First I am a Mexican via injection although "Chicano"was never in her vocabulary.So much for disclosure.Before WW11 there were a series of clash in the LA area sometimes referred to as the Zoot suit riots. This 1981 rather strange "Musical"that runs 103 minutes,tries to find a unique way to dramatize some real happenings in a way of both prideful remembrance and as a introduction to these histories for the greater un informed masses.( you).Now I'm not sure they succeeded in all these noble endeavors,but what they did succeed in doing was collect quite a fine cast and build a remarkable film character that was also a guide for the viewer in this play within a film setting portrayed by Edward James Olmos "El Pachuco". For me the overt racism is well known but the use of a Zoot suit is better thought of when one things of the urban dress todays inner city youth wear as a comparassion. Bottom line as stated by El Pachuco: The Press distorted the very meaning of the word "Zoot Suit." All it is for you guys is another way to say Mexican . Not a film for everyone,but a gallant try none the less and I did enjoy it even if it made me somewhat dazed and confused.

Simply stated, a great stage play, on film, complete with audience, on film. Olmos is very good,yes,yes. Tyne Daly? Interesting casting choice, not a bad one; it was 1981 after all. Yet I keep asking myself (and of course those darlings at the MPAA) "WHY IS THIS FILM RATED R?" WHY!!!!??? (really, why?) Spanish swearing? 2 naked male actors in fetal positions? A reference to W.R. Hearst? Come on! Make sure to see THIS FILM IS NOT YET RATED for the skinny on the MPAA. But seriously folks, WHY is it rated R? LIVE FREE OR DIE HARD is rated PG 13 because they only say F&&K twice- three times makes it R - Jeez, go figure! I saw nothing blew up in this film, I did see some under pants on the female dancers but those were tap pants and not close up....

Having seen the original stage production at the Mark Taper Forum & Aquarius Theatres, in Los Angeles. I was quite blown away by both the production and performances. This was one of my all time favorite stage productions. An attempt to mount the play in New York was a disappointing failure. I guess the "snobs" of the New York Theatre world, at that time weren't appreciative of something they just didn't get. When I hear about the film being in production, I awaited it's release with anticipation. It's impossible to replace the presence of live performance with film. This filmed version was a truly impressive attempt to relay the success of the "live" production. I have long had my own copy of this film on Laser Disc and wish it was on DVD. If you haven't seen the film and are ready for something different with some cultural insight, rent it on VHS, the only format currently available.

Luis Valdez does a great job directing one of my favorites, Zoot Suit. This film is coming to DVD on March 4th, '03 and is a must see. Valdez should be making lots more movies (He also directed La Bamba...) The music is great and the staging is very good. James Edward Olmos does a great job. Don't miss this one.

First off, Luis Valdez is a genius, he managed to take a real life story, and make it into a musical, not only was its the best kind of musical, with great acting and symbolism, but with meaning to the Chicano race. This film is about Chicanos and their history during the 1940's, and even though it's about the gang, the actual Zoot Suit and the ending are all very symbolic, and this movie should be credited for all the creativity and work put into this brilliant masterpiece. The songs were good, but what I really enjoyed was the acting, James Omos is talent behind measurement, yet he receives no credit for such a role. He doesn't play the role, he is the Zoot Suit. All around the acting from everyone was excellent, I wouldn't change a thing about the film.

While I am willing to agree with the one reviewer here who takes Luis to task for staging a somewhat lopsided revision of history, I'm surprised at the 6.4 rating for this very artfully laid out rundown of the Sleepy Lagoon screwiness in wartime LA. My father was in fact one of the sheriff's deputies involved. His version was understandably authoritarian and legalistic. But all that aside... This is the best examination I've ever seen or even heard of regarding the psyche of the Mexican-American gang bangers on the east side of that dry wash that separated the fix-is-in boys downtown from the second- and third-generation campesinos of mid-century SoCal. I went to Woodrow Wilson Junior & High School in El Sereno. There is nothing in Eddie James's =stunning= (to me, anyway) real-ization of "El Pachuco" that is off the mark. Nada. He had the peculiar, paranoid-delusional, narcissistic-machismo, defense mechanism menudo of the vato loco =down=, ese. And anyone who understands even a =little= of what it really means to be =Hispanically= antisocial in hyper-starched khakis & Sir Guys =or= peg pants & porkpies -- and =dig= it -- ought to be fascinated. (Go see the outfits some of the guys in El Chicano, Tierra and Thee Midnighters are sporting to this day.) Lalo Guerrero's "Marijuana Boogie" and the rest of the "bop" lend further flavor to this nifty little play-turned-film. Watch it =carefully=. Valdez's script is subtle. This is sophisticated trabajo.

