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Just because a movie has a low budget and is unique doesn't make it a good movie. My favorite part about this movie is basically the intro since it sort of pumps you up, it seemed like a excuse later on for the movie for not making any sense. Not only does the movie not make any sense the characters are very awkward, but that is what somewhat makes this movie interesting since the characters aren't super serious. The plot is basically about a serial killer tire that goes around blowing stuff and people up using psychokinetic powers. the awkwardness of the situations is what make this movie remotely intriguing. Also trying to figure out exactly what is going on is what drives this movie as well. I don't know if some scenes were intended to be funny, but it was sort of humorous at times which is a plus. The flaw is that the movie just wasn't all that fun to watch and was repetitive with lot of the time taking up with a tire rolling around. Just because it has a unique idea that hasn't really been done before just doesn't make a movie good sometimes and that applies to this movie. I was expecting at least a crazy final scene but that didn't really happen either. 4.5/10

Wow, where to start? Silliness? Nonsense? Idiocy? YES! But don't get me wrong, by no means is it just a silly movie. It starts off from the silliness of the premise but it, in my understanding, is pure existential joy. The opening speech (and entrance) by the cop, who introduces the whole concept is one of the greatest gems I have ever encountered - running over the chairs and, if you look closely, his gestures, the glass of water- oh my god! The glass of water lol! Priceless really! I believe fans of brit humor like Monty Python or Fry and Laurie will enjoy this the most. Probably most people don't get the point of this movie as it is not structured like a typical movie but I found it really amazing and quite enjoyable - I really missed movies like this one, GREAT but not for everyone.

You allow pretentious French DJ who has an ax to grind to write and direct it. I don't know what happened in Quentin Dupieux's childhood to make him hate the world, but between cutting and pasting samples in his computer to create insipid techno music and his film Rubber, his contempt for his audience, regardless of medium, is clear. This film is marketed as a throwback to grindhouse films, and it would have succeed beautifully if it were edited down to about 5 minutes. To keep others from befalling it's completely false advertising, here's what the movie actually is: Eighty two minutes of "I'm-so-clever, huh?" diarrhea that causes a nasty diaper rash that no amount of soap, hot water and zinc oxide can clear. Thank you, so very, very much, Quentin Dupieux. You're a dear. The actual plot involves some poor saps that have been forced to watch "the movie" from a nearby area in the desert, with binoculars. Luckily for them, some twerp comes along and poisons them, putting most out of their misery. Unfortunately for the actual audience, one person refuses to eat, and as a result does not die and therefore "the show" must go on. The plot jumps back and forth between the movie (Robert, the tire, on a killing spree) and the "I'm-so-clever, huh?" trots, with most of the screen time, naturally, going to the trots. We're supposed to be OK with all this thanks to a Rent-a-Center Quentin Tarantino monologue at the beginning about things happening in films "for no reason," but even the village idiot can see through this pseudo-philosophical garbage. For the love of all things good, please, please, please, stop Dupieux before he is allowed to gain that mysterious status that M. Night Shyamalan and Kevin Cosner have attained allowing them to continue to make films despite how blatantly incompetent they are.

When I first heard that there was a new movie out about a tire that becomes a serial killer I was intrigued. When I learned that it is the work of French director Quentin Dupieux, I decided it was bound to be rubbish…until I discovered that Quentin Dupieux is better known as Mr. Oizo, the electro house musician who brought us the infectious 1999 hit single Flat Beat. Then I had to see it! Rubber is the story of a tire. The tire's name is Robert. One day Robert becomes sentient and decides to venture out into the world. It's a moving scene as Robert takes his first halting rolls and discovers the joy of squashing a plastic bottle and then a scorpion, until he is stopped by a glass bottle. frustrated Robert soon discovers his true power…he can make things blow-up with his mind. Pretty soon he's on the road and heading straight for the local population and a mysterious girl who he sets his sights on. Meanwhile on a remote hillside the audience have gathered to watch his apparent path of wanton destruction, with intrigue, apathy, joy and sadness. Standing between them and their viewing pleasure is a cranky sheriff who really wants to go home, and the lack of food and basic resources, which sets the crowd on edge. If that all sounds a bit weird then believe me that's not even the half of it. Rubber is a deeply strange movie. Robert is almost a sympathetic character. The way he is framed and the audience's investment in his "birth" and journey give him a Wall-E type of existence. He almost wish that he succeeds in his apparent mission of getting the girl. Roxane Mesquida plays the girl. Unfortunately she's given little else to do than be the token female. Aside from a brief scene were she's forced to try lure Robert into a trap she doesn't even say much. The real star of the show is Stephen Spinella as Lieutenant Chad, the world weary law-man who is convinced it's all a show and that the movie would be over if the audience just went away. He's opening monologue, direct to camera, is a work of twisted genius. Spinella's opening monologue in fact sets the tone for the whole movie. Right off the bat you know that this is not a straight-forward horror, it's actually more satire or comedy than horror truth be told, with Spinella announcing that the movie exists "for no particular reason". Dupieux has managed to make a film that harks back to Kentucky Fried Movie and Airplane, without being a spoof, and has a cinematic quality that would be totally at home in a western. His framing of Robert is such as to make a viable character from an inanimate object. The decision to ignore the fourth wall, by placing the audience in the movie itself is a brave one, and mostly it works. It provides an aside to the central story, which is sadly lacking in legs, and imbues the entire movie with it's sense of oddness. Inventive, stupid and completely unnecessary…yet offering something completely different Rubber is one that will confound and titillate in equal measures.