source: The Beast of the Yellow Night

This movie begins in Southeast Asia immediately after World War 2 with soldiers searching in the jungle for someone (or something) who has killed a couple of innocent villagers. As it turns out, an American deserter named "Joseph Langdon" (John Ashley) is also in the vicinity and due to his desperate situation makes a deal with the devil (played by Vic Diaz) to escape from the situation he has found himself in. It's at this point that the movie fast-forwards to the present with the body of Langdon being buried but his soul transported into a man named "Philip Rogers" (also played by John Ashley) who has just been declared dead by a surgeon in a hospital. Needless to say, his wife "Julia" (Mary Wilcox ) is overjoyed when Philip comes back to life. However, the new version of Philip isn't the same and immediately makes decisions that hurt all those around him by sowing evil among them--and that especially applies to Julia and his brother "Earl" (Ken Metcalfe). But then one night something very unexpected happens and Philip is transformed into a kind of werewolf--which creates even more problems for everyone involved. Now rather than reveal any more I will just say that this was a standard low-budget film characteristic of movies produced in the Philippines during this particular time. Yet, even though the acting was adequate it was the makeup and special effects which really doomed this film-especially on the part of the supposed werewolf. It was really bad. That said, I have rated the film accordingly. Below average.

In post-WWII Philippines, Joseph Langdon (John Ashley) is on the run, being hunted as a traitor. About to die and unable to go on, he suddenly sees the image of Satan. He's offered his life in return for his service. Years later, a man named Philip Rogers (again, John Ashley) wakes in the hospital, covered in bandages. When the bandages are removed, the face is not that of Rogers, but Langdon. Satan wants him to turn others to his side. But when Landon has second thoughts, he's turned into a snarling beast, only capable of killing and devouring those he comes into contact with. At least I think this is the basic plot. Who knows and who cares? In all honestly, Beast of the Yellow Night isn't really all that good and I've probably overrated it. But it did have some things I enjoyed. I found the plot concept surprisingly ingenious. I never expected this level of creativity in a Filipino exploitation movie. Not that they had the money to effectively pull it off, but the idea was good. The budget limitations are especially noticeable when it comes to the monster make-up. Cheap is an understatement. I know this may sound contradictory, but, other than the monster make-up/mask, the other low-budget effects actually work in the film's favor. When Langdon rips open a body, for example, the effects have a real disturbing quality to them. As for the acting, Vic Diaz, who I believe is in every Filipino movie I've seen, is a hoot in Beast of the Yellow Night. His laughing, happy Satan is the real star of the movie. Not what I expected from Diaz. Ashley does quite good also. His understated delivery works given his characters predicament. The lovely Mary Wilcox plays Rogers' wife, Julia. For some reason that makes no rational sense, Julia agrees to sleep with Langdon/Rogers though he looks nothing like her husband and is possessed by Satan. Still, it wouldn't be a Filipino exploitation/horror movie without the requisite sex scene.

When the prince of darkness is portrayed by Vic Diaz you should listen. Langdon/Rogers (Ashley) however did not. Growing a conscience after getting a new lease in life he tries to be a better person, but the catch is he could not as he ends up with gastro and facial hair problems. Scripted by Romero, each line was executed cleanly. Too clean to be a horror movie. Watch this of you are Diaz fan. He is clean shaven with several costume changes. Wish we had a series of Leopoldo Salcedo movies as an Inspector and Eddie Garcia as his partner. I would watch that.

"A man is saved from certain death by selling his soul to the devil, who charges him with recruiting others to his evil cause. As part of his terms for relinquishing control of his soul to Satan, the man is cursed to endure transformation into a hideous creature and stalk his victims by night. The local authorities want to find and destroy this murderous creature before it can take another victim, while the man looks to find a way to end his cursed existence," according to the DVD sleeve's synopsis. Filmed in the Philippines, with director Eddie Romero. It's difficult to completely understand the story; approximately, it's Faust becoming the Werewolf with a touch of Frankenstein, after a time warp. It's more interesting, at this point, to assess the career of star John Ashley. When he mysteriously appears in the present, doctors remove bandages from Mr. Ashley's said to be horribly disfigured face. Instead, a bearded Ashley looks better in 1971 than ever (in films since the 1950s). Ashley's characterization (as Joseph Langdon aka Philip Rogers) isn't terrific, but it's valiant; probably, his career lacked worth material. Vic Diaz (as Death aka Satan) is entertaining, in the tastiest role. And, Mary Wilcox (as Julia Rogers) is the blonde dish Ashley samples.

