Disappointing! Given the promise of the movie's central idea, plus the wide latitude available to take the mickey out of Hollywood (as at least a dozen films have done so amusingly in the past), Jerry Lewis seems determined – aside from two sequences – to play his Hollywood studio errand boy in a distinctly minor key. True, we do encounter some heavy slapstick and far-too-broad satire, and there is some wistful yet rather too obvious, cutesy stuff with puppets. But the way the movie is constructed as a series of sketches strung together on the thinnest of threads, will ensure that nearly all viewers are in the running to find something to complain about. Some of the sketches – crowded into an elevator, climbing a ladder to get jelly beans for kids – don't have any connections with a movie studio at all. In short, I feel that an opportunity for some really amusing satire was lost. I regard The Patsy as more consistently amusing. That movie also had a superior support cast. Sig Ruman is glimpsed but briefly here. However, Stanley Adams as the mail room chief is amusingly choleric. On the other hand, Howard McNear way overdoes the sycophant, while Brian Donleby delivers one of his duller, stiffer performances. Iris Adrian, however, is always welcome. Disappointingly, production values are only average "A". It's a pity there were no more surprise guest stars than Lorne Greene and company. As a director, Lewis uses lots of close-ups, but is generally efficient despite the jerky continuity. The lighting photography, however, is unusually dark and somber for a comedy.

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source: The Errand Boy

I'm 32 been watching this my whole life. Never understood the concept but its definitely a Lewis. He is so long on skits that by the time he finishes 1 its stupid. Just do it, make us laugh, and move on. The movie is almost a mess. Do like it when he sings whack a do. Like him getting the jellybeans for the kids. Love Iris Adrian like always, even the Bonanza stars where Hoss takes his sandwich. The swan 7 clown scene are really stupid. Not sure where he was going there?

One of the first of many Jerry Lewis comedies that Paramount (Paramutual) Studios would produce throughout the late 50's and 60's. I disappointment to not have the movie in color, the black and white not only shows the movie's early roots, but the classic Hollywood esq. that the movie takes place in. In many ways, the movie opens and closes poking fun at the Hollywood system and the people in it. The ending showcases a moral that if you are in the right place at the right time and that you know the right people, you too can make it in Hollywood. \ Jerry Lewis has many moments throughout the movie. Many if not all re comical. His childlike qualities gives Lewis the reputation that he can do no wrong. Like most Jerry Lewis movies, he is not the only highlight. All of his movies have a strong central cast without any weak links. All the supporting characters (funny or not) are terrific. An interesting scene with the New York based filmmaker. In a way, it shows the different ethic that east coast has compared to the west coast. One of the more interesting parts of the movie, it is far from anything comical. It makes me wonder why Jerry Lewis included it in the film.....being from the east coast himself.

"The Errand Boy" is mostly an excuse for a series of silly gags, but it's good for a few laughs. Jerry Lewis plays a man who gets hired to spy for a movie company. Sure enough, in the process of spying, he just makes a mess everywhere he goes. Whether it's the armor suits or the champagne bottle, this guy is a walking disaster area. A precursor to Insp. Clouseau and Gilligan, if you will. Low humor, you say? Maybe it is, but like I said, good for a few laughs; simply a way to pass time. The movie doesn't pretend to be a masterpiece. Also starring Brian Donlevy, Howard McNear, Kathleen Freeman, Stanley Adams and Doodles Weaver.

Jerry Lewis directs, co-writes and stars in The Errand Boy. Film finds the hapless Lewis hired as an errand boy behind the scenes at Paramutual Pictures. There's a method in the madness, had honcho Tom Paramutual (Brian Donlevy sadly under used) wants him to spy behind the scenes to see why the studio is loosing so much money. Chaos inevitably follows. Forget the plot, there actually isn't one to hang your hat on, film consists mostly of Lewis skits strung together as he takes us around the workings of the back lot of Paramount. There's a caustic edge to the piece, with Lewis and co-writer Bill Richmond gleefully saying that where film making is concerned, all that glitters is not gold. Some of the visual gags work, others not so, with a couple running far too long to actually work. But as always with Lewis, his best moments detract from the bad to leave the film entertaining for his fans, even if it struggles to stretch the premise over 90 minutes. 6/10

Biting satire set up by the staid Brian Donlevy, and Howard McNear in his absolute best role, Jerry only exceeds this in "The Nutty Professor" with his 'Buddy Love' nightclub entrance and musical performance. Playing it straight as Jerry Langford in "King of Comedy" is also at the top of my list. "The Disorderly Orderly" and "Who's Minding the Store" are great entertainment also, {in my humble opinion} topping a list you all know. He and Mickey Rooney and a few others are the last of a vaudeville/burlesque tradition that we shall not see again. Jerry Lewis, the consummate comedian, actor, producer and director was able to bring genuinely funny and original material to the screen over and over again. Hats off to You, Jerry, a talent without peer.

Those who dismiss 'The Errand Boy' as juvenile comedy in the vein of the awful Tom Green are way out of line - this film in particular is entertaining, genuinely funny, and acted and directed with charm by Jerry Lewis. Perhaps he was funnier in 'Who's Minding The Store' or 'The Nutty Professor', but this one remains my favourite. It is the story of Morty, an underling at a Hollywood studio where he can cause as many problems as he can - in the canteen, on the sets, in the lift, as an unexpected extra during filming, and by overdubbing his own squeaky vocals over a finished soundtrack. The combined effect of all this is irresistable. My favourite scene though is the one in the prop room, where Morty seeks advice from a couple of finger puppets about how to improve his life. Cliched, maybe, but unexpected amongst the silliness and really quite effective.

This is probably one of the finest films Jerry Lewis did in the post Martin and Lewis era. In fact, this film is a pretty much a great parody of Hollywood and it manages to poke fun at what really goes on behind the scenes with many of its stars and how a lot of films are really produced. One scene that is particularly funny is the one in the recording studio. This pretty much reminded me of how a lot of actresses who couldn't sing had their voices dubbed by a professional singer (of course this could have been inspired by noted singer Marni Nixon who dubbed many of Hollywood's leading ladies including Audrey Hepburn and Natalie Wood). But the funniest scene was the one in the candy store in which Morty is constantly going up and down the ladder getting jelly beans for the three kids and finally explodes when the last kid asks for them. This film is definitely one of Jerry Lewis's best.