The first major flaw in start , that a guy just entered a shop , then owner's wife SUDDENLY took pity on his situation and invite to stay at home + work?. Ok no problem , lets continue. yeah its a movie of 90s, husband didnt notice any change in wife behavior after the affair. thats normal. But when after their Son comes at home with his wife and kid. at first the son seems normal but after he realize some fishy things about mommy , he turns into psycho quickly ?. the picnic scene where he put his feet THERE? wtf .. another flaw at the same picnic scene where the lover and wife dancing n hugging and moving away to go behind trees in-front of everyone ? In the end, there is no scene of the lover and wife, why the didnt meet or anything ?. the lover ends dead by the son and the wife ends in prostitution or playing poker in casino? .

A fairly common theme- a young drifter has an affair with a bored older married woman, but somehow special. Very erotic, but not an X movie and tastefully done. Alonso is great, as are Olmos and the newcomer- Vereen. Also has a little bit of comedy. Alonso is very sexy, and also very realistic. You can actually feel what the three leads are feeling. The setting- a fish market is perfect. The characters of the three leads are all sypathetic and likeable. I have watched the movie several times.

One of the best performances I've ever seen is Danny, played by Stephen Schub. Permissible use policy of IMDb prohibits me from using any of the words that can describe the character of Danny. If you ever want to see an actor convincingly play the most detestable person you can ever imagine, see Schub play this role. Everyone else is good, too. An entertaining, enjoyable picture.

Nick (Aire Verveen), a young Irish starving drifter, is helped by Joe (Edward James Olmos), the owner of a small fish market in New Jersey, and his wife Betty (Maria Conchita Alonso). They feed and bring him home, to work with Joe in the fish market. They also offer lodging for a period in the room of their son Danny (Steven Schub), who moved to Hollywood, looking for success as a performer and actor. Nick is treated like a son, working in the store and learning how to trade and handle with fishes. Pretty soon, he becomes Joe's best friend. Meanwhile, a huge company makes an offer for buying Joe's establishment, but he refuses the offer. Betty seduces Nick and they become lovers. The cuckold Joe trusts in Nick and cannot imagine the affair between Betty and Nick. Betty asks Nick to convince Joe to sell the fish market to improve their lives and Joe decides to accept the offer of US$ 750,000.00. The relationship of Joe's family changes when Danny returns home, with his wife and son. The selfish Danny, full of jealousy and greed, begins a game of intriguing, ending in a very tragic way. This film is the proof that a low-budget movie may work, since supported by a good screenplay and excellent casting. A very credible and cruel story, with an amoral and realistic end, not indicated for romantic viewers. My vote is seven.

This could have been your run of the mill erotic thriller with the tired plot of lonely couple takes in drifter, drifter has affair with woman, etc. However with superb acting by the entire cast, good writing and direction this goes beyond the genre. After Schub appears in the last part, the movie gets even better. Denoument comes fast and furious. I kept expecting it to lapse into cliches, but it never did. I do not understand the last scene with Alonso, but this is a must see sleeper.

Here's one I saw on cable at two in the morning, and what a pleasant surprise. Part working class BODY HEAT, part character study, CAUGHT avoids possible soap opera pitfalls with realistic dialogue, microscopic scale and Young's compelling direction. Occasionally the story seems to veer towards melodrama, then moves back toward intense, logically motivated realism. When Olmos and Alonzo's son pops in, the third act crescendos with emotional fireworks and a somewhat-necessarily overblown ending.

Robert M Young likes to do less with more. He's not bad at a sort of pale realism - his movies always feel like they could really happen, as if his scenes are less orchestrated than, well, caught. It's just that the worlds he captures, often in spite of their component elements, aren't very interesting ones. I am rarely compelled to finish one of his movies, and I rarely do. This, though he works all the time with one of the best actors in the business, who is also one of my very favorites: Edward James Olmos. CAUGHT is a credible, competent, thoroughly boring film composed of really exciting ingredients. Aside from a centerpiece of dueling Oedipal tragedies, it features forbidden love, a suitcase full of money, a mysterious drifter, a murderous stand-up comic, Olmos with a knife in his hand, and Maria Conchita Alonso naked. How could this possibly be less than entertaining? Well, set it in a fish market, for one thing; then have your mysterious drifter - who turns out to be not only not mysterious but not even very unusual - act the whole movie with a single look on his face. Then make none of the elements matter any more than any of the others, so instead of packed with thrills it's just a tired mess. Stir weakly and serve tepid.

CAUGHT (1996) *** Edward James Olmos, Maria Conchita Alonso, Arie Verveen, Steven Schub, Bitty Schrimm. Kind of an update of `The Postman Always Rings Twice' with drifter Verveen (in an impressive acting debut reminiscent echoing early Brando) who wanders into the lives of a Jersey City fish store owner and his wife making more than a difference and causing a rippling effect by his impact. Schub effectively balances menace and annoyance as easily the worst attempt at becoming a comedian!

1st watched 12/1/1997 - (Dir-Robert M. Young): Well put-together story of the cost that is paid for sin, more specifically adultery. Excellent acting by all with many unexpected moments.

I loved this film because it was absolutely real and totally believable. The character development was awesome and the tensions between the characters could be cut with a knife (sorry, you'll see why!). An emotional rollercoaster from start to finish. Don't miss this one.