8,5/10

I found this a really excellent film. Well acted, beautiful scenery, all quite believable – which it should be, because everything in the film really happened! Superb acting by the three principals. But personally, I found Hattie Norahan the most lively and interesting of the various characters. She plays Laura Knight, the first woman artist to be made a Dame and a full Member of the Royal Academy. She was made up to look astonishingly like her character – if one looks at the self-portrait in the National Portrait Gallery. Laura was also remarkably versatile, painting ballet dancers, gypsies, prize-fighters, circuses – she really needs a whole film to herself! Gilbert Evans, the Land Agent to the Newlyn painters, and one of the three protagonists in the film, actually had a son in later life, called David. David Evans gives an excellent illustrated lecture about the Newlyn School and his father's connections with it: his email address is dje38@tiscali.co.uk.

Summer in February feels like one of those movies that knows it's not going to get nominated for any Academy Awards, especially since the film is a United Kingdom (UK) productions and the producers probably weren't even sure if it was going to get released in the U.S., but somehow ends up feeling like an "accidental Oscar Baiter". The story is based on the true story of the Lamorna group in the U.K., and centers around three characters. It is a love triangle between AJ Munnings (Dominic Cooper), his new wife, Florence Carter Wood (Emily Browning), and his friend and Florence's eventual lover, Gilbert Evans (Dan Stevens). Summer in February is a beautifully shot movie and feels like a period piece with the correct costumes, and some of the acting is pretty good, but for my taste, it just lacked action. The three leads are good in their respective roles. Dominic Cooper, in the role of AJ, brings an easy level of energy, though he seems somewhat incapable of yelling. His character, true story or not, is just unlikeable. Are we supposed to sympathize with a man who abuses his wife that way? No wonder she had an affair with his friend. Sure, he changes his attitude near the end, but it's just too late for me. Dan Stevens is good as Gilbert, though he has moments where he overacts (hence the Oscar bait feel). His character is way more likable than AJ's, and that just seems somewhat unnecessary. Emily Browning is easily the weakest of the three. She is an Australian actress, and I thought she was sounded Australian, rather than British, but eventually, I got used to her, although, she does have a slow delivery, and no real chemistry between either of the leads (Dominic Cooper and Dan Stevens). There are other actors and characters in the film, but none of them were as well developed as the three leads. The direction by Christopher Menaul (unlike Dallas Buyers Club) seems to be playing it easy for the most part. The musical score by Benjamin Wallfisch is melodramatic and supposedly "uplifting" as to be expected in a period drama. I know this based off a true story, but that doesn't excuse the messy nature of the film. Summer In February just feels like one of those films that they made and forgot to give a flavor to.

Okay so this is no masterpiece but 5.3 out of 10 is rather harsh, the story is what it is (based on book around true events), its not shot or acted overly badly (although I must admit I'm not totally convinced by Emily Browning) and the scenery and paintings are attractive which in turn means, I think at least, its not a bad way to spend just under two hours of your time. Why has is been so badly review then, I have no idea I happen to quite like it not because its monumental, makes me cry with sadness or leap with joy, but because it quietly and affectively tells a story worth being told. Perhaps the bad reviews reflect more of disaffection with the story rather than the vehicle of its portrayal. Either way if you like period dramas and have the time on your hands give a go and see what you think.

