source: Charlie Chan in Honolulu

Charlie Chan in Honolulu marked Sidney Toler's debut in the series. Confronting the late Warner Oland on what was his own turf, Toler proved a more than able substitute. True, he was a surrounded by a first-rate support cast, including Phyllis Brooks as the lovely lady in distress, George Zucco and Marc Lawrence as red herrings and, above all, rubber-faced Eddie Collins as the bravest comedian in the business. The plot, containing an intriguing puzzle by Charles Belden, was skilfully directed by Lucky Humberstone and atmospherically photographed by Charles Clarke. This movie debuted at New York's Central on December 31, 1938. The Fox DVD rates a perfect ten out of ten.

Warner Oland had died and Sidney Toler took over the role of Charlie Chan. While Lee is apparently in college, Number Two son, Jimmy, becomes the one aspiring to be a detective. During a rather tiresome beginning involving the birth of a grandchild, there is some banter between father and son and other child. While Charlie is at the hospital with the entire here, one of the boys gets a call about a murder aboard a ship. Jimmy and his stowaway brother end up on the ship, impersonating honorable father. In addition to two woman, a strange man who sleeps with a lion, is a weird character played by George Zucco, who was in many horror films. He has a kind of fish tank where he keeps a brain alive. Anyway, things go from bad to worse. One of the women came aboard with 300,000 dollars. It is soon missing. There are numerous suspects and eventually Charlie gets wind of his son's bumbling activities (not terrible, just not very insightful) and heads for the ship. This isn't a bad transition for the series as Toler picks up pretty well where his predecessor left off. This Chan, at least for now, is a bit harsher.

"Charlie Chan in Honolulu" is Sidney Toler's first Charlie Chan, and the difference between him in this and in his last films is very noticeable. Here he is much more lively. As this story unfolds, Charlie's daughter is about to give birth, and while he and his wife are at the hospital, the police call Charlie at home and ask him to go to a ship where someone has been murdered. Aspiring detective Jimmy Chan (Sen Yung, Bonanza's Hop Sing) intercepts the call, and he and #5 son Tommy (Layne Tom Jr. who in real life became a distinguished architect) decide to take on the case. Tommy immediately gets stuck in an area where wild animals are being kept for importation to the zoo; chaos ensues. This takes up some footage at the beginning. Charlie finally arrives and tries to sort out the mess, but there's another murder, and a missing and reappearing $10,000, a mysterious doctor (George Zucco) who pretends to be deaf and has an interesting science experiment on board, a fast-talking detective and his charge -- meanwhile, Charlie keeps getting calls from his son-in-law. They really threw the book at this one, complete with very dramatic music, as Toler's debut. He's delightful. One of the crazier Chan films, but it's nice to see Toler so energetic, and the Chan family is fun.

In Charlie Chan in Honolulu, Chan is called out to a freighter with six passengers making its way to Hawaii. A mysterious man has been murdered and $300,000 is missing. Chan must work his way through the clues, red herrings, odd characters, and other assorted obstacles to find a solution. In typical Chan fashion, he gathers all the suspects together to reveal the killer's identity. Charlie Chan in Honolulu marks Sidney Toler's first outing as the venerable detective. The movie may not be spectacular, but it's not a bad way to begin Toler's run in the series. The movie also sees Victor Sen Yung take over for Keye Luke in the role of Chan's main son. H. Bruce Humberstone would appear to have been a solid choice to direct Toler's first Chan. He was familiar with the series having already directed three installments, including the much heralded Charlie Chan at the Opera. Likewise, the supporting characters are also a solid group. George Zucco and Phyllis Brooks give exceptionally noteworthy performances. Eddie Collins provides the comic relief. The biggest weakness of Charlie Chan in Honolulu is the plot. It's just not that interesting. And, in infuriating fashion, Chan's solution to the mystery is a cheat. There's no way for the audience to have figured out the solution based on the clues presented. It takes a last minute piece of evidence to unmask the killer.

Charlie Chan (Sidney Toler) is called to investigate a murder aboard a freighter docked in Honolulu. There's pressure on Charlie to solve the case quickly so the freighter can leave, as well as waiting on news about the birth of his first grandchild and dealing with meddlesome son Jimmy's attempts to be a detective. It was nice to see Charlie's family again, especially Charlie Chan, Jr. (Layne Tom, Jr.). This is also the first appearance of "Number Two Son" Jimmy Chan (Victor Sen Yung). He's not as charming as Keye Luke's Lee Chan, but he's fun and enjoyable in his own way. Supporting cast features Robert Barrat, Richard Lane, and the great George Zucco. This is Sidney Toler's first Charlie Chan film. Toler's Chan was different from Oland's. A little more snark from Charlie and more comic relief from sidekicks. While I prefer Warner Oland, Sidney Toler was an admirable replacement and most of his Chan movies are good. At least until the series moved to Monogram.

Charle Chan in Honolulu (1938) Sydney Toler. Sen Young (as son Jimmy). Charlie detains tramp steamer investigating a murder. Classic Chan! The well-known George Zucco plays a creepy scientist (Dr. Cardigan) who keeps a human brain alive in a jar; red-herring? A detective is aboard ship returning an escaped prisoner to prison, another red-herring? Zoo menagerie including wandering lion, all aboard ship, adds distraction to cluttered but delightful story line. Lots of colorful characters and bad acting. Keeps you guessing, can YOU guess who the murderer is? Good addition to the Chan series. "Mr. Chan, what's your opinion on the case?" Charlie Chan: "Opinion like tea leaves, take time for brewing."

A really poor Charlie Chan movie which is best given a miss. The final reveal comes out of the blue with no real justification and disappoints.

Upon Warner Roland's death, it was SIDNEY TOLER's turn to play the Chinese detective with the huge family. This time his son is played by Victor Sen Yung, who would go on to play the role of Jimmy Chan in many future Chan films. This time the plot involves $300,000 of stolen money and a slew of passengers aboard a freighter, several of which are suspicious enough to be questioned by Chan about their associations. RICHARD LANE, MARC LAWRENCE, PHYLLIS BROOKS, EDDIE COLLINS and ROBERT BARRAT are the chief suspects but it's GEORGE ZUCCO, a mad doctor with thick glasses carrying a live brain in a suitcase, who makes the most vivid impression and, at one point, actually seems to be the killer when a couple of murders occur. Not the best of the series, but it does make a good start for Sidney Toler who would go on to keep playing Chan until the mid-'40s. The comic relief from Eddie Collins is sometimes painful and Chan's quotations are a bit much, as usual. He gathers the passengers together for the final scene and stages a bit of detective work that gives the story a nice finish. Summing up: As usual, the viewer is given almost no way to solve the crime.

Fairly good blend of comedy and mystery. There's been a murder aboard ship in Honolulu and Charlie must leave his clan and expectant daughter-in-law to investigate. Highlight for me is George Zucco doing his mad scientist routine with usual straight face. Here he collects human brains in bottles, and when he grabs Jimmy Chan (Sen Yung) to measure his head, it's funnier than all the other antics combined. Fine cast, including fast-talking Dick Lane, sinister Marc Lawrence, Kewpie-doll Phyllis Brooks, and the much-underrated Claire Dodd with a force to her that's good enough for A-pictures. Also, it's a sprightly Sydney Toler in his first turn as the Chinese detective. For me, the rotund rubber-faced Eddie Collins is a matter of taste, but he does have his moments with the pet lion (likely left over from another production). Anyway, it's a good fast 60 minutes with a well-developed array of suspects and a number of chuckles.