If you love Elizabethan comedy and you also admire Joss Whedon, then his Much Ado About Nothing will send you over the moon. The Bard's language, in the hands of a smart director with access to accomplished actors and other film artists, is as lively, lovely and accessible as any contemporary rom-com might be.....Benedict and Beatrice have inspired many screenwriters, but few seem to have as much fun as Whedon does. The black and white budget makes other over-budgeted mainstream fare seem bloated. From the party scenes to the love scenes to the detective scenes, everything is perfectly pitched with cameras capturing the complexities of Shakespeare's comedy with clever but unobtrusive effort. The staging is simple but imaginative, and the costumes are hip without being too trendy. I'm delighted to see that today, June 23rd, is Joss Whedon's birthday. How lovely that he shared this pretty package with film lovers like me.

Transposed to an American setting, Joss Whedon's MUCH ADO ABOUT NOTHING proves a highly entertaining romance. The two central characters Beatrice (Amy Acker) and Benedick (Alexis Denisof) begin the film as deadly enemies, but it's clear they're attracted to one another. They are brought together due to a combination of clear-headed thinking and clever machinations by their friends. Denisof is very good with his body; in one sequence he stretches and preens himself in front of Beatrice, much to her disgust. Acker has an equally funny scene where she tries to conceal herself beneath a kitchen unit. The supporting cast are equally good: I particularly liked Clark Gregg's Leonato, concealing a passionate nature beneath a cloak of respectability, and Jillian Morgese's Hero, a well-brought up girl wrongfully accused of adultery. Shot in atmospheric black-and-white in a country house over a period of sixteen days, the film makes wonderful use of light and shade. The verse-speaking is clear and lucid, and the story abundantly clear. I really admired this film; definitely worth a second look.

This is such a great adaptation. The actors speak their lines with clarity and emotion. The cinematography is great, and the movie is in turns very funny and tragic. A lot will be written about how Hero would never simply die because she was accused of 'not being a virgin', well she didn't. For once when I was watching it I got a sense of what was driving Claudio, his sense of betrayal and hurt. What he did was reprehensible but you could understand that he did have what he thought was good reasons. And for once I got a sense of real threat from Benedict's challenge. Amy Acker and Alexis Denisof made a delightful Beatrice and Benedict. You could feel the attraction there and you knew why Don Redro had such an easy time of it convincing his fellow conspirators to get them together. What really impressed me about this film is how obvious it is that the cast is having a good time. The acting seems to be effortless and it is all spot on, and Clark Gregg/Nathan Fillion/Reed Diamond are hilariously funny. I think this is how Shakespeare should be done, as simply great entertainment. When you have that, you have the complexities laid out before you and like Claudio's anger you can see the reasons for the actions of the characters plainly. 'Much Ado About Nothing' has been very well served by Wheedon and his company of players, such a joy and that can be so rare in films nowadays.

source: Much Ado About Nothing

"Shakespeare knows how to throw a party." While Joss Whedon was working on his big budget film, The Avengers, he was working on this much smaller but personal passion project. He only needed 12 days to shoot this black and white movie which consisted mostly of actors he had worked with in the past from his TV productions. He filmed this entirely from his home so fans of Whedon might appreciate how passionate he was about the adaptation of William Shakespeare's play. I am a huge fan of Shakespeare's plays, but I usually have a hard time enjoying the films that try to modernize his 16th century plays. That is exactly what happened here, I just can't conceive these characters speaking this way living at the present. It kind of throws me off as I would rather watch a version of this play centered around the 16th century. Much Ado About Nothing isn't considered as one of Shakespeare's best plays either. I didn't care too much for most of the characters and the comedy didn't work too well either. The main themes of the play still come through in this film however. We can see how easy it is to build love out of nowhere or destroy it with words. This is a very different film coming from Josh Whedon, but I guess one of the advantages he has for having so much success is getting to do films he is passionate about. Fans of this play might enjoy this more than I did. The governor of Messina, Leonato (Clark Gregg), is getting prepared for a much awaited visit from his good friend Don Pedro (Reed Diamond). Pedro who has recently come out victorious from a Civil War is returning with two of his officers: Benedick (Alexis Denisof) and Claudio (Fran Kranz). Along with his brother Don John (Sean Maher) who was on the losing side of the War, they are all going to stay at Leonato's home. Love soon is in the air when Claudio falls for Leonato's only daughter, Hero (Jillian Morgese). Leonato and Don Pedro make plans for their wedding, while at the same time they decide to try to get Benedick and Hero's cousin, Beatrice (Amy Acker), to fall in love with each other despite how much they hate each other. Meanwhile, Don John, who is still bitter about his defeat will try to do what it takes to make others miserable and therefor tries to break up the relationship between Hero and Claudio. Will love prevail or will Don John be able to destroy their love? If you've read the play than you know the answer. Some of the same basic complaints about Shakespeare's play can be heard here as well, such as how underdeveloped the villain (Don John) is here. He is perhaps one of the weakest villains from his plays. The love story between these two pair of lovers isn't something out of the ordinary either, but the actors give strong performances nonetheless. Fans of Firefly and Serenity will be pleased to see Nathan Fillion in the comedic supporting role here and he stands out from the rest. This is one of Shakespeare's lighter comedies, considering it doesn't end in tragedy, and it has some funny moments, but I just didn't like the way the play was modernized. I never got engaged with the story and I never felt the wit coming from Whedon's other works.

