Many films are called "Hitchcockian", usually because they merely have a twisty, psychologically-motivated plot. But Jonathon Demme's 'Last Embrace' is far more than that, as much a piece of homage as Peter Jackson's recent 'King Kong' remake was to its predecessor. The natures of the characters, and the style of acting, dialogue and music all resemble Hitchcock's own work. A number of elements even pay more direct tribute: there's a shower scene (a la 'Psycho', albeit less bloody), while the scene in the tower, and the ambiguous heroine who isn't what she seems, bring 'Vertigo' to mind. The ending, in fact, resembles aspects of both the start and end of that latter film, while the use of an American landmark (the Niagra Falls) also recalls the use of Mount Rushmore to similar effect in the conclusion of 'North by Northwest'. But for those of us who don't in fact adore Hitchcock, and who find his movies stiff, badly acted and contrived, is a carbon copy such a welcome thought? In fact, Demme, a director I often think of as clunky, proves himself well up to the art of sympathetic pastiche, and I actually found this movie a little more engrossing than many of Hitchcock's own, although the plot is still holey and the overall feeling is that of an early 1960s movie, unusually well done, rather than a real late 1970s film. You'll probably enjoy it if you're more partial to Hitchcock than I am.

source: Last Embrace

Last Embrace

I can see what the critics say about the Hitchcock aspects, and it it similar to the Marilyn Monroe film, Niagara (towards the end), but this is quite a good film from director Jonathan Demme (The Silence of the Lambs). When his wife and a cop are killed, Harry Hannan (Roy Scheider) has a breakdown, and the department he works for don't want him back. He knows someone is trying to kill him, but other suspicious deaths suggest there is more to it. His only help seems to be from the mousy Ellie Fabian (Janet Margolin) living in New York. She turns out to be a key suspect though (somehow), and there are great chase sequences that lead to Niagara Falls, where she dies. Also starring John Glover as Richard Peabody, Sam Levene as Sam Urdell, Charles Napier as Dave Quittle and Christopher Walken as Eckart. To be honest, all I was interested in was the good music by Miklós Rózsa, the big stars, the violence, and the great chases, but besides that, there is not much in my opinion. Good!

This small pic was a preview of great things to come from Jonathan Demme, who went onto MELVIN & HOWARD, SILENCE OF THE LAMBS, STOP MAKING SENSE, to name a few other notable works. This was a decent 100 minute time waster that you either got or you didn't, liked or hated. Roy Scheider turned in his always good performance and I didn't mind looking at Janet Margolin in the bathtub.

This is one of Janet Margolin's best performances and I am reminded of how I miss seeing her in films. She certainly plays a complex character here. Her metamorphosis in one scene in particular is dramatic. Reuniting her with John Glover was great too. Even though they shared no real scenes in Annie Hall, I remember them both in that and was pleased to see each in Last Embrace. Glover is still going strong. The plot of this Hitchcockian thriller is multidimensional and fresh. I think Demme ( not one of my favorites) did a great job and the famous finale at Niagara Falls is reminiscent of NIAGARA without really aping it. This is the film that made want to ride the Maid of the Mist. And the one I always remember when I miss Janet Margolin.

Roy Scheider stars as a retired secret agent mourning the murder of his wife, now busy dodging the bad guys who are out to kill him. Director Jonathan Demme is so character-oriented a storyteller that to see him attempting an Alfred Hitchcock-type suspense drama, with the accent on narrative and action, is almost predictably disastrous. Screenwriter David Shaber, adapting Murray Teigh Bloom's novel "The 13th Man", wants to stir up paranoia and intrigue, but either he or Demme dropped the ball after an OK start. For those who stick with it, there's a visually impressive climax at Niagara Falls, but Demme gets next-to-nothing out of his cast, and even less out of this tepid story. *1/2 from ****

"Last Embrace", directed by Jonathan Demme, takes itself way too seriously, for such a shallow film. The whole thing smacks of audience manipulation, and the exciting conclusion above Niagara Falls, in no way redeems what has preceded it. Someone is trying to kill Roy Scheider, and fine actors Christopher Walken, John Glover, and Charles Napier are essentially wasted as "red herrings". The story is far from tight, and leaves plenty of loose ends dangling uncomfortably. Once you witness the highly unlikely tub scene, you will better understand the lack of logic in this film. Everything about "Last Embrace" is disjointed, confusing, and really never comes together as entertainment. - MERK

This is an engrossing thriller -- clearly in the vein established by Hitchcock -- and very much like Brian De Palma's carefully structured style. This is the first Jonathan Demme film I saw and I expected him to work more in this genre. Fortunately, he directed a cornucopeia of film in various styles that vary between intriguing and amazing: including "Melvin and Howard," "Stop Making Sense," "Philadelphia," and one of the best films for repeat viewing, "The Silence of the Lambs." This film stands out from the standard murder mystery in that it presents a non-standard view of Jews who immigrated to the US. To divulge more would spoil the film. Roy Scheider is perfect and Janet Margolin is beautiful. In addition , now -- nearly 25 years later -- it is fun watching Chris Walken, John Glover and Mandy Patinkin early in their careers. It is funny to realize that Margolin, Walken and Glover were all in "Annie Hall" two years earlier.