and repetitive -- thoroughly unconvincing. It's an amateur's performance. He got a chance to make amends a few years later as the charming drunk in the superior 'A Star Is Born'. Newcomer Cary Grant gets a few seconds screen time as a hot side piece in the tawdry perdition sequence. Old vaudevillian 'Skeets' Gallagher keeps threatening to do something as magical as his name, but never gets the chance. 'Merrily We Go to Hell' is a waste of a great title. Pity.
author avatar

نورالدين الدوادي

16/11/2022 01:43
Director Dorothy Arzner was extremely popular with her stars because she always coddled them with close-up after close-up and ensured they were always fastidiously wardrobed and photographed to perfection, no matter how soap-suddy the screenplay. "Merrily We Go To Hell" (1932) serves as another typical example of her languid, star-indulgent style. Lovers of weepie-eyed Sylvia Sidney and sartorially splendid Fredric March will enjoy both the 9/10 VintageFilmBuff DVD and its 10/10 Universal rival. The only thing I really liked about this predictably plotted, slow- moving film was the unexpected appearance of perennial butler Charles Coleman as a gossip columnist with a well-founded dislike for our wastrel hero. But as for Cary Grant pouring on the charm in a small bit at a party scene, words fail me!
author avatar

ابولووي الشاوي

16/11/2022 01:43
....most of all, the somber ending - very rare for a 1930s movie. The production is A-class; Dorothy Arzner's direction is smooth; Sylvia Sidney looks exceptionally beautiful; and the script is thin but sophisticated: for example, when Sidney complains to March near the end of the movie that he has never told her that he loves her, you realize that it's true. *** out of 4.
— No more content —
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Disclaimer: Ang lahat ng mga video at larawan sa 1234money ay mula sa Internet, at ang kanilang mga copyright ay pagmamay-ari ng mga orihinal na tagalikha. Nagbibigay lamang kami ng mga serbisyo sa webpage at hindi nag-iimbak, nagtatala, o nag-a-upload ng anumang nilalaman.