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source: The Snake Pit

Trailer—The Snake Pit

The Snake Pit

Olivia DeHavilland does a remarkable job in this film about a woman who suffers a nervous breakdown and can no longer function. She is placed in an asylum for the mentally deranged/disturbed. We are allowed inside the asylums of that day and see the day to day care of these patients. The acting is fantastic by everyone. Even the actors that have small parts. The direction great. Some of the dialog is of course dated as we don't talk like this anymore. Now we say "yeah, huh, what was that?" But here is a film that really drags you in to the scene. No mind-numbing CGI or computer graphics. This is gritty, hands on filmmaking. Olivia DeHavilland's facial expressions are perfect in every scene. She makes the best of everything she's given. Don't miss this one.

Firstly I must say that I still find it hard to believe that Olivia de Havilland did not win the Academy Award for her performance in this film. It was a tour-de-force achievement by her in what was an extremely demanding and difficult role. As Virginia Cunningham, she had to go through many stages of depression, temporary loss of sanity, learning of her horrible environment, and gradual recovery - and each of these phases was performed with sheer brilliance and has been underrated by the critics in many cases. The supporting cast of Mark Stevens, Celeste Holm and Leo Genn were excellent but certainly were over-shadowed by the star. The scene where all the patients were at the dance, and an inmate sang "Going Home" was extremely poignant. For this film to be made at that time was a triumph for Darryl F. Zanuck.

I think one of the most terrifying things that could happen to a person is to be incarcerated in an institution where you have been judged, but you don't have the wherewithal to defend yourself. Olivia De Havilland's character is institutionalized, through her husband's actions, and doesn't know why. As she wades through her memories, she begins to come around. Unfortunately, it takes someone to believe in you to get listened to. Let's face it, the grunt workers here are full of prejudices and suspicions. These are, after all, crazy people. Things get really complicated when De Havilland's character begins to get close to a handsome doctor. She starts to come into her own a bit, loved by her fellow patients, but a woman who is jealous sets things up to get her put into "the snake pit." This is the place where the hopeless go. It sounds a good deal like Dante's circles of hell.

Virginia Cunningham (Olivia de Havilland) finds herself in a state insane asylum... and cannot remember how she got there. In flashback, her husband Robert relates their courtship, marriage, and her developing symptoms. Stephen King says this film terrified him as a child, because he felt that he could go crazy at any moment (and worst of all, not even be aware that he was crazy). And, indeed, there is something terrifying about this film. While many films have taken place in mental hospital, I think very few really address how normal most mentally ill people are most of the time, or the fine balance between sane and insane. I do not know much about Olivia de Havilland, but she really pulled all the stops here. If she is capable of this level of intensity, she probably should have been a bigger star than she was.