source: Silver City

I have a theory that any movie with a train scene is worth seeing. The silver mining details all went a little over my head, the plot is so-so with lots of fighting and things being smashed. The plot never really led anywhere although there is plenty of action and the climax is terrific. The whole movie though looks gorgeous with really attractive locations. An early scene with a steam train carrying logs comes around a bend was stunningly eye-catching. Worth seeing for that alone.

This attractive looking western concerning both the logging industry and silver mining in the old west suffers from too much verbal exposition and too many bar fights or sequences of one person destroying an office in an act of sabotage. When the visual description of the industries come in, it is towards the end of the film, and by that time, it is too late. The story surrounds the silver claim made by gruff Edgar Buchannan and his rough and ready daughter, Yvonne DeCarlo, and the various characters who may or may not be out to get a claim in it. Among the good guys are Edmund O'Brien, and the leading bad guy is none other than that "Going My Way" Oscar Winning Priest Barry Fitzgerald, here anxious to get his Irish paws into the claim with the help of various henchmen who have their own interests. DeCarlo is basically the whole show here, tearing everything else apart with the heat she uses to sizzle up the screen. The amateurish acting of Laura Elliott as the typical society dame who has the manners of a cat on the prowl for mice becomes painfully obvious when in the company of DeCarlo. Like Barbara Stanwyck and Maureen O'Hara, she proves that a woman could be just as handy in the west as a man and stand up to any foe. Poor Gladys George, one of the great character actresses of the golden age of Hollywood, is totally wasted here, as are veterans Buchannan, Fitzgerald and Richard Arlen. After 80 minutes of mostly mediocrity, the film finally begins to take off with a scene in the logging factory as huge trees are sliced into planks like steaks from a cow. This leads into the type of action the entire film had been screaming for when DeCarlo was off the screen. At least they filmed it in gorgeous Technicolor. Without that and the future Lily Munster, this would have been another "B" grade western that would have sunk as part of a double bill.

The writer reportedly found the story so complicated he had trouble making the screenplay coherent.It shows,particularly in the first scene ,which does not look at all like a first scene-there's the same problem in Haskin's and O'Brien 's "war path" ,the -in my opinion- better follow-up the same year.These movies were supposed to make this actor a western star but left him a tough guy in thrillers in which he excelled . Anyway the star of this western is the incredibly attractive Yvonne De Carlo ;every time she appears,you only have eyes for her.And there is a scene where her face is filmed in close shot! A labored western ,with two good chases at the beginning and at the end .If it were not for De Carlo,I would rather recommend "war path".

Byron Haskin was notorious for his science fiction work, including his TV industry career - OUTER LIMITS, for instance. No one will forget WAR OF THE WORLDS, NAKED JUNGLE. CONQUEST OF SPACE, ROBINSON CRUSOE ON MARS, FROM THE EARTH TO THE MOON. And in the crime genre also he gave some good stuff: I WALK ALONE, TOO LATE FOR TEARS. This western is colourful, action packed, and also pulled by Yvonne de Carlo's presence, although the story itself is totally forgettable, as were WARPATH and DENVER AND RIO GRANDE. But it remains a very acceptable time waster, especially for a on western specialist. Byron Haskin was not Ray Nazarro nor Lesley Selander. For them, it would have been their masterpiece !!!!

This 1951 Color Western features a splendid cast, familiar story and a memorable conclusion. The great Edmond O'Brien leads the great cast in a story of greed, graft and silver mine shenanigans. Arlen and O'Brien are former partners who do battle over the treasures ( A lady and a mine !) Along for the bumpy ride in this fun oater are Edgar Buchanan, Richard Arlen and Yvonne DeCarlo. I also enjoyed seeing the great Barry Fitzgerald as a villainous mine older. Fans of post WWII westerns will enjoy this well-paced film. I believe that Edmond Obrien rarely gave a bad performance........ this one was one of his best ! They don't make 'em like this anymore.........but they should !

source: Silver City

Byron Haskin was notorious for his science fiction work, including his TV industry career - OUTER LIMITS, for instance. No one will forget WAR OF THE WORLDS, NAKED JUNGLE. CONQUEST OF SPACE, ROBINSON CRUSOE ON MARS, FROM THE EARTH TO THE MOON. And in the crime genre also he gave some good stuff: I WALK ALONE, TOO LATE FOR TEARS. This western is colourful, action packed, and also pulled by Yvonne de Carlo's presence, although the story itself is totally forgettable, as were WARPATH and DENVER AND RIO GRANDE. But it remains a very acceptable time waster, especially for a on western specialist. Byron Haskin was not Ray Nazarro nor Lesley Selander. For them, it would have been their masterpiece !!!!

This attractive looking western concerning both the logging industry and silver mining in the old west suffers from too much verbal exposition and too many bar fights or sequences of one person destroying an office in an act of sabotage. When the visual description of the industries come in, it is towards the end of the film, and by that time, it is too late. The story surrounds the silver claim made by gruff Edgar Buchannan and his rough and ready daughter, Yvonne DeCarlo, and the various characters who may or may not be out to get a claim in it. Among the good guys are Edmund O'Brien, and the leading bad guy is none other than that "Going My Way" Oscar Winning Priest Barry Fitzgerald, here anxious to get his Irish paws into the claim with the help of various henchmen who have their own interests. DeCarlo is basically the whole show here, tearing everything else apart with the heat she uses to sizzle up the screen. The amateurish acting of Laura Elliott as the typical society dame who has the manners of a cat on the prowl for mice becomes painfully obvious when in the company of DeCarlo. Like Barbara Stanwyck and Maureen O'Hara, she proves that a woman could be just as handy in the west as a man and stand up to any foe. Poor Gladys George, one of the great character actresses of the golden age of Hollywood, is totally wasted here, as are veterans Buchannan, Fitzgerald and Richard Arlen. After 80 minutes of mostly mediocrity, the film finally begins to take off with a scene in the logging factory as huge trees are sliced into planks like steaks from a cow. This leads into the type of action the entire film had been screaming for when DeCarlo was off the screen. At least they filmed it in gorgeous Technicolor. Without that and the future Lily Munster, this would have been another "B" grade western that would have sunk as part of a double bill.

This 1951 Color Western features a splendid cast, familiar story and a memorable conclusion. The great Edmond O'Brien leads the great cast in a story of greed, graft and silver mine shenanigans. Arlen and O'Brien are former partners who do battle over the treasures ( A lady and a mine !) Along for the bumpy ride in this fun oater are Edgar Buchanan, Richard Arlen and Yvonne DeCarlo. I also enjoyed seeing the great Barry Fitzgerald as a villainous mine older. Fans of post WWII westerns will enjoy this well-paced film. I believe that Edmond Obrien rarely gave a bad performance........ this one was one of his best ! They don't make 'em like this anymore.........but they should !