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source: Jungle Fever

Spike Lee made "Jungle Fever" in the era when he also made masterpieces like "Do the Right Thing" and "Malcolm X". I will admit that the subject matter here is nothing that we haven't seen many times (an interracial love story), but Lee knows how to do without getting idiotic or manipulating emotions. In this case, African-American Flipper Purify (Wesley Snipes) has an affair with Italian-American co-worker Angela Tucci (Annabella Sciorra), thereby setting off a racially charged chain reaction. A previous reviewer said that Lee throws in so many subplots that the movie gets too confusing. I agree that the various subplots do this to an extent, but I think that Lee mainly wanted to show how people's lives were getting affected by the series of events portrayed. There were some clichés, namely the bigoted Bensonhurst residents, but this is certainly a well done movie. Watch for a young Halle Berry as a crack addict, and I believe that Queen Latifah appears as a waitress.

The whole film was just stupid and prejudice but then it IS a spike lee film. The ending though was so weird like they'd just added a scene and forgotten about it! So amateur

In short: Spike Lee clearly has a lot on his mind. He's thinking about racism color-ism, media and hegemony, consumerism and capitalism, religion, sexism, 'hetero-sexism', politics of the drug war etc etc... That level of consciousness on is own is great. I think it is a blessing that more and more people are choosing to critically examine fundamental aspects of our daily lives; the silent and invisible forces that govern our societies. However, just because Lee is making contentious films does not make him a good film-maker. What comes across in "Jungle Fever" is a superficial understanding of these socio-political forces. This is largely the result of two main failures: firstly, Lee is simply trying too hard. He seems to be desperately trying to accommodate every political/social statement he can think of into the 90mins. And as such, the end result seems confused and irresolute as he allows himself no time to develop characters that can fully embody the ideas he hopes to present. And so he exhausts stereotypes and we are left with rushed testimonies and very loaded dialogs. The end result is very staged and unrealistic. Secondly, by attempting to make statements about such a wide variety of societal functions, he appears to have no concrete or original interpretation of the social/political issues presented. What comes across is a puddle of regurgitated non-sense. You feel that he bought an elementary level sociology text book and spewed out all 500 pages. These are highly problematic features because the artistry of film is sacrificed and the work is transformed into a loudspeaker for the voice of the voice of the filmmaker. He is unable to distance himself from the work, and allow it to speak for itself. It functions neither as a piece of art nor a sound political argument. Although I still do appreciate Lee bringing up these important issues, I must say: Two thumbs down.

With some interesting ideas about racism, some creative camera-work, and generally solid acting, there is enough in this film to make it worth checking out, albeit not enough to make it a great film. Spike Lee's depiction of a modern society build about racism lacks credibility, as it is hard to believe that the only thing the characters care about is racism-related. Lee's colour scheme hurts the film too, as the hues, in particular the oranges, are very harsh on the eyes, this distracting one from the on screen action. There are also some drug addiction subplots fitted in, to no certain advantage, and despite Terence Blanchard providing a nice multi-style score, it is used rather awkwardly throughout. Plus, there one large unanswered question: is Lee endorsing segregation and racism in the film? Believe it or not, in spite of these problems, the film has enough in it for adequate viewing. Seeing Halle Berry in her first big screen appearance is quite interesting, and Queen Latifah makes her debut appearance too as a waitress. It is very well shot, competently acted and it provides some things to think about, even if it is not too great overall stuff.

Soundtrack was too loud, and at the oddest moments. How this movie was released with no one checking the soundtrack volume is puzzling.

I have walked out of very few movies before they end, but I couldn't finish this piece of garbage. This was the biggest load of racism trying to pass as legitimate film since "Birth of a Nation". The characters were little more than cardboard cutouts. I don't see how any actor would want their name associated with this film. Lee must have better things to do that put out garbage like this. I know that I and anyone with a brain have better things to do.... like watching paint dry. I wish that someone would make a film about interracial relationships that dealt with the topic realistically. There is a lot more depth to this subject the shallow ranting of a bitter director like Lee.