source: The Producers

The Producers

I just watched the remake of THE PRODUCERS. I am left speechless. Who, in their right mind would even attempt such a silly idea? I watch the original periodically and still laugh a lot, but this thing is ridiculous. I saw the play in London this year and found it wonderful. The acting superb, staging brilliant etc. I am a fan of both Nathan Lane and Mathew Broderick and can't understand how they allowed themselves to be so miscast. As far as Will Ferrell trying to do Kenneth Mars' part, it's laughable(and not in a good way). Anyway, if you want to see how funny something can be go get the original because it's arguably the funniest film ever made.

Mel Brooks, the comic genius of the late twentieth century, comes off great with this new production of his classic musical. Nathan Lane is a wonderful and wacky producer who rescues Matthew Broderick from a life of accounting boredom and makes him his understudy. They scheme to put on the biggest flop ever so they can close after one day and flee to Rio with the sponsors' $2 million. Of course, things don't turn out as they plan. Along the way, Uma Thurman displays her considerable charms along with a host of fine dancers and singers, from Neo-Nazis to Sing Sing prisoners to drag queens in full costume. Mel Brooks really knew how to brighten the day among the gloomy tedium of more sober folks who were trying to save the world or just merely trying to make a living. So here is another tipsy triumph of the master, beautifully realized and sung and danced by this splendid cast of multi-talented actors and actresses.

This is one of the few films I have tossed in the trash after I finished watching it. If you like over-acting, flamboyance, Broadway on the silver screen, and people trying hard to be funny, but coming off as obnoxious, desperate, and overall plain stupid, then you will like this. I honestly do not see what humor people are finding in this, and it's not that I don't get it. I loved Broderick in Ferris Bueller's Day off, that's a classic, but he is excruciating to watch in this. Between the cross-dressing, ridiculous costumes, terrible over-the-top acting, horrible singing, and terrible songs, I found this film incredibly offensive and a complete waste of time. I honestly would put this in the bottom 10 films I've ever seen in my life, and that's not an easy list to make.

What an Excellent film! I went to an advance screening and left with my jaw aching from all the laughing and grinning. At first, it felt the film was just the play in front of the camera, but the style eventually worked, turning the movie audience into a Broadway audience. At times, the director took the actors outside almost as a fun way of saying "see? with a camera, we can now move around!" Nonetheless, by the time we get to the most famous musical number, the audience was applauding and cheering after each song. During the credits, it felt like a curtain call with applauds for each actor. So much fun and very deserving of the name Mel Brooks this film is great for the holidays (with the more adult jokes being concealed in song, and only minor swearing) older children and teenagers should get a kick out of this fast paced, fun, and very memorable film. Also, just a bit of advice: stay until the end of the credits.

One has to compare this with the original and it just does not cut it. Lane is pretty good in this but have seen him much, much better. I like Broderick usually but this performance is embarrassing. Will Ferrell is his usual overrated self-there is not a funny bone in his body!! Uma Thurman is wasted in this .I have been told that the stage play is great, so perhaps a straight filming of the Broadway production might have been a better idea (after all Into the Woods worked brilliantly as a simple filming of the stage). Incidentally I love musicals so that was not my problem. The original film was just so great and the performances by Mostel,Wilder and Mars were incredible and incredibly funny that any remake just had to suffer by comparison. The only way in which the new version might have shaded it were the stage numbers which looked great. A nice try but they shot and they missed.

What a fantastic surprise. I've seen Luke-warm reviews about this film, largely saying that the theatrical basis (the Broadway show) is oh-so-evident. Well, in my opinion, this is one of the film's strengths. It's a well-intentioned performance and is close enough to the original Producers, and so unlike it, that the musical remake is justified. I love musicals, especially musical comedy. This film is a sop to the musical comedy, with good performances from the leads, and Uma Thurman and Will Ferrell, who all appear to be enjoying themselves. The central (staged) number "Springtime for Hitler" is brilliantly choreographed, with suitably outrageous costumes. Gary Beach as a brilliantly camp Hitler completes this excellent scene. And the bratwurst!! The editing in this sequence - camera panning to the gob-smacked audience is brilliant. This is a film that salutes and spoofs musicals. It's an absolute delight

First, there was Mel Brooks' clever movie "The Producers." That got adapted into a Tony-winning stage musical. Then the musical became adapted into a movie. This hilarious spectacle is sure to please! Nathan Lane and Matthew Broderick return as Max Bialystock and Leo Bloom, the same roles they made famous on Broadway. Lane is a riot, channeling Zero Mostel's bombastic character. Meanwhile, Broderick surprises as he does a decent take on Gene Wilder's original hysterical act. Will Ferrell scores laughs as Nazi playwright Franz Liebkind, and Uma Thurman puts in a good song and dance as Swedish sexpot Ulla. The movie perfectly catches the style of the old-fashioned musical, with a large serving of slapstick. This snappy production is sure to be a hit with everyone!