When the old KCOP Channel 13 in Los Angeles showed matinées (afterschool for me then), I saw this engrossing movie. Who could resist the lushness of the Malay jungle juxtaposed with the British Governor's pristine lawns? Not to mention the fascinating interweaving of the old love triangle amongst Ferris, Dhana, and Ng with an anti-colonial rebellion? I may have been a precocious child, but these things were clear to me amidst the Vietnam War. It's good to see others who recall this movie for what it remains--a trenchant comment on nationalist insurgents fighting their imperialist overlords. The irony is that, despite the purity of their intentions, the guerrillas destroy what they fight for: control of their own destiny. One might read the lovely Dhana as the fragile Malayan countryside laid waste in the ensuing skirmishes. True enough that the British colonial government executes Dhana. Yet both Ferris and Ng lose their dreams as well: Ferris leaves Malaya without Dhana (or even Candace), and Ng is dead. When I found the LP recording of the beautiful Riz Ortolani score about 20 years ago, I snatched it up. I won't expect a CD version, but Ortolani deserves to be lauded for music that supports the storyline. We may well remember "More" from Mondo Cane, but the haunting theme from The 7th Dawn can hold its own. Now, if only one could include this movie in a grouping of films with the broad theme of protesting war (Live for Life, Year of Living Dangerously, Torn Apart, Indochine)and show them to politicians....

Based on a now forgotten novel entitled The Durian Tree (by Michael Keon), The 7th Dawn emerges an absorbing, involving and fairly interesting political adventure movie. At the time the film wasn't greeted with much enthusiasm by the critics but looking back there are several factors that make their negative outlook of the film seem somewhat inaccurate. For starters, the film takes a surprisingly damning stance against the way the British deal with terrorism and anarchy in far flung corners of the world. One would expect a cosier, more flattering representation but The 7th Dawn has the courage to be critical of the British handling of such situations. Add to that some strong performances, luscious cinematography (by Frederick Young), and a number of memorable scenes and you're looking at a film that has been largely under-rated down the years. At the end of WWII, freedom fighters in the Malayan jungle are finally able to leave their dens and hideouts in the undergrowth and get back to something resembling normality. One fighter, the American Ferris (William Holden), decides to buy a patch of land and turn it into a rubber plantation, taking his old lady guerrilla friend Dhana (Capucine) as his mistress. Meanwhile another guerrilla named Ng (Tetsuro Tamba) heads off to Moscow to learn about communism. Fast-forward several years and Ng returns to Malaya a whole-hearted communist to fight against his former allies, the British, for the country's independence. Ng's men wreak havoc against the rubber plantations in the country but leave Ferris's alone because of their old comradeship. The British approach Ferris and ask for his help in stopping Ng's campaign of terror. Initially reluctant, Ferris nevertheless attempts to make his old friend see reason but to little avail. Matters are complicated further when Candace Trumphey (Susannah York), daughter of the British governor, falls in love with Ferris. When Dhana is accused of sympathising with the communist terrorists and sentenced to execution, Candace foolishly offers herself as a hostage to the communist forces in the hope of saving her…. and the battle weary Ferris faces a race against time and the elements to save them both. The 7th Dawn has its share of faults for sure. Karl Tunberg's script wanders a lot and seems in need of a little tightening-up; York's character isn't always convincing and upsets the solid characterisation found elsewhere in the film; the final scene virtually plagiarises the ending of Casablanca. But there's still a good deal to enjoy in this exotic jungle romp – Holden is fine, Capucine plays a refreshingly strong female character, the action is exciting enough. One particularly powerful sequence features the British burning to the ground a village which has been unsuspectingly harbouring terrorists and their explosives; another shows hundreds of Malayan cyclists carrying out a protest ride against the British governor for ordering for a night-time bicycle curfew. Undeservedly forgotten and almost never screened nowadays, The 7th Dawn is a worthwhile watch if you can find it!

William Holden, Capucine, Susannah York, and Tetsurô Tanba star in "The 7th Dawn," a 1964 film done on location in Malaysia. At the end of World War II, Major Ferris (Holden) decides to stay in Malaysia, where he becomes a land baron. The woman who fought alongside him, Dhana, moves in with him. The third member of their trio, Ng (Tetsuro Tanba) who is like a brother to both of them, leaves to work with the communists. Over the years, it becomes more dangerous to live in Malaysia due to Communist terrorism as the British prepare for Malaysian independence. As the situation worsens, Major Ferris and Ng ultimately have a difficult and painful decision to make. "The 7th Dawn" is visually stunning, with some absolutely magnificent photography throughout, with an interesting story that was overshadowed in history by Vietnam. William Holden is perfectly cast as the world-weary Ferris, and Capucine gives a very dignified performance as the highly regarded activist Dhana. Susannah York plays a beautiful young woman who falls for Ferris, and handsome Tetsuro Tanba gives a powerful performance as the dedicated Ng. Very good script without a typical Hollywood ending. I'm not quite sure why this film isn't more regarded.

I agree with most posts. I think this was an underrated film, surprisingly hard to find. It was quite critical of the British elements of counter terrorism. It seemed a little simplistic, but it told a story not usually found in most movies. I think that it was a good, balanced viewpoint of colonialism, terrorism as well as romance. This would be an intriguing remake, if today's times were a little different. Today's culture is far into the anti-terrorist mode to understand the psychology of insurgency. Vietnam was much more complex, with the S.Vietnamese bureaucracy betraying themselves and China masterminding the NVA for its own purposes. William Holden played the naive, if somewhat self-important voice of reason. He played the angle from his side, and was critical of the British viewpoint. The "loyalty" aspect was quite intriguing and prevalent throughout most of the film, and he distinguished that element again in the Wild Bunch. This was a pretty good movie.

