Rush

This movie is poorly written, hard-to-follow, and features bad performances and dialog from leads Jason Patric and Jennifer Jason Leigh. The premise, believable but weak (undercover narcotics agent succumbs to the drug underworld) deserved better than this Lili Fini Zanuck flop. The competent supporting cast (Sam Elliott, William Sadler, others) was not enough to save this film. In addition, this movie also contains the absolute worst "love" scene in cinema. Moreover, the soundtrack is vastly overrated; specifically the revolting, sappy-without-substance "Tears in Heaven" by the otherwise legendary Eric Clapton. "Rush" is wholly unenjoyable from beginning to end. 2 of 10

'Rush' is a very powerful and moving drama complimented by some of the greatest acting performances of the stars' careers. Patric and Leigh are the most notably outstanding actors as a duo of undercover narcotic police officers delving into the illegal drug world of a small town in Texas. There were a few problems, though, in this film. Small parts of the film's dialogue are flawed and the pace gets too choppy at many points. Nevertheless, 'Rush' remains a great example of what dramatic scenes and acting should be. Highly recommended for drama movie lovers.

Rush

This is by far Jason Patric's best role. Even better than Sleepers and that's saying something. While he is not the best actor and will likely never receive any serious acclaim, he serves this role up realistically. The downward spiral that he slips into as the good cop gone rogue is believable. I came to realize that this could really happen when deep undercover gets too deep. Look for Greg Allman in an amazing performance in a role that was tailor-made just for him. The ultimate gangster/biker/outlaw long before Sons of Anarchy was conceived.

Jason Patric and Jennifer Jason Leigh play two beat cops graduating to agents who are given a rather diabolical case on their first undercover go-around. The two are tasked with gathering enough evidence to jail a ruthless drug lord (Gregg Allman). The two go through a good amount of close calls with Allman and company and after trying heroin a few times; become full-fledged addicts. A move which prevents much of anything in the way of investigations to happen. A strong cast and keenly realized ending make up for the lull spots that seem to plague the very middle of the film.

Not hard to follow, just lacking plot, Rush captured a way of life more than it followed a sequence of events. What struck me about this film was how realistic it was to the seventies rural drug culture, and how casual it was, with the kingpin being untouchable. The attitudes are dead on. The Eric Clapton soundtrack was an ingenious idea that again was dead on for the period, but disappointing in its unoriginality. I still can't figure out the worst love scene in cinematic history or why was that was included, but men seem to like this movie a lot and never mention that. The ending was good but anticlimactic as the surprise was ruined by foreshadowing in the opening scene. Again, I just don't understand why they did it that way. But I do get the gist of this film and it's an interesting socio- political comment.

I thought this movie was excellent. I loved Greg Allman in this. He really should make more movies. I remember the first time I saw him in the movie, walking into the bar, checking out people, clad in black with his long blonde hair, he was the bar owner type. He really did not have such a big part but I think he played a great Gains. My husband and I each have two different takes on the end of the movie. I say that when Jennifer Leigh is in court on the stand, when she looks at Gains, he takes his finger and runs it down his nose very slowly, while he is staring at her. The same thing that happened when the double barrel gun came through the window when she was laying on the couch. Now, I think that Leigh was the one in the back seat and blew Gains away. My husband says that police chief, or Sam Elliott killed him, I say it was Jennnifer Jason Leigh. Who was it? One of my all time favorite, one of many.

Although this story isn't about the average person's everyday life, in my opinion this film is one of the most realistic and interesting movies I have ever viewed. This tale takes place in Caterly, TX where two undercover detectives have found their chance to make a difference, but after becoming involved in this world they realize that right and wrong is not always black and white. This film is very close to my heart. There are no cheesy lines that you only here in movies where you find yourself thinking "who really talks like that?" The emotions displayed by these characters come across the screen as guanine and hit you where it hurts. Most of all this movie has an unbelievable soundtrack including hits from Jimi Hendrix and Eric Clapton.

Rush was definitely interesting to watch, though not always pleasant to look at. Set amidst the war on drugs, this film challenges us to rethink this battle. Are the wasted resources really worth the hypocrisy and corruption that go hand in hand with the arrests? The movie was not extraordinary, but I did go away haunted by many of the prevalent themes. The relationship between the two undercover agents was very intriguing. I would have liked to have seen a bit more development before they became so involved, but nevertheless, their support of each other, alone in a world they don't belong in, is very interesting. Their different descents, and partial ascents accross the blurred line of addiction gives merit to the portrayal of this affliction. I would definitely recommend Rush for those who have second thoughts about the war on drugs. This film shows us that the worlds of the law breakers and the law enforcers may not be so far apart after all.