This movie was just kinda under everything--underwhelming, under developed, under communicated, etc. If you're going for slow naturalism you still need a heartbeat, but this script is too lethargic to hold attention. At the end of the day it felt padded when it could have made a really poignant half hour short film... ...or rather it would if the plot and characters were laid out better. The main character is as passive as other reviews say. I can sympathize with a woman winding up in a mundane, boring life where motherhood doesn't feel like her end-all-be-all and her husband has essentially abandoned her. It's a very real-world situation. But she does nothing to improve it. Maybe, MAYBE, her attempt to improve it is by going to her love interest's wedding in hopes of running away with the bride...but I have no idea as very little character motivation is ever established. We don't even know why it ends the way it ends, and instead of feeling indie and human and ambiguous it feels like we just wasted a bloated ninety minutes to watch yet another disappointing end to a LGBT story. In that way it felt extremely dated. Essentially the same story can be found in numerous LGBT books and films that were made in the 80s, 90s, and even 00s. It's 2020, dude. Do something different.

It's a very realistic movie and everything in this movie feels like real , and it's like u don't feel that u are watching a movie Screenplay is good , two main actresses done their job too well and everything is just good . But the Ending might not be satisfying.

Excellent acting Nice screenplay Great cinematography Cool soundtrack

This is one my my favorite movies because it showcases cinema's advantage over other art forms: the ability to convey so much emotion through few words. Absolutely incredible. Riley Keough and Jena Malone are in top form. Director Kim did a phenomenal job guiding them and capturing them on film. People I know have been in similar situations, so I could imagine what was left unsaid. For those of you who were left scratching your heads, I encourage you to reach out or dig further into queer cinema (eg I Can' Think Straight, Fingersmith, Carol, Call Me By Your Name).

Right from the beginning of the movie I sat with a weird feeling of wanting to participate in the illusion of the film but to never be able to submerge in it. The actors all seemed strangely aware of the cameras - like they throughout the film were trying to conceil an awkward smile - even though we are talking about highly experienced actors (this fact rises a lot of questions: Was there a lot of improvising? Did the actors feel unsafe? Did the director fail? Was the cinematographer of an odd character? All of this popped into my head while watching the film which was quite distracting). The choice of telling the story through mainly closeups feels somewhat misguided since the actors didn't have very much to work with - the storytelling didn't provide them with proper background for their characters and didn't build up the proper emotions within the viewers to justify the astetic choices that have been made. The cinematography promise much more emotional rawness and intensity than the director/script/actors could provide and the movie feels like it's missing some pieces in order to make the audience feel what it so eagerly is trying to make them feel.

I haven't seen any of So Young Kim's other movies, but I am going to make an effort. I understand the varied responses of others here, and make no excuses; it is different for me, and this love story really is a Lovesong, one played in the background over several years, which rises from piano to sforzando, and back to quietness. Remarkably acted and directed, Riley Keough and Jena Malone are just perfect in the depiction of their barely suppressed love for one another. The film both delighted and depressed me, but it has become one that I will buy to keep. I do agree with a review of Lovesong by Justin Chang in "Variety" on 25 Jan 2016: "There's a remarkable truthfulness to the film's acknowledgment that people often make enormous decisions rooted not in fear so much as uncertainty, even laziness, as well as a comfort with their lives as they've lived them until the present juncture." What is left unsaid is the consequences of those decisions, that we are left to look out the window and consider. Well done.

Pretty well narrated and silent acting was just phenomenol for me. And the song, played while the credits were scrolling, was like cherry on top.

Too many scenes use to show the emotional attachment between the two main characters, when all they really seem to do is make the movie longer so it can become a full length feature. Two good friends separated by life reconnect very intensely over a weekend and then three years later see there lives have change when one of them is getting married. I can relate to the second part of that synopsis, when Sarah reconnects with Mindy on her wedding day, after they have not seen each other in three years, you have to understand that no matter how close you two were you are no longer the center of Mindy's life, especially on her wedding day, and now Sarah has to connect with people in Mindy's life who seem closer and you do not know at all. I did enjoy this part. I also like the relationship between Sarah and her daughter Jessica. The interaction between Sarah and the child actresses who played Jessica at 3 and 6 was so real. An amazing combo of timing and acting that's hard to get with little children, it does not feel fake at all so that was real cool to see. But overall, I though the film could have done a better job expressing the plot points. Like I said earlier, I see a long short film being strength out to make a feature length film and it makes the movie dull to watching the two characters look deep into each others eyes for longer than two minutes more that one occasion to express their possible more than friendship love. Interesting story that could been better if the film was tighter.

I went into watching this movie with an open mind (because I usually hate hipster-esque indie films) and a craving for a good love story. I was fairly surprised, the movie doesn't feel too long, and it definitely wasn't boring.The problem I have with this is the queer baiting. Many shows and movies have done this, and then retreated under the "tHeY'rE jUsT fRiEnDs In A cOmPlEx ReLaTiOnShIp" umbrella. The main character is basically does a whole lot of nothing, and does not stand up for herself at all. When her friend leaves, she doesn't say a word and we're left in an incredibly awkward position, and only tuning in to see if they reunite later (which they do, and the outcome is extremely disappointing). We're left to ignore the strong romantic bond they had and sit and watch as the friend of our main character gets married, and we're supposed to be happy for her? The main character didn't really seemed moved when this happened, even though she was talking about how she wanted to have a relationship with her friend and that she loves her only a few moments before. All I have to say is, "Really??!!!".

Definitely didn't know to expect for this film, but what it eventually ended up being is a solidly written and very well acted tale of two friends. It's not a film driven by plot at all, and for that reason it may not engage all types of viewers, but it does tell a nice human story. More than anything, the two leads are really quite good in this. It's nice to see Riley Keough leading a film like this and I hope she continues to get offered roles, and Jena Malone can always be relied on something extra in her roles. This was no exception.