source: Peeper

Moviecut—Peeper

Peeper

The only Michael Caine movie I have ever seen, that I didn't like. This movie is populated by quality actors but horribly miss-cast and poorly directed. Too bad, could have been a great spoof.

A semi-spoofish deconstruction of 1940s film noir tropes, "Peeper" has plenty of witty dialogues - and monologues - delivered by Michael Caine in his inimitable style ("President Truman said there is now a boom in U. S. economy, but although I leave my window open every night I still can't hear it"), but it is underlit to an excessive degree, and filled with too many overacted "thugs" who are impossible to tell apart (we never really learn why they are after Caine's character, either). This one might have worked better as a radio program. **1/2 out of 4.

I found this movie to be incredibly boring. The characters and dialogue were over the top in a bad way. I did enjoy the character of Anglich. I watched, though, purely for Michael Caine, and as usual, found his acting and character to be entertaining and endearing. He was way too good for this one.

Michael Caine is a PI in Los Angeles just after the War. Michael Constantine comes to him and asks him to find his daughter. He had put her in an orphanage in 1918. When he had come back three years later, she had been adopted by a man in a photo. Now he wants Caine to track him down in a plot which mimis and spoofs every nourish movie Humphrey Bogart was in. Along the way he encounters Natalie Wood, who may be the object of his job. To make the point, the credits are spoken at the beginning by impressionist Guy Marks. It's based on a story by Keith Laumer, a science fiction writer whose works tended to be.... pretty much all the same in his series, and adapted by W.D. Richter, who would write and direct the Doc Savage pastiche THE ADVENTURES OF BUCKAROO BANZAI the following decade. Director Peter Hyams keeps the dialogue moving as fast as he can, but the mannered snappy prose is most of what makes this a spoof...and sounding like the audience has heard it all before.

I like this film. It has a bit of the old 40s, late 30s private eye aspect to it but Michael Caine in his unmistakable London accent puts a new twist on the tale, which includes the very lovely Natalie Wood. the film never clicked and it's now relegated to the back of the pile, no video, no DVD and something that might show up on the late show. But, hey! I liked it and suggest you check it out if it comes across your viewing circumstances.