Garden State

I grew up watching this movie in the 2000s, loved it then, and just recently re-watched it for the first time in many years. Definitely feels like a mid 2000s movie. Wow how times have changed. It's still a great movie, whose best scenes are mostly the ones with Peter Sarsgaard. I miss movies like this so much, sad that Hollywood doesn't seem to make them anymore, those introspective arthouse films that defined the teenhood of so many of us growing up in the 2000s. I just recently got into listening to Hugo Kant's music, that kept reminding me of Garden State, so I had revisit the movie, and it brought back so many memories of my life back then, what I wanted to do, and how life has just kind of drifted along these past several years. I long for travel again.

Movies with guns, explosions, Barbie/ken romance... You know the drill. They can be good films, but it's rare I ever relate to those movies. I *really* related to this movie - both the main character played by Zach, and the pure concept and analogy on display here. This film earns itself a place in my DVD collection upon release for the sheer fact it matches my 20-something experience to a huge degree, and all the feelings along the way. Normally films such as this tend to end up becoming "coming of age" stories - this isn't. It's simply about living life, but not knowing why you are living it. An excellent film on many levels - 10/10.

This was almost the perfect movie. The acting was great, the direction was great, the script was brilliant, and the location shoots were perfect. Probably the most amazing thing about this movie was the screen stealing show stopping performance of Natalie Portman. She showed this brilliance in "Leon" aka "The Professional", and once again amazed with her talent. It contains different humour to your usual American movie and was a needed hit in the movie circles of 2004. My only problem was a little part of the story that seemed out of place and not needed. This is not a spoiler, it is his friends wealth and invention. They just seemed unnecessary to me. This is a minor complaint and I eagerly anticipate Zach's next work. He could quite possibly end out being more famous behind the camera than in front of it.

Zach Braff has made it. Both script, directing and main acting, and everything is more than all right. This is a film without violence about people living ordinary extra-ordinary lives and it's much more interesting than extra-ordinary murders, which very, very few, even in the USA, encounter. The "hero" has been going on tranquilizers for all his grown up-life and even before that. He's got no feelings left, not even for the death of his mother. Then he meets a girl, well acted indeed by Natalie Portman, who unlocks him slowly, saying the right things all the time without knowing it. Hours after you've seen this, you realize that here was a crucial moment, this was a turning point and so on. The love story gets a little sentimental at the end, but still this is a film that lives long after you've seen it through.