Musicals made into movies are usually boring but this movie is very interesting and artistic flare. When this movie came out in the early 80's there was a buzz generated and I begin to see the language introduce back into mainstream. I watched the movie recently and every detail of the movie was made with quality and attention. The historical roots, the culture, the dual persona of the Chicano experience. Edward James Olmos gave a great performance and really captures the essence of the character. He could have portrayed any American subculture with his acting skills I believe, and the fact he is still a viable actor. He seems to be really memorable in his parts as a Mexican-American patriarch-Mr. Escalente in Stand and Deliver, Selena's dad in Selena, Mr. Vega in George Lopez, Montoya in American Me, etc. I highly recommend this movie and Mr. Olmos performance especially.

I saw this on the Independent Film last year, very good film, revolves around Gangs but gangs in the 1940's. Also a film about Latinos (my people) and the problems they face in the inner city. It's much better than those terrible soap opera's in Mexico, this film is a musical but it's also a drama focusing on different Hispanic characters.

Well, this is an odd duck of a motion picture. Writer/director Luis Valdez appears to have adapted his play for the screen by not technically adapting it at all. For the most part, Zoot Suit is like training a camera on a stage play, complete with live theater sets and choreography. Occasionally, he takes another step back and has the movie viewer see an audience watching an actual play, but there's never any much aim to that. There are some songs here but not enough to truly make this a musical. The story is simplistic and halting, filled with two-dimensional characters and one-dimensional dialog that's peppered with enough slang and Spanish so that you've really got to pay attention to follow what's going on. It's also preachy and more preoccupied with being socially conscious than entertaining. The point of this film is to give people a look at what it was like to be Latino in 1940s Los Angeles. It does that by following Henry Reyna (Daniel Valdez), a young gang leader as he and his friends are prosecuted for a murder they didn't commit. Henry and his friends, though, aren't the sort of gang bangers you see today. They were "zoot suiters", wrapping themselves up in high-waisted pants, long jackets, big brim hats, long chain loops that hand down their sides and switchblades in their back pockets. Trailing after Henry through all his experiences is El Pachuco (Edward James Olmos), who is some poorly thought out mix of imaginary friend, alter ego and narrator of the play. I could go into Henry's trial, his virginal girlfriend, the union organizer who spearheads his appeal and other stuff, but that's not really what Zoot Suit is about. It's about the racism faced by Latinos in 1940s America as they tried to claim their piece of the American Dream and how they sometimes internalized that prejudice. The tale of Henry Reyna is just a pretext for a lot of shorthand pontificating about that, but this movie is neither smart nor serious enough to say anything interesting on those subjects, especially not with Edward James Olmos strutting through the film like a bad guy from the 1960s Batman TV show. It's weird construction aside, Zoot Suit isn't terribly performed. However, it's overwhelming sense of unreality is alienating and there's not enough fun here to counteract that. If you watch it, you'll understand what writer/director Valdez is trying to say and wonder why he chose such a strange way of expressing it.

What a strange and surreal experience this film presents. While this is supposed to be a movie, it comes off as more of a high budget play, complete with random crowd scenes and odd looking stage sets. While most films try to present the real, this film encompasses the opposite side of the spectrum, presenting a world that is completely reconstructed within a small plot of space. Entertaining and unusual, this is one of those films a person should watch for the pure visual appeal of film.