This film has a simple plot about two beautiful sisters who stay at a creepy English manor house on a modelling assignment and end up getting mixed up with the coven of witches that reside there. These two beauties are played by real life sisters Vicki and Ann Michelle (of 1980's BBC sitcom "Allo, Allo" fame) and the main reason for this movie is really to see them with their clothes off, which it does very well (most of the cast strip off for orgy scenes). As for being an occult horror film then it's nothing special but it is smutty fun. I have just purchased a restored Blu-ray release and it look great.

The real-life Michelle sisters, Ann ("Psychomania") and Vicki ('Allo! 'Allo!) are an extremely delectable pair of sibling birds who strike out on their own, arriving in London. Christine (Ann M.) hooks up with a shady modelling agency run by the mysterious Sybil (sexy Patricia Haines, 'The Avengers'), and with Betty (Vicki M.) in tow, travels to a remote estate for some supposed shoots that will be done. But, of course, the agency is a front for a witches coven. Betty becomes concerned when the impressionable and headstrong Christine decides that she likes what she sees, and wants to know more about becoming a witch. With the 1970s being a fairly relaxed time for censorship, and with interest in the occult becoming part of the public consciousness, it led to the rise of enjoyably sleazy British horror films like this one. It's rather slow at times, and not always terribly interesting, but does redeem itself with its generous doses of trashiness. Female nudity is abundant, and even when Ann isn't removing her clothes, the two lovely ladies are often to be seen wearing some very short miniskirts. To add more spice, Sybil is a lesbian with a definite interest in Christine, and who resents guys like photographer Peter (James Chase, "The Leather Boys") moving in on her. The performances are quite entertaining throughout, with Neil Hallett ('The Newcomers') adding more than a touch of class as a kindly "doctor" who introduces Christine to the wonders of the occult. Keith Buckley ("Excalibur") plays Betty's boyfriend, determined to free her from this spooky environment. Most of the time, the film is mildly amusing, but it does kick things into a higher gear for some climactic rituals involving disrobing. Most of the nudity in "Virgin Witch" is female, but some dudes do drop their trousers, too. Supplemented by a rich music score by Ted Dicks, "Virgin Witch" is decent fun for people who love this era in British filmmaking. Filmed at the same location as Norman J. Warrens' "Satan's Slave". Six out of 10.

Virgin Witch (1972) * 1/2 (out of 4) British exploitation has Christine (Ann Michelle) wanting to be a model and she thinks she gets her big great when Sybil Waite (Patricia Haines) invites her out to the country for a weekend photo shoot. Christine's sister Betty (Vicki Michelle) ends up going along and soon it turns out that this country home is actually a coven for witches and they need new members. VIRGIN WITCH is a pretty bad movie from start to finish but it's worth noting that not a single minute goes by without some sort of nudity going on. The viewer must really applaud all the young actresses who were willing to take their clothes off because without the nudity we'd be left with a major dud. There are countless problems with this picture but the biggest is the fact that not much ever happens. We just sit around watching the ladies get naked for various photo shoots and then we get scenes where the characters do nothing but talk. They talk, talk some more and continue to talk about things that really don't matter to anything in the story. Even worse is that the pacing is so slow that the 88-minute running time feels doubt that. There are some campy moments scattered across the film including the various witchcraft scenes, which are just downright funny at times. These scenes allow other actresses to take off their clothes and watching them cross arms and do some sort of strange dance is almost worth sitting through the entire thing for. Both Ann and Vicki Michelle are actually good in their roles as is Haines. VIRGIN WITCH was originally made in 1970 but the BBFC wouldn't allow it to be released until after some cuts. Even with the cuts restored, it's easy to see why they wanted to protect the people from this junk.

VIRGIN WITCH is about sisters, Christine and Betty (Ann and Vicki Michelle). While auditioning for a modeling job, Christine gets mixed up with the odd, leering Sybil Waite (Patricia Haines). This leads to a photo shoot for Christine, with Betty along for the experience. Sybil takes them to a secluded estate, where the weirdness factor explodes exponentially. Of course, the title comes into play, and Sybil's eeevil plans are revealed. VW is one of those early 1970's movies out of England, replete with one * scene after another. Have no fear, no excuse to show naked females has been overlooked. This is one of those "art films" that our wily ancestors would have snuck off to see. Those raised on the internet will find little to see here that could possibly rise above quaint or tame. Still, it fits right in with other such films of its era. REASONS TO WATCH: #1- There's much fun to be had in the quick camera zoom-ins to extreme facial closeups! #2- The out-of-nowhere, jazzy musical interlude at the Stag Room is actually pretty good! #3- Christine's initiation ceremony is a hoot! #4- The silliest head-flailing, body-twitching finale to any soft-core occult movie, ever! Ever!...

