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source: A Stranger Among Us

Critics & message board participants have been very hard on this film, but it deserves a look. It starts out feeling derivative, but gains its warmth from its genuine affection for Hasidic traditions -- immeasurably aided by the soundtrack (by Jerry Bock, composer of FIDDLER ON THE ROOF). Griffith is touching as the undercover "police-person" working overtime to protect her shell -- it's precisely because she looks and sounds so soft that her attempts to act hard work. Just like in WORKING GIRL, she's determined to defy the way we all (audience members as well as fellow characters) stereotype her, in order to be taken seriously & on her own terms. You go, girl!

Detective Emily Eden (Melanie Griffith) is an aggressive NYPD detective. Her partner Nick gets shot. She is assigned to find a missing Hasidic Jew named Yaakov. She discovers that he's been killed and $720k of diamonds are missing. She thinks it's an inside job and goes undercover in the community with the help of the rebbe's adopted son (Eric Thal) and daughter Leah (Mia Sara). Mara (Tracy Pollan) is Yaakov's widow. Melanie Griffith is horrible as the tough as nail cop. She is laughable at the role. Then she goes into the conservative Jewish world like a bull in a china shop. It's an interesting world but it's treated with a heavy hand by Griffith's flirtatious character. Director Sidney Lumet has the wrong leading lady and it's too broadly written anyways. I'm sure a modern policewoman undercover in the Hasidic world could be interesting but Griffith is not doing it right.

It goes without saying that this film is a total "Witness" ripoff, except now the tough-guy cop is a woman (Griffith) and the religious setting is within the Hasidic Jewish community instead of the Amish. Oh yeah, and the difference in acting (i.e. "Witness"= superb, "Stranger"stinko). The first scene shows Emily Eden (Griffith)and her partner in front of a club, reminiscing about their "rock" days, and how bad they are. They're apparently waiting for some thugs to walk into the bar to arrest them. Once the said thugs arrive, they follow them at about six feet behind, yelling about "back-up", and apparently the thugs are so dense, they don't hear them and bolt. Eden's partner ends up getting knifed as he cuffs the guy while winking at her (saucy!), and ends up half comatose in ER. 10 minutes into the movie, you begin to envy him. This movie was poorly written, directed and acted. We cannot buy Griffith as a tough talking rebel cop with that Betty Boop voice of hers, and it's easy to see why "Stranger Among Us" is one of the top 10 "butt of movie jokes" films of all time.

In New York, Detective Emily Eden (Melanie Griffith) is a tough detective and daughter of a former cop. When her partner Nick (Jamey Sheridan) is stabbed during an arrest of two drug dealers, Emily is assigned to a case of missing person, Yaakov Klausman, in a Hasidic community. However she discovers that Yaakov, who worked cutting diamonds, was murdered. Emily concludes that Yaakov knew the killer and asks the rebbe (Lee Richardson) permission to work undercover in the community. The rebbe brings Emily to his home and his stepdaughter Leah (Mia Sara) and his stepson Ariel (Eric Thal) help her to know people in the community and understand their habits and rules. Emily works in a department store with Leah, Ariel and Yaakov's fiancée Mara (Tracy Pollan), who was former drug addicted embraced by Yaakov and the rebbe, and her partner Levine (John Pankow) gives support to her. Meanwhile Emily falls in unrequited love with Ariel. When the gangsters Tony Baldessari (James Gandolfini) and Chris Baldessari (Chris Collins) threaten the group to sell protection to them, Emily believes she has resolved the case. But soon she has a discussion with Ariel and she concludes that the killer is another person from the community. "A Stranger Among Us" is an underrated movie that entwined crime, drama and romance. The story is well constructed, disclosing a totally different society in the Twentieth Century in New York City. Most of the bad reviews of the critics are based on the similarities of this movie with 1985 "Witness", but anyway "A Stranger Among Us" is an engaging film. The first time I saw this movie in the 90's, I did not understand how and independent woman like Emily Eden could fall in love with Ariel, but this time I have understood her need of fraternal love. This movie is basically the debut of James Gandolfini. My vote is seven. Title (Brazil): "Uma Estranha Entre Nós" ("A Stranger Among Us")

Melanie Griffith is horribly miscast and would fool not one Hacedic Jew in Crown Heights with her undercover role. Tracy Pollan deserves a special Golden Turkey for the single worst supporting performance in a pivotal role in a drama. She single-handedly ruins any credibility the film might have ever had. The "oh-now-I'm really-beginning -to-appreciate-the-beauty-of-the Hacedic-culture scenes" are forced and contrived, especially the big family meal. John Pankow delivers the movie's most interesting performance in a thankless role.