As long as you don't go into this expecting high brow horror with amazing effects, you might just have a good time with this one. The acting by the main protagonist is reasonable, and the filipino satan is pretty campy and fun. Even better is watching the Rifftrax version of this... it just adds so much to the comedic side. And honestly - you can't be watching this for true horror or scares, it's not really built for that. But have fun with it - maybe with some friends and drinks? It's good light entertainment.

BEAST OF THE YELLOW NIGHT is yet another classic from Director Eddie Romero. War criminal, Joseph Langdon (John Ashley) makes a deal with Satan (Vic Diaz), inheriting another life. He becomes businessman, Philip Rogers. With his beautiful wife, Julia (Mary Wilcox), he seems to have hit the jackpot! Of course, as the old saying goes, "When you dance with the devil, the devil calls the tune", and Philip's existence soon becomes a nightmare of grisly murder and madness. He's transformed into a monster, resembling a scorched pot roast with fangs! Meanwhile, goody-two-shoes Julia tries to save their marriage. Can her love overcome Philip's bloodlust and break his bargain with Beelzebub? Compared with other horror films, BOTYN is a royal mess. However, compared with other Romero epics, it's a minor masterpiece! Are the actors like human furniture? Yes. Is the dialogue inane, and delivered in emotionless fashion? Yes. Still, the plot holds together in a strange, dull way. Watch and believe...

Vic Diaz as the almost comedic Satan lends this Filippino horror film an eccentric flavour that saves it from total oblivion. Ashley isn't bad either as a damned murderer, inhabiting the body of an American businessman, forced by Satan to endure of life of evil, but when guilt gets the better of him, Satan resorts to dirty tricks in order to compel him to serve. The transformation he undergoes to that of a hairy beast with super-human strength causes the local police to suspect they have something out of the ordinary with which to contend. Ashley plays the tortured soul well enough for the film's limited scope, and he's ably assisted by the statuesque beauty Mary Wilcox as his neglected, but loyal wife. Wilcox has a few risqué scenes in modest attire (although sometimes also clad in a zebra outfit), but it's debatable as to whether that's indeed her in the bizarrely photographed love-making scene. Fans will also recognise the prolific Eddie Garcia as a detective (he also directed), and American Ken Metcalfe ("Up From the Depths") in a minor supporting role playing Ashley's concerned brother. There's not much horror, and what there is can often be too dark to discern, but the film does improve after a slow start at least achieving mediocre status, including the witty banter of Diaz's omnipotence, and equally, moronic dialogue from the sultry Wilcox. There's a couple of twists (e.g. the banished blind man with whom Ashley forms an alliance) that generate some interest and the climax in the tall grass lends some sympathy to Ashley's condemned character, but don't expect too much for your time.

John Ashley has a much more demanding part to play in this horror from the Phillipines then in the "Blood Island-movies". He is the victim of a horrific transformation into a bloodsucking monster! He was picked out by the devil to be the double for a US-army deserter in the forties, the devil then gave him eternal life, but the monster keeps claiming victims even after 24 years.... Good performance of the tortured soul by Ashley and.....a much better story then for instance that other Eddie Romero-classic "Beast of the night".

This might merit your time if you've got nothing else to do, but with thousands of other films out there, why bother? After making a deal with the devil, businessman Joseph Langdon (John Ashley) turns into a version of the Wolf Man, interesting in itself because he also turns into a guy named Philip Rogers as well. There's a bit of the Incredible Hulk that's part of the transformation, as emotional stress seems to bring out the hairy side of Joseph/Phillip's personality. The makeup work appears adequate at times but not entirely consistent, and true horror fans looking for a frightful experience might feel slighted. There is one reason you might tune in, and that's for the few brief appearances of Mary Charlotte Wilcox as Phillip Rogers' wife. Very appealing to the eye, but it's not enough to carry the story. The title of the film holds promise, but ultimately it's a letdown. Try something else, why don't you?