Brash young Christine (a deliciously saucy performance by the comely Ann Michelle) and her sweet innocent sister Betty (a winningly perky portrayal by equally fetching Vicki Michelle) are invited to a swanky palatial mansion in the country by lascivious lesbian Sybil Waite (a perfectly snippy turn by Patricia Haines) for a fashion modeling shoot. Unbeknownst to the girls, the place is really a front for a diabolical coven of witches. Director Ray Austin and screenwriter Beryl Vertue concoct a compellingly naughty and racy little outing that manages the remarkable feat of showing decadence and sexual perversity in a surprisingly tasteful and fairly restrained manner that never degenerates into outright crudely leering sleaze. Austin and Vertue also do a credible job of astutely capturing the wickedly enticing allure of the black arts. Fortunately, there's a pleasingly plentiful amount of tasty female nudity (the Michelle siblings look positively smashing in their birthday suits) and the hot basement orgy rituals are suitably wild and uninhibited with dancing * people, crazed chanting, pounding music, and virgins being deflowered. Moreover, Christine's conversion into the cult as a high priestess is genuinely chilling and leads to a truly dark and upsetting conclusion. The capable acting from the sturdy cast rates as another major asset: The Michelle sisters make for attractive and appealing leads, Haines portrays her haughty character with lip-smacking snooty aplomb, plus there are fine supporting contributions by Keith Buckley as Betty's concerned boyfriend Johnny, Neil Hallett as kindly physician cult leader Gerald Amberly, James Chase as lecherous photographer Peter, and Paula Wright as creepy housekeeper Ms. Wright. Gerald Moss' lush and bright color cinematography makes the most out of the beautifully verdant English countryside scenery and boasts several nifty fades and dissolves. Ted Dicks' shivery score likewise hits the shuddery spot. Good bawdy fun.

this movie is lame... I'm an absolute rabid Hammer horror fan, and this little movie comes nowhere near their great quality(this is NOT a Hammer production). Some of the attraction of B-movies is the cheezy horror, unrealistic premises, and downright bad acting... well, the bad acting is here - and the requisite breasts & bums, but there's no actual conflict going on. Again, we don't expect fabulous scriptwriting in these films, but come on, throw us a bone here, please! Something happen already! How about the witch cult kidnaps nubile daughters from the local villages for their 'infernal rites'? Nope, no such luck... Two sisters want to break free of mum & daddy, go to the big city - one finds a modeling agency, modeling agency has witchcraft rites... that's it! Then one sister decides she wants to be High Priestess after one day in the coven, using a magic spell to kill the lesbian HPs that's been hitting on her the whole weekend(she learns fast, eh?). It's basically a few terribly inaccurate occult trappings as an excuse to show some Brit boobies... don't waste your time.

It seems this was made as an excuse to show plenty of nudity from two highly attractive sisters and some poorly constructed witchcraft scenes. Unlike many Hammer releases, it at least portrays sex with more then a childish giggle. Overall, this takes itself too seriously and the plot becomes too confusing towards the end. However, the dated fashion is worth a look as is the sleazy fashion photographer. Not to mention the main sisters involved, (later to be seen in the popular UK TV series 'Allo Allo').

The main problem with this movie is that it doesn't show you, it tells you. Characters explain everything, so no one has to actually do much to move the story along. It's about a pretty young girl and her twin sister spending a weekend at a country estate and entering the world of witchcraft, but as other posts have pointed out, you don't really see much magic. At the very end, the main character suddenly starts using her powers, but this is mainly just shown with a close-up on her eyes. The only weird, exploitive occult image is a pagan ritual which, since it was their only idea, is shown twice. It ends with the young girl who just discovered her powers eliminating the lead witch from the coven to presumably take control. That seems like a fine enough idea, but the build-up was just too mild. Very English, very relaxed. In one scene, they soothingly discuss last night's virgin sacrifice ritual over morning coffee. When the leader of the coven asks the recently deflowered inductee, "Will you pour for me?" (referring to the pot of coffee), it really hits home just how effete this group is. It's not what you want from characters in a horror/thriller.

How could a film with such a provocative title be so drab and boring? Released at the height of the seventies exploitation boom, Virgin Witch sadly falls by the wayside of many other similar films. The film sort of like your standard lesbian vampire film, except this time its lesbian witches and instead of being interesting and erotic, it's slow and boring. The plot follows Christine; a young virgin who travels to a modelling agency with her sister in the hope of getting a job. However, it turns out that she wasn't being headhunted for a job after all, as the head of the agency wants Christina to join her witch's coven! Any hopes of this being a gory lesbian sex-fest will not be fulfilled, as the film doesn't feature much in the way of either and director Ray Austin seems more keen to show photo shoots and religious ceremonies than blood and sex, which is odd considering that the film is from the seventies and is titled 'Virgin Witch'. Overall, this film won't do much, even for fans of this sort of stuff. Good elements include the fact that the lead isn't bad looking and that the film isn't on for long. Not recommended.

To put it bluntly, the only reason for anyone to watch VIRGIN WITCH is if you want to see the main actresses naked. The entire film is built around nudity, as there's no real story of note and as a horror film it totally falls down. But almost every scene in the film features nudity of some sort, so fans of softcore nonsense will be well satisfied. The (loose) plotting sees twin sisters Vicki and Ann Michelle (the former famous for her role in ALLO ALLO) finding themselves caught up in various shenanigans involving a pagan cult, although that description makes it sound more interesting than it actually is. Production company Tigon were behind some of the finest British horror films ever made (like BLOOD ON SATAN'S CLAW) but this is undoubtedly their worst hour. The acting and production values are horrible, the dialogue is sometimes inaudible, and the direction virtually non-existent. None of the characters are developed enough for anyone to give anything approaching a decent performance, and the 'twist' ending is just silly. You guessed it - I hated this one, and with a passion.