Technically a mystery, the real focus was on the movement of Griffith from an OK life toward a real life. While she enjoyed being a cop and having a good partner, one quietly becomes aware of how shallow and lonely her life really is. No friends, no supportive family, no grounding, and certainly no joy. Her immersion into a vibrant religious community slowly opens her eyes. The scene of the joy filled celebration of Sabbath is beautifully well done. Being treated as a daughter by the Rebbe who also understood what it meant to deal with evil as much as she did was key. That she is attracted to a handsome man is secondary to her attraction to what he represented - integrity, knowing who he was, using a range of natural and developed gifts, being an integral part of a supportive community, and finding joy within a chosen structure. There is one rather violent scene, and the language while accurate, is questionable for all family members.

I truly enjoyed this movie, despite bad reviews and comments about Melanie Griffith's role being not suited to her. It takes a cynical worldly woman cop (Griffith) into the strange world of Orthodox Jews when she goes undercover to investigate a murder. Her gradual acceptance into that world and growing respect for their customs and traditions was very moving to me. The warmth in the family meals and celebrations can be felt by the viewer and lets you understand how this cloistered world with rules for everything starts to look good to a woman who is so jaded and cynical in her outlook on life. The attraction between her and a Talmudic student provides sexual tension to the storyline, and the concept of finding the one person in all the world who was meant for you was so romantic.

Great Director Sidney Lumet has brought many great police dramas to life over the years. Such as the marvelous 'Serpico' With Al Pacino. 'Prince of the City' 'Q & A' among many others. But even he can't overcome the poor performance of his sadly misplaced leading lady in the already flawed 'A Stranger Among Us'. The problems begin with the film's prosaic title. Already 'A Stranger Among Us' seems trite and contrived. Perhaps sticking with the UK moniker 'Close to Eden' wouldn't have sounded as much like the title of a Lifetime movie. Griffith strikes out as a police woman who goes undercover in New York's Hissidic Jewish community to solve the disappearance of a young jewelry shop keeper whom she ultimately discovers murdered..From one of the opening scenes when Griffith asserts her character as a tough talking, trigger happy cowboy, or girl in this instance, we know the plot is headed for ridicule. Griffith never seems to leave terrible enough alone as she comes up with a new, in your face, slogan for almost every new scene and situation. Then things really take a turn for the absurd when one of the young potential Rabbis turns out to be disguised hunk Eric Thal. And grows even more ludicrous when Griffith, with the help of one the young Hissidic girls ( Mia Sara ) gets a total Jewish makeover to go undercover as one of their own. Her dyed blonde locks now toned down to a still teased, yet slightly more modest black. As she sets out to solve the crime, the relationship between her and Thal's persona Ariel seems as out of place as the police women herself. For one thing, Griffath, who looks like she's lived the hard party life she has, looks way too old for Thal, as she does for all her leading men. And where did she get and why does she employ that God forsaken Marilyn Monroe accent? Eventually the forbidden romance comes to a head, as we suffer through formulated scenes where Thal and Griffith lament the differences between their worlds. And you sense that Griffith just needs a chance to wrap her legs around the religious student for him to flush the whole faith down the toilet. In Griffith's defense it is a difficult premise to make work and I can't think of one actress who could have pulled it off convincingly. Thal tries to play it straight as the fledgling rabbi but has only his costume to work with.The whole thing plays out like kind of a reverse version of the Harrison Ford film 'Witness' Only the plot is much less imaginative and the romance can not find any foothold here. In the end Lumet didn't have no where near as much to work with as he did in most of his other films. And any hope of anyone taking any of this nonsense seriously wast lost on the incompetence of Griffith.. No doubt Lumet was forced to cast her based on the success of box office hits like 'Working Girl'. The poor old man must have been tearing his hair out. anyway, the shock ending isn't much of a shock, and you've probably already turned the channel by then. This one is definitely not kosher. Miss it. 4 out of a possible 10 T.H.