source: Pumpkin

Trailer—Pumpkin

Pumpkin

This movie is fantastic, although you probably have to have a certain comic sensibility to appreciate it. The best parts of this movie are so subtle that you might miss them the first time around. The director certainly doesn't hold your hand. The soundtrack in particular was amazing. The montage set against Belle & Sebastian's "Stars of Track and Field" is one of the better uses of song in a movie I've encountered. I rarely come across comedies that demonstrate any originality. It's mostly formulaic junk. Pumpkin is a beautiful, hilarious, and has a great deal of thematic and character depth.

This film has a lot of depth. The actors did an excellent job portraying very three-dimensional characters. Occasionally, I found myself rooting for the antagonists. In this movie Christina Ricci's character is part of a comically cliché sorority. The sorority sisters decide to mentor mentally retarded college freshmen as a goodwill project to help them win a contest. When Ricci's character meets Pumpkin, played by Hank Harris, her entire world changes. My world changed too, because I suddenly had a new favorite movie. The writing was superb. This outstanding story is both hilarious and touching. The directing was top-notch as was this pacing of this perfect little movie. The sense of humor displayed ranges from quirky to diabolical. I would recommend this movie to fans of Donnie Darko, Napolian Dynamite, or Last Supper :)

Julie Thurber (Marisa Coughlan) intends to lead the Alpha Omega Pi sisters to win against the Tri Omegas by helping mentally challenged athletes for the regional Games. Carolyn McDuffy (Christina Ricci) and Jeanine Kryszinsky (Dominique Swain) disagree with the handicap work. The perky Carolyn is assigned Pumpkin Romanoff (Hank Harris). She finds him to be endearing while he's in love with her. She tries to set up a double-date with Cici Pinkus (Melissa McCarthy) but it goes horribly wrong. She falls in love with Pumpkin horrifying everybody. Its wacky satire is somewhat funny. The over the top sorority girls get a few laughs. It is Christina Ricci's absolute commitment to this character that truly sells it. She's hilarious. The love affair isn't given much preparation. That's probably the biggest problem. It's written as a given. Also I wish Pumpkin is a deeper character. He's a bit too simplistic. Nevertheless this is funny little dark satire.

I'm not sure if this movie goes way too far, or not far enough. A dark teenage comedy, Pumpkin tells of the story of the perfection obsessed sorority girl Carolyn McDuffy who falls for Pumpkin, a mentally challenged boy she meets when her sorority house agrees to coach some `special people.' The film forces the viewer to look inward and confront their own prejudices, but it does so in such a strange and weirdly paced way that it is hard to recommend Pumpkin, although I think it is an interesting movie. I wish someone like Lloyd Kaufman would have directed it, someone who would take the gloves off and go for the jugular in every scene and really give this material some bite. A movie like this will only work if the filmmaker goes in completely committed to the idea. As it is Pumpkin seems to teeter on the brink of outrageousness, but pulling back every time to stay on the PC side of the fence. It's a shame because this could have been a truly wonderful and subversive movie.

"Pumpkin" slips mercurially through the genres ending up somewhere around black comedy with farcical overtones and biting undercurrents as it tells of a privileged, superficial sorority sister (Ricci) who "gets real" and falls for a mentally challenged man (Harris) while coaching him for a Special Olympics type event. The film boldly treads on thin ice, clumsily at times, as it tramples social constructs from decorum to morality while managing to maintain a marginally interesting storyline. Probably a real achievement given the experience of the auteur, "Pumpkin" will likely end up a love it or hate it flick of modest significance. Worth a look as a curiosity if nothing more. (B)

Surprisingly sweet dark comedy is really too sentimental at heart to be the edgy piece it was promoted as, and the curious final results show definite signs of indecisive filmmakers (two directors!) at the helm. A sorority princess living in a privileged bubble has her existence turned upside-down after forging a loving relationship with a mentally challenged young man, losing her friends in the process. The direction is erratic, and the tone of the film changes from scene to scene, yet it is certainly unpredictable and the cast is game. I don't know if the focus of the movie was changed midway, but the later sequences have a sweet nuance to them, as if a big softie suddenly took over to see this thing through to a happy ending. And then there's that final shot which, in keeping with the rest of the picture, is amusingly bizarre. **1/2 from ****

"Your relationship is...inappropriate," one of Carolyn's sadly superficial sorority sisters says to her in the course of "Pumpkin", and that statement sums up this superbly uncategorizable exercise to perfection. Nothing about "Pumpkin" is appropriate, from the soundtrack choices (the music in the fight scene between Pumpkin and Kent in particular), the casting (it was a near-shock to see Dominique Swain with her clothes on through the ENTIRE FILM for openers), the story itself and the shamelessly ambiguous manner in which it's presented. It works, though, thanks to a supremely conflicted and tender performance from Christina Ricci and the simplicity, sensitivity and sincerity of Hank Harris' interpretation of the title character. Life isn't just one thing, it's all things all at one time sometimes. Just like this movie.