source: The Last Days of Chez Nous

Moviecut—The Last Days of Chez Nous

Beautifully photographed and directed film, contrasting a family home with the outback, and characters trapped as much by themselves as by those around them. The road trip does not liberate the woman much, though she gets to learn her dad's views on God. Good acting all round, especially Harrow and Hunter, this is purely character driven, and what is predictable about it would be equally so in life. I liked the later scenes where the French husband begins to see his error. (One thing though: when they got the German Bruno Ganz why not change the character to German too?)

Half the time middle aged people acting like teenagers Not one likeable character

Last Days -- Lisa Harrow and Kerry Fox star in this story of family dynamics in Australia. Vicki returns home to live with Beth, but Beth already has a french speaking man living with her. There's lots of laughter and fun, but there are deeper issues way down deep. Cracks in the seams of Beth and JP's relationship, but before it can be worked out, she goes on a road trip with her dad. but which mice will play while the cat's away ? and can she get along with a grouchy, complaining old man who keeps picking fights? It's an ozzy film, so everyone in here is quite quirky. things get sad and serious when relationships start to break down. some sadness, but it's fun for the most part. showing on netflix. pretty good stuff.

Not only an interesting study of different family/personal dynamics but so atmospheric - I felt as if I was in that city (Melbourne?), & kind of fell in love with it. The film is sad, beautiful, funny & realistic. To this day, I find myself uttering "This haircut is over!" (in an Australian accent); Kerry Fox /Vicki's typically understated way of saying she feels terrible after a break up. Kind of an indie classic.

Full of wonderfully acted, beautifully observed moments in the life of an unconventional family, this was called, by one critic, 'an Australian 'Hannah and her Sisters'. And to an extent that's not a bad description. But this film is messier, less complete in it's vision and less bold in it's style. None-the less it's still entertaining, moving, and very worth seeing. Bruno Ganz's half French, half German accent is a bit distracting (he's terrific otherwise), and, for me, the ending felt rushed, as if things had to get to a conclusion. It's a film I'd actually wished had gone on longer, or had been willing to leave things less resolved. Once you start with the messiness of life, you lose something with a last minute switch to the neatness of movies.

A movie without character. You get nothing and it's just 1 hour and 33 minutes of your life getting wasted. More happy writing my criticism right now than watching this movie.

This film is more mature than others but still evokes a great story. The cinematography is incredible. Each camera movement and frame was thought out carefully to the very last detail making every shot artistic. I recommend this movie for any film students! The actors in this film are not A list celebrities which I think is great because while their acting is superb, their popularity status does not detract from the film's story and delivery. As far as independent films go, this one is very well done and an excellent example of what film making is all about. This is clearly some of Geoffrey Simpson's best work as a cinematographer.

This is a moody and frank story of an Australian couple and how relationships change when the husband falls in love with his wife's sister. Lisa Harrow is the pent-up wife of J.P.(Bruno Ganz)and Kerry Fox is Vicki the younger sister and temptress. I saw this on IFC and was really reeled in with the straight forward atmosphere and personal subject matter. Cinematography is super and the Australian accents cool and pleasing. This is a powerful drama; and well deserved kudos for director Gillian Armstrong.