The Europeans_720p(480P)

source: The Europeans

Being a James Ivory film, nothing surprising in the seduction of details, clothes, rooms and dialogue. Being a good adaptation of the novel by Henry James, nothing surprising about atmosphere. In short , a beautiful film. The colors of autumn as one of basic virtues for me.

Filmed in typical lush Merchant-Ivory fashion, this film left me feeling confused. I wanted to like it, and certainly enjoyed the sumptuous visuals, but it simply failed to lift off the launch pad.

I got a look at this movie last night on DVD and it was a very good movie viewing experience. I had never heard of this film at all but I liked the front cover (it wasn't the one next to this review) and also noticed Lee Remick was in it. So I gave it a try. First great thing I noticed was the beautiful fall colors all throughout this film,I really like that it was set in New England (New Hampshire to be exact). There's even a leaf covered outdoor stair-step that leads to a Gazebo which looks almost unreal. The Autumn look sets the tone of "change",that will take place during the course of the movie. There's also the absolutely perfect attention to detail in making it look and feel like your visiting 1850's America via your TV. Although made in 1979 and having been in theaters,this movie doesn't look like it was made nearly 30 years ago and even seems like it should have been a Masterpiece Theatre film. It really looks that great! The plot,as described,is Remick and other family cousin travel to America to see their U.S. relations. Also,because Remick's Baroness is being forced out of her marriage to royalty by the German Government. Gertrude is the eldest daughter in the family but is considered odd for her independent behavior and non-conforming attitude,that her father has successfully instilled in the rest of his family. So successful is he,that upon first watching this movie you'll think,"Boy this family is boring!" "Boy is that father a drag!" Which is exactly the point. The old fashioned strict values of that era are demonstrated in how staid & confining they were. Especially for women,who had to be virtual saints & objects of perfection and demure to the point of not having an identity all their own. The European cousins,don't purposely set out to "shake up" this family but,their being there does so just the same. Gertrude falls for her distant male cousin,male character Acton falls for the Baroness and the father of this film even shows a bit of relenting. It might surprise you to know that this film was a good box-office success here in 1979. Amazing possibly because there's really no cursing in this film,no violence and no one takes their clothes off. Which is refreshing for a change,the acting is on a very even level and is quite engaging,once you understand the characters better and the story becomes more clear to you. I also recommend the short-subject extra in this DVD. A film called,"Sweet Sounds",a 1976 film by the man who did the music for The Europeans. It's a cute and interesting film about 10 five year old kids learning about how music can relate to things. For me,it's revisiting a time when I was a kid. 10 out of 10 stars. No question. (END)

While not on the level of Howard's End and other Merchant/Ivory films at their later peak, this film is where they truly took off in presenting period films. the look and details are excellent as has been commented on here. The cinematography is particularly wonderful in capturing a beautiful New England autumn, especially the sunlit buggy-ride with Robert Acton and the baroness. What is serendipitous is that the company wanted to film in May and June, when the book is set but filmed in Fall because that's when they got the money. The autumn here is practically a character in itself, and were the film set in a very green June, would look less like New England and might have been anywhere, and the constant reminder of the puritanical background of old New England would have been lost. The casting is also very good. I take issue with some earlier views in that I find Lee Remick excellent as the Baroness. Faye Dunaway would haveseemed too aristocratic, and Jane Fonda still a bit too young, at leastin looks. Lee Remick is a bit too good looking to be the Baroness of thebook who is a plain looking woman who carries herself as if she is abeauty. Wesley Addy is a perfect Patriarch and Felix was played with much youthful gusto by Tim Woodward, who also looked perfect for the part. It is not always considered fair or useful to compare aspects of a literary adaptation And its source book but in this case it's so literal that it is valid to an extent. Two major differences do stand out and add to the overall film. The role of Clifford ,the young son is expanded and brought more forward in the film, especially his comic visits to the Baroness. Tim Choate did a wonderful job of creating his awkward, smiling,humorous young Yankee who in the novel seldom gives more than "a growl" to any question. The addition of the big party scene at the Acton house(there is none in the book) was a wonderful inspiration. A period piece like this needs a scene to really show off how everyone would look at their best and the attention to detail of dance and music was obviously great. As the Baroness says, "They're quite exuberant" The problem many people may have with the film is that the characters' motives and desires may seem a bit unclear, this despite almost all the dialog being taken directly from the novel. But this is not one of those later Henry James novels where three pages of exposition of thought and motive precedes each spoken sentence but rather a short and simple book which is faithfully recreated here on film. The Baroness finds what she is looking for (money) but feels not enough passion from the man ("I am admired in Europe")and not enough to enjoy in the staid community ("She has grown tired of us" She leaves but most everyone else finds exactly what they were looking for.A fine film.

The obvious issue that many readers have with Henry James' books is that his characters' motives and desires often seem unclear, despite the extensive dialogues. But this is not the late James where a dozen pages of exposition of thought and motive precede each spoken sentence. The Europeans is only a short, simple book faithfully recreated here. A fine adaptation. In the past, I'd say Henry James has been excellently served by directors such as James Cellan-Jones (The golden bowl, The Ambassadors), Jack Clayton (The innocents), William Wyler (The heiress) and of course James Ivory. Yet neither Truffaut (The green room), nor Rivette (Celine et Julie), or Bogdanovich (Daisy Miller) could keep up with the Jameses. (Not to mention the disastrous version of Portrait of a Lady with Nicole Kidman.) While not on the level of Remains of the day and other Merchant/Ivory films at their peak, this film is where the partnership truly took off in presenting Masterpiece-Theatre-like period films. The visuals are untouchable. The cinematography, wonderful as it captures the New England autumn. The casting, very good: Lee Remick, Faye Dunaway, Jane Fonda, Wesley Addy, Tim Woodward, Tim Choate.

This film is a masterpiece as are all of the Merchant/Ivory's films. The absorbing story and adaptation, the fantastic actors - notably the immensely beautiful Lee Remick - and the eye for detail makes this a unique experience and may be watched again and again.

"An archetype of Merchant-Ivory period production, THE EUROPEANS is a film adaptation of Henry James' eponymous 1878 short novel, mid-19th century, the Wentworths are a wealthy family dwelling in rural Boston, and Mr. Wentworth (Addy) has three adult children, Charlotte (New), Gertrude (Eichhorn) and Clifford (Choate), while the family intends to tie the knot between a nonconformist Gertrude and the local Unitarian minister Mr. Brand (Snow), she finds no peace in his puritanical values, one day, her encounter with her cousin hitherto she has never met before, Felix Young (Woodward), sows the romantic seeds in both hearts." read my full review on my blog: cinema omnivore, thanks

Woe is us! The writer of the book was the same author who gave us the great "Washington Square," which was turned into an Oscar-winning vehicle for Olivia De Havilland in 1949's "The Heiress." What a misery Lee Remick, of all people, found herself in this 1979 film. It's set in the 1850s or, just like "Washington Square" with Massachusetts being the area depicted. The father, an erudite figure, disowned his sister for marrying a Catholic, and the film deals with the children that she had who visit their family from Europe. The adult children meet the two sisters Charlotte and Gertrude. The latter is a woman ahead of her times. For some unexplained reason, the father wants her to marry the town pastor; he is so suited instead for the plain Charlotte. We needed 1 1/2 hours to be made to understand this? Their seems to be someone for everyone here, but the film ends and we really don't know if the Remick wound up with her cousin. To be honest, by that point, we really don't care.