A Graham Greenesque love quadrangle in the midst of turmoil in the British colony of Malaya. the 7th dawn is an exotic film starting with the beautiful titles that has Malayan landscapes, the workers, water bodies and culture set to Riz Ortolani's heavenly soundtrack. William Holden plays an American solider who is attached to the land and stays back after the war with Japan to become a successful plantation owner. He is involved in a love triangle with a Malayan rebel leader and an activist played by the beautiful Capucine. Holden effortlessly exudes authority and manliness. The so called macho actors of today look like chumps when compared to an actor like Holden. Capucine plays a stoic principled solider who is passionate about the rights of the Malays. This is the first time i'm seeing her in a film. She is a damn good actress and looked great too. Sussanah York, the daughter of a British dignitary covets holden. She is introduced wearing a bikini and bathing in the sea. She is a female white liberal character straight of of a VS Naipaul novel. The plot resolution at the end is thanks to her silly liberal antics. She surrenders herself as a hostage to the malayan reactionaries in the hope that the British authorities would refrain from hanging Capucine who is falsely accused of planting grenades. But the film is an action adventure film that doesnt really take political sides and mostly present facts as they are. i enjoyed it. Ortolani's score deserves special mention. (7/10)

The communist uprising in Malaysia following WWII lasted for many, many years and many people were killed. Yet, oddly, it's seldom the subject of films--as if it never took place. The film begins at the end of WWII---as a MODERN helicopter brings word of the Japanese surrender. Jump forward a decade and two comrades in the struggle against the Japanese have gone on very different paths. One (William Holden) is now a hugely successful plantation owner. The other (Tetsurô Tanba) is now a communist revolutionary--leading the revolt against the interim British government. As for Holden, he's pretty apolitical but his girlfriend (Capucine) is appalled by the stupidity of the British government--she is sympathetic towards the revolutionaries. When she is captured and accused of smuggling weapons for the communists, Holden is finally compelled to take sides. The film is pretty good, but there is another character that was a bit uneven and a bit annoying. Susanna York plays the daughter of the new governor. She appears a bit kooky and flighty for much of the film--even though everything is deadly serious. Only later in the film does she show her pluck--but this is only after she COMPLETELY inexplicably surrenders herself to the revolutionaries. Had her character been written better, the film could have earned an 8. As is, it's still pretty good and worth a look.

I have just watched this film, 46 years after its release. The film was shown on Classic Silver Screen, and unfortunately the print was of poor quality. I can imagine that Freddie Youngs photography would be stunning in a good quality print! Overall I would rate the film as average fare. Was this film or the original book based on factual events? I hate to be a "nit-picker", but at the beginning we see a helicopter with loudspeaker telling the rebels that the war with the Japanese is over. Now, I know early helicopters were used by the Allies in small numbers late in World War Two. But in a remote area such as Malaya? Anacronistic I would think! Also the aircraft was a Bristol Sycamore, not designed until the 50s!! This helicopter thing also happens in "Where Eagles Dare". Don't film researchers do there homework? Or do they include such "gaffs" just to p**s off "nit-pickers" like me!!

It's sad how little the U.S. has learned from the British Empire that preceded it. But that's the politics and it's somewhat interestingly presented here. The biggest problem with this movie is it opens as a love triangle: Holden/Tambo/Capucino. Before the first scene is over Tambo wander off to become a commie revolutionary and in wanders Susannah Can't Act York. So it's a different love triangle. Except Holden and Capucino aren't in love; they seem to have more of a roommate-with-privileges relationship. A few people get blown up real good. Holden does some dashing things we've already seen in Bridge...Kwai. Snore. This movie is notable for featuring a still-fit Holden, with bags forming under his eyes to show the hard living of the past decade. This might also be the point where he's no longer the cynical individualist with a smile and a wink to the cynical survivor with a bitter smirk. He's closer to the bitter washed-up Pyke of The Wild Bunch at this point. I want some UCLA film student to write his doctoral thesis on Holden's career and life as it played out on the screen. For now I might just have to read Stefanie Powers' book about him.

A British colony in Asia is under attack from terrorists. A suspected terrorist has been captured, tried, and convicted. The sentence is death. The terrorist group kidnaps the British governor's daughter. She will be killed if the execution proceeds. Time is running out. Only her lover, Ferrell, can save her. No mistake. It's Paul Ferrell and he's rescuing Caroline rather than Candace this time. The movie (actually a serial or in the States a miniseries) is "A Place of Execution" from 1953 eight years before "The Durian Tree" was published and eleven years before "The 7th Dawn" was released. Is this a strange coincidence or a reused plot line? Draw your own conclusions.

This is one of those films that goes unnoticed for some reason, despite having an excellent story, superb cast and breathtaking scenery. Although it is "entertainment", art does imitate life and we see the brutal reality of how a dedicated (and duped) Marxist revolutionary lets deep, committed friendships fall to the wayside, in fact uses those very friendships, to further his political cause. The film came out about the time the war in Vietnam became an American War and this may be the reason it did not do as well as it should have at the box office. A young Suzanna York is stunning; Capucine is the classic beauty she remained until her untimely, and sad, suicide in 1987. Bill Holden was the perennial Bill Holden. The Asian commie rat was a typical Asian commie rat. Those guys still don't have a clue. China will eventually fall not from within but from without-they can't keep the internet out and once its citizens see the real world out there, communism is finished. Well worth watching whenever you can catch it.