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source: The Magician

The Magician is a fake documentary about Ray Shoesmith who makes a living killing people. He is working as a hit-man for the different drug related organizations. The whole idea first sounds bizarre, and it is. Ray is not your slick "in and out without a trace" type of hit-man. This man feels like the real deal, he kills people in a violent and realistic way often by simply shooting them at pointblank and then hiding the body in the woods. Nothing about Ray's life is amazing or exciting, he eats burgers, he is not cool, he doesn't drop amazing punchlines before he hits someone or plants a bullet in their face. It reminds me a bit of a danish film called Pusher. It's the same kind of "vibe". The keyword for this movie would be realistic. The whole thing feels VERY real, and the actors are doing an amazing job. If we break it down not everyone will love this movie, it's very different, very different.

In the same mould as Clerks, we follow the life of hit-man Ray, who prides himself on making people disappear. Set in a period where underworld violence was big news in Melbourne, this movie attempts to give an insight into the people behind the crime and not the crime itself. Just like Clerks, the characters debate trivial facts - such as Clint Eastwood's CV, the price of eating faeces - and it is in these conversations that we discover Ray's personality. On the opposite end of the spectrum, Scott Ryan (scriptwriter, directer and star) has restricted what we discover about Ray. We don't hear Ray justifying his line of work and we certainly don't find out the fate of his target, Tony (who offers to pay off Ray), almost until the end. Whilst the minimalistic feel of the photography may make some cringe, it certainly adds to the situation of the movie. The real winner in this movie is in the script and it's delivery. Without seeming to over-act, Ryan and Ben Walker's Tony give a realistic depiction of the situation. Scott Ryan has created an debut that (with a four figure budget) has fascinated Australian film-goers and kept us wondering what's next.

If you're a fan of the TV series Mr. Inbetween it may be worth avoiding this movie as the shorter more punchy tv shows have much more depth and dark comedy about them than this starting point. I very glad to what ever tv executive could see past this stuttering mess to bring the best series to come out of Australia in years.

In a mock/documentary style, we travel around with Ray Shoesmith, a hit-man in the city Melbourne. After his latest hit on an unsuspecting man shot in his garage, Ray moves on to his next person. Tony is a drug dealer, who Ray's friend Edna has mixed up with. Grabbing Tony off the streets, throwing him into the car, drives off to the middle of nowhere for Tony to dig his grave. Jumping from Tony's ordeal, to other hits and Ray's rocky friendship with Edna, we start to see who this enigma of a man is. In recent times, films have been taking that step of raising life mundane aspects into a form of entertainment. The magician runs off a series of non-interconnected conversation, small banter, that ultimately has no end game; it doesn't bring much insight into the people we are watching. Gay actors, what car would you most want to own, would you eat your own excrement, Mardi Gras, etc. The dark humor that is entwined into these conversation stop The Magician failing into redundancy. Tiffs over how a dead man walking digs his own grave is nothing short of devilish. The problem with the conversations is they lack a lot of consistency. While many grab your attention, other fall flat and become mundane; much to the subject matter. For a hit-man, Ray is one unorthodox professional. Writer/director Scott Ryan spins the image of a hit-man from a suave, professional assign to an everyday Australian who you wouldn't pick from the crowd. Ryan never portrays Ray as an antihero, nor tries to make you feel sympathy for him, as he is an amoral person, in a amoral profession. Also taking the lead as Ray, Scott Ryan brings so much charisma to Ray. There is such a presence he holds, you don't want to miss a word he says. At times you are just wondering what is going on in his head. Ben Walker as Tony and Nathaniel Lindsay as Edna both give solid performances; both being amateur actors. The Magician does have it flaws, though they are overcome by some very interesting conversations with one strange man.

This is an amazing piece of filming, original made as a "short" by Scott Ryan, who was talked into making it into a full-length feature. Written, directed and the main actor Scott Ryan made this film a budget of $3,000. Australian Dollar. Awards and film festivals: Australian Film Critics association Awards 2005: Nominated: Best Actor In A Lead Role (Scott Ryan) Cinematic intelligence Agency Trenchcoat Awards 2005: Nominated: Best Australian film Edinburgh International film Festival 2005: World Première If Awards 2005: Nominated: best Actor (Scott Ryan), Independent Spirit (Scott Ryan, Michele Bennett, Nash Edgerton) Why this film wasn't publicised and advertised to the hilt is beyond my understanding. It is totally fascinating and crosses all age barriers. How can you so like a man who's profession is "Hitman" Witty and so matter-of-fact that you don't realise that you are empathising with a professional killer. You like him. 10/10

"The Magician" is a quirky and darkly humorous mocumentary about the life of Melbourne-based hit-man Ray Shoestring. Followed around by his film-student friend, we see all the action through the lens of his ever-rolling camera. I find it hard to express what an achievement this film is. Scott Ryan- writer, director, producer *and* lead actor- pulls off a remarkable debut. His grizzly and hypnotic performance is frighteningly real. The depth of Ray Shoestring is a testament to the all-round skills of Scott Ryan. We can't help but feel close to Shoestring, even though we are left in no doubt about his dubious character. A large part of our sympathy with Shoestring is that, in true Big Brother diary-room style, all his thoughts, prejudices and passions are laid bare before the camera. "The Magician" is unusual in that it focuses less on the joy-riding, gun-toting, blow-things-upping side to being a hit-man, and more on the less glamorous sitting-around-in-a-car-and-eating-hamburgers element of assassinhood. A stunning debut – *not* to be missed. 8/10

The Magician is often compared to movies such as Chopper, Leon and Man Bites Dog (Cést Arrivé près de Chez Vous). Of those three, I would say that it comes closest to Man Bites Dog. Both movies are satirical and both movies have a killer followed by a camera. Still, though there are quite a few similarities, the Magician is certainly not a rip-off. Ray Shoesmith is a hit-man from Melbourne. His friend is making a documentary about him, as a sort of memento just in case he kicks the bucket a bit too soon. We follow Ray doing what he does. There are a few story lines woven through each other, with the mayor storyline focusing on a guy Ray is supposed to kill. Things take a different turn though and what starts out as a simple job ends up to be a bit more complicated. Instead of having it's main focus on violence, The Magician is much more about dialogue. And many of those dialogues are truly hilarious. Not in a typical comedy way, but the humor is much more in the normality of conversations between friends and conversations just to kill some time. Still, despite the humor and lightheartedness of some conversations, there is always that dark undertone. For example, at one point some fast food has to be ordered, which is quite an amusing scene. But at the same time, you don't forget that one of the guys is still Ray's mark. This makes it exciting all the way. At times you would almost think of Ray as just a normal chap, but certain scenes in the movie make clear that we do deal with someone who is a cold-blooded hit-man. The contrast between those sides of Ray is always there and make him a very believable character. He's charming, at times sensitive, but also a merciless killer, and often oh so real. Ray is brilliantly portrayed by director Scott Ryan himself. The acting is perfect, his performance outstanding. Some of Ray's facial expressions are worth gold. It;s quite a while ago since a movie really had me laughing out loud. I honestly can not find anything negative to say about The Magician. I can only say that this movie is absolutely worth your time and money. If you manage to get your hands on it, watch it. If you have a good sense of humor you definitely won't regret it. Kudos, Mr Ryan!

If you watch the show Mr. Inbetween this is the same character. It's a little less polished as it doesn't have the backing on FX and it's a little more documentary style but this is the same. The actor is great and he's got something that glues you to this Ray Shoemaker character. The show is for sure better but if you finished the show and need more watch this for sure.