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source: Two Weeks

Carried to the extreme, credible acting, difficult subject approached with nerve.

If you have ever had to become a caretaker for a loved one, you will appreciate the realism of the complex characters portrayed here.

TWO WEEKS has at least three (3) f-words, one of which is right here in the "memorable quotes" section. If you have just two f-words or less, you're eligible for a PG-13 rating. If you have three, you're not. (One exception is ALL THE PRESIDENT'S MEN, the 1976 winner of four Oscars, which got its original "R" rating changed to "PG" upon appeal when the producers explained you could not do a bio-pic about Richard Milhouse Nixon without having at least the 11 f-words which appeared in the final cut.) Believe it or not, most movie production people can count as high as three. Rationing out the f-words is the main way they CHOOSE their own rating. Anyone who watches TWO WEEKS will understand that the totally gratuitous f-words were included to "win" an "R" rating. Regarding that second Oscar which Sally Field did NOT win for TWO WEEKS: yes, EVERY lead character was eligible to be nominated for 2007 acting honors, because the film was playing on as many as three screens during the month of March (see the "Box Office\Business" section here). But no person has been nominated this century in the acting categories for a film with a domestic gross of under $50,000, and TWO WEEKS raked in only $45,816.

A realistic movie representing a normal family and its own relationship issues. A wake-up call for many who might take a lesson home and work on their own healing. Humor was carefully and so unexpectedly introduced into the movie, it was funny to see a different perspective than the obvious environment was requesting. Sad but well delivered by all actors, especially the children. My favorite scene was at the airport when the little daughter shouted in public a bad parental lesson that should not have been told, let alone taught the wrong way; however, this is a great reminder of how kids learn absorbing everything we tell them or they hear just like sponges. Well balanced to keep the viewer interested until the end of the movie and the transitions were not abrupt as expected.

As usual I loved this movie-I have always been a fan of Sally Field-I think she does an excellent job of convincing the audience of the sincerity of her character. I want that pink couch (love seat) that was in the movie. Pink is my favorite color (I have dusty rose carpet throughout my house) and that pink couch would finish the look. Please let me know where I can get that couch! Thank you. Sally is wonderful in this movie and of course made me cry-I can't imagine how hard it would be to be dying and hoping that the children don't argue about anything. Sally made me also laugh with her comments about her "favorite" child.

Keith Bergman (Ben Chaplin) comes home from L.A. to North Carolina for his dying mother (Sally Field)'s last days. His sister Emily (Julianne Nicholson) is reading everything to prepare for her death. His brother Barry (Tom Cavanagh) is a businessman missing his trip. The youngest brother Matthew (Glenn Howerton) shows up with his uncaring wife Katrina (Clea DuVall). They end up staying for two weeks as the family tries to get along. Written and directed by newcomer Steve Stockman, the lack of visual style and cinematic touches are very evident. I don't know how he got such a great cast but they give him a fight chance. The script has some fun scenes and touching insights into dying. However the directing is very flat and it holds the movie back. The cast makes a good attempt but it's not quite there.