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this is not a better tomorrow II. Pls do post the original one

A BETTER TOMORROW II is the superior follow-up to the John Woo original. This time around, both Tsui Hark and Woo share directorial duties in a typical tale of gangsters. Betrayal, violent shoot-outs and madness are the order of the day, and for the most part you'll be watching for the exemplary action. Be warned: this is a film that requires you to suspend your disbelief. Chow Yun Fat's character doesn't return from the original - for obvious reasons - so instead his 'twin brother' makes an appearance here. Still, it gives Woo the chance to feature his favourite actor in more outrageous set-pieces, with the stair-sliding scene being a real highlight here. The storyline involves a couple of ex-cons given the task of going undercover to take down a suspected smuggler (Dean Shek, of DRUNKEN MASTER fame). They soon find themselves embroiled in a murky world where a crime boss is planning a massive takeover and murder is the order of the day. As in GOD OF GAMBLERS, one character's madness takes up a big part of the running time. What you get here are a number of Hong Kong megastars (alongside Yun Fat, Ti Lung has a welcome role, plus A Chinese GHOST STORY's Leslie Cheung) indulging themselves in some frenetically exciting shoot-outs. Woo's action choreography is superb, with hard-hitting bullets flying around the screen, slow motion blood sprays, and all manner of outrageousness. The ending, which is impossibly violent and over the top, proves a neat precursor to the later madness of THE KILLER and HARD-BOILED.

Chow Yun-Fat is back, teaming up the cop "Kit" and ex-con "Ho" to deal some serious whup-ass on a gang of thugs, for killing their friend's daughter. This one's not John Woo's best but it's still great in the genre of HK cop movies. The first half is not as good as the second, with some plot holes and kind of weird scenes establishing the state of mind of their friend (whose daughter was killed). Not to give anything away but - you will see what I mean. Better Tomorrow II proves that nobody looks cooler wielding a 12-gauge shotgun than Chow Yun-Fat (ok, maybe Schwarzeneggar in T2). The final gun battle at Ko's mansion is phenomenal - it gives Scarface a run for its money in terms of body count and ropes of blood splashing on walls. I love Woo's explosive style of close gun battles and over-the-top carnage. I mean, is it really necessary, once pumping 2 lethal rounds into the bad guy's chest thus assuring his death, to empty the clips from both handguns into him as he is staggering back? Better Tomorrow II states emphatically - YES!

I have seen true ultra-violence in films many times in my life, but the last 10 minutes of this movie surpasses anything I have ever seen or imagined. men are mowed down by the hundreds, blood splattering every which way in frighteningly large volumes. it exceeds even the hospital shootout in Hard Boiled, which took four times as long. It is also more inventive than most of John Woo's gunfights (I am NOT critisizing his other works!!!). The heroes use grenades and swords. Two parts stand out from this amazing carnage. The first is Ti lung's smash up with shing fu on. swords and axes, guts and glass, everything goes flying. The second is the duel between Chow Yun-Fat and Chong, The silent mafioso killer. Their Gun trade is a classic. The rest of the movie is pretty cool, including a gunfight in a Brooklyn hotel, Ala Taxi Driver, and a scene where Chow Yun-Fat makes fun of the fetishized Better Tomorrow dress.

This film has the usual 80's climax ending; the big gun fight at the end. It was hard to watch this film, as English was obviously dubbed into the film. The translation and culture differences make this film hard for Western society to follow. For example, seeing a shooting star is bad luck for Chinese culture; the opposite for Western culture. There was a lot of Miami Vice content to the film; sunglasses, directing and clothing. I like the hitman wearing the dark sunglasses. The sword scene was well choreographed. They try to put highly emotional scenes into the film. A typical action film with a Hong Kong flavour to it.

The first "Better Tomorrow" was superb...quick, engrossing and VERY violent. This sequel is good, but not up to the first. The story is by-the-numbers (gangster tries to go good, but people won't let him), women are treated as nothing and there's HUGE gaps in reality (check one of the closing scenes when a man calls his wife in the hospital). Also, the acting (with the exception of Chow-Yun Fat) is laughable. Still, I was never bored. The action is explosive, the movie barely stops and the body count is easily in the triple digits. Worth watching, but no great shakes.

After the movie 'A Better Tomorrow' became a big success around Hong Kong, a sequel was inevitable to happen. Most of the original cast return, including Chow Yun-Fat as Mark Lee's twin brother Ken. Taking place a few years after the events of the first film, we see how things are finally starting to look up. Ho is in prison but he's finally re concealed his relationship with his brother Kit, who has become a loving husband and soon to be father. But like the first film, things get bad real quick. Ho's former master Lung has been framed for murder and even loses his mind as his life gets worse. He's sent over to New York to keep a low profile and to be looked after by Ken who owns a restaurant and lives there. Meanwhile Ho and Kit are working together to end the triad gangs. This is where the problem starts. The first film revolved around Ho and the people around him, but this film spends way too much time with Ken trying to get Lung back to normal. Ho and Kit's plot seems to delve deeper into the main story ark, yet they never seem to get enough scenes. Ken is pretty much similar to Mark although he may be a little darker and you can tell he's only in the film because of Chow Yun-Fat's character was so popular in the last film. The film doesn't seem to make a huge continuation onto the first film either. Instead of being it's own story, it seems to just be an expansion of the first film, but not in a good way. We don't delve too much into the characters and they seem underused. The film is also known for having a sillier feel in a few scenes(Famous Rice Scene), but it didn't ruin the experience for me. These flaws are apparently due to disagreement between John Woo and producer/second writer Tsui Hark about the tone of the film, causing Woo to disown most of the film, except the end shootout. John Woo's original cut was around 3 hours and is rumoured to improve on some of the flawed moments. A version I hope will appear in some future release of the film. Now for the goods. The film seems to get noticeable better during the second half, beginning with the amazing hotel shootout. The film is well known for it's exaggerated violence and blood and the film doesn't disappoint. The action is a big step up from the first and some of the best ever filmed for its time. Chow Yun-Fat is once again cooler than ice, with his trademark sunglasses, trench coat, matchstick and dual pistols and may be one of the main appeals of the film. The Climatic assault on the triad mansion is one of the greatest shootouts and one of the greatest ending ever filmed. It's no wonder that it's the only thing Woo likes about the film. The amazing soundtrack returns and their are a few emotional scenes that actually work well. With many iconic scenes (The stairs scene being one), the film is a lot better than it gets credit for. The film is no masterpiece and doesn't compare to the first but it has its moments. Silly and flawed moments aside the film is actually quite enjoyable and as long as you keep an open mind, I think you'll enjoy this conclusion to the Better Tomorrow saga. Part 3 doesn't count!

Greatly failed to meet my expectations, especially after seeing John Woo as Director and Yun-Fat Chow are in it. Effects are mismatched between scenes. Perhaps it's a cultural thing but scenes just 'happened' so I found myself spending time trying to figure out the story line. For example, two of the major stars are standing in an open field outside a major city discussing the turns of life, then suddenly they are surrounded by older teenagers that work in the same restaurant and their vans are parked nearby. Such choppy scene changes occurred too many times in the movie. The only memorable thing was Yun-Fat Chow's acting, but even that could not save this film. The ending shootout was like shooting ducks in a barrel. The unexplained ending could not help this film. My surprise is that director John Woo also directed such film as Broken Arrow (1996), Face/Off (1997), and Mission: Impossible 2 (2000), all fairly decent films. Perhaps the director had no control over editing. Regardless, the film is poor.