...I will follow him through oceans of time and to the ends of the earth and other places. I must add that I've only seen the trailer, so how much do I anticipate all manner of divine delights? A LOT. Happily I can do delayed gratification these days and will spend many hours just THINKING about it. Most Whedon fans will know that he & his wife Kai hosted Shakespeare readings at the house of a Sunday with cast and crew during the Buffy/Angel/Firefly years ~ their 'fin de siecle' mode of relaxing, showing off and mutually loving each other and words (on their only day off ~ that in itself speaks volumes, for those who have ears to hear it). Hopelessly devoted to William & Joss, your most, humble scribe, etc,etc, etc.

Much Ado About Nothing is a good title for this play. True love is destroyed by a jaded third party with baseless accusations. Two jaded wits fall for each other with the help of well-meaning friends...who make baseless accusations. Love is a real thing often created or ended through unlikely circumstances. Along the way, you'll enjoy beautiful language, brilliant insights, thought-provoking situations. None of this would have worked so effectively had it not been for smart direction and acting, displayed here in abundance. Everyone in the cast understands their lines, essential to make the antique language come alive. You might be surprised how many productions fail with clueless line readings. Apart from the movies of Kenneth Branagh, it's a rare achievement that a cast does this well. The preciosity of plays of this vintage was never more skillfully avoided. That being said, there is something about Much Ado that never seems to work. When life-and-death violence arrives precipitately wrapped in coal black emotions, it somehow rings false, almost embarrassingly inapposite to the champagne that has flowed before. This schizophrenia might be eliminated by figuring out how to direct the first two thirds of the play more like the denouement.

I should preface this with the statement that I enjoy Whedon's work. I was excited to see how he would direct actors from his previous series. I was especially excited about this being a play with which I was already very familiar. I also make allowances for the fact that it was filmed in a particular fashion, within a particular timeline, for particular reasons. I know that makes it "arty" and critically or technically better. That all being said, I found the film lackluster on several counts: First, the acting seemed flat. Shakespeare (the comedies in particular) is supposed to be bigger than life. It is supposed to be over-acted in some respects. The characters in this version act in a rather flat way, almost as if they are afraid of showing too much emotion. In some ways, this may be because the actors chosen were not necessarily ones who fit those particular roles. I liked all of the actors in other roles. Nathan Fillion, for example, would have made a wonderful Benedick. Amy Acker, similarly, seemed ill suited for the role of Beatrice and might have played a far better Hero. Second, and perhaps this was specific to the theater in which I watched the film, but the sound seemed rather flat. That may even have been choice, but the sounds just didn't seem very layered. Third, hearing Shakespearean dialogue done with a purposefully plain American accent is a bit harsh on the ears. That may sound petty, but the choices Shakespeare made regarding word order fit a British accent far better than an English accent. Finally... I really had a tough time with the setting. I don't mind a Shakespearean comedy being staged in a non-traditional context. In fact, I am very receptive of it. Unfortunately, this particular setting didn't really work. Don John has been apparently arrested for "standing out against his brother," but he gets free run of an estate. He is a guest of a government who cannot afford actual handcuffs, just zip-ties. This is just one example of how the setting didn't really seem fitting.

More specifically, a film specially made to suit the perfect answer that would be given by the perfect bourgeoisie individual to the question: What did you do last weekend, my dearest? Because I can't imagine that this film could fulfill any other purpose than that. ANY theatrical representation (including your daughter's school play)is much better that this piece of unexplained black and white garbage. The story is boring. The funny moments are VERY boring. And the acting is VERY, VERY boring. If Shakespeare name was not involve in some way in this film, NO one, trust me, NO one would ever remember this film. If you are not into actors hairdressing or interior home design, do yourself a favor and choose something else.

If you love Elizabethan comedy and you also admire Joss Whedon, then his Much Ado About Nothing will send you over the moon. The Bard's language, in the hands of a smart director with access to accomplished actors and other film artists, is as lively, lovely and accessible as any contemporary rom-com might be.....Benedict and Beatrice have inspired many screenwriters, but few seem to have as much fun as Whedon does. The black and white budget makes other over-budgeted mainstream fare seem bloated. From the party scenes to the love scenes to the detective scenes, everything is perfectly pitched with cameras capturing the complexities of Shakespeare's comedy with clever but unobtrusive effort. The staging is simple but imaginative, and the costumes are hip without being too trendy. I'm delighted to see that today, June 23rd, is Joss Whedon's birthday. How lovely that he shared this pretty package with film lovers like me.