"Summer in February" is a bio-pic based on real people--just the sort of story I usually like. The retired history teacher in me likes learning about actual events and characters. However, as much as I wanted to like the film, I found it very ponderous and unappealing. The film is set just before the First World War. It begins with a small community of bohemian artists who have made the Cornish coast of England their home. Here, they seem happy and productive. However, when a newcomer arrives, things begin to take a turn towards the dark side. Florence Carter Wood (Emily Browning) is a rich young lady who wants to study from other artists and she's readily accepted by this group. One guy is infatuated with her but he unfortunately keeps this to himself. In the meantime, another artist, A.J. Munnings (Dominic Cooper) falls for her and asks her to marry him. The fact that she said she would marry Munnings is odd, at least in the film, because there isn't much build up to this--they meet, spend a bit of time together and suddenly they marry. I have no idea if their courtship was like this in real life, but I do know that their marriage was NOT a marriage made in Heaven! Again, this was a bit confusing, as you see Wood marry him willingly--but on their honeymoon, she tried to kill herself. The film seems to say that she knew he was sleeping around but still married him and then tried to take her own life. While this made little sense and the film tried to paint her as a sad but understandable woman, I assume she was mentally ill--though the film seemed to de-emphasize this. Again, this did seem a bit confusing as healthy and normal folks DON'T marry people who they dislike and don't try suicide on their honeymoon! This just isn't rational and I was looking for some possible explanation--and without mental illness, it left me confused--especially since you really aren't sure if Munnings actually did anything wrong and the film showed him trying, in vain, to make the marriage work--at least at first. What's next for the happy couple? See the film if you'd like to know. When I went on the internet to learn more about Munnings and Wood, there wasn't a lot of information about their marriage. Munnings later went on to be one of Britain's most celebrated artists--that was easy to find. But, about Wood, there is very little information. So, how close this is to the true story, I have no idea. After seeing the film, however, I'm going to say something that usually violates what I want in bio-pics--I wish the story had been VERY different even if the film became more fictional than not! This is because I didn't like the characters--they all seemed brooding, dull and hard to relate to or care about in any way. This does make selling the film problematic--and when the film was recently released, it was a box office failure. Now, it's just been released to DVD--having debuted on Netflix this week. Considering how ponderous the film is at times and how contradictory the characters act, however, I just cannot recommend it. Now I am not saying it's all bad--the cinematography was lovely and the acting was good--but without likable characters (or at least ones you can understand) and a sluggish pace, it's really not a film that most folks would or could enjoy. By the way, if you do watch the film, be aware that there is a fair amount of full frontal nudity in the first portion of the movie. It didn't seem gratuitous or inappropriate, as these artists painted nudes and, like true bohemians, had a different moral compass than the typical Brit of the day.

Not normally the sort I film I would watch, but so glad I did. I was gripped from start to finish. No time for me to get a numb bottom, which normally happens in the cinema. I thought Dominic Cooper was brilliant, my favourite character. Beautiful scenery, love the horses on the beach. I did cry quite a lot at the ending and the fact that two people so perfect for each other did not end up together has stayed with me since the film. I am an old romantic and felt like screaming at the screen when Florence found that bottle of pills again. Worth a watch - thoroughly enjoyably and entertaining.

As a hopeless romantic, I found this film beautifully satisfying. I knew nothing about the artists group depicted here, but I have certainly been motivated to learn about them as a result of viewing this film. The Cornish setting is so evocatively filmed, the score so compelling, the costuming so authentic and the performances so skillfully done, that I was captivated from the start. Seeing Hattie Morahan, Dan Stevens and Dominic Cooper together again--they were all in Sense and Sensibility on Masterpiece a few years ago--was a delight. I think they are all such excellent actors. I had only see Emily Browning once before, but I found that I could hardly take my eyes off her when she was in a scene. Now I want to visit the Cornish coast and stay in the little hotel depicted in the film! The IMDb rating is much too low for this film!!

I find it strange, that Cambridge educated Stevens chose to leave probably the most successful period TV drama of the last 20 years to star in exactly the same role in a period movie! He was very good, understated, doesn't overact - leaves that to Dominic Cooper to ham things up. But what was Matthew doing in Cornwall, and why did he feel the need to go to Nigeria? I didn't really care for the love interest either, and for a woman who was supposed to be educated and liberated a la Austen, why does she marry the most inappropriate ego-centric genius who happens to ask her. There was a scene as she walks along the cliff where I was literally willing her to throw herself over -might have spiced things up a bit. Having said that, I did enjoy the film, mostly for the scenery and the accuracy of the manners and costume. The story line was weak and the heroine unattractive and ineffective. The two male leads were overcast but made the whole thing work. By the way, a shout out to Cornwall, the most beautiful coastline of anywhere in the world.

Once I got past the 'machine-knitted' hand-knits and the Mills and Boon score . . . perfectly watchable. Don't expect to be informed about artistic life or how to learn to draw and paint. I have got to say I think Emily Browning was miscast; though delightfully dinky and looking marvellous in her lace blouses and smocks . . she did not convey privileged entitlement or fragile mentality very well, not exactly wooden but leaning towards wet lettuce leaf. I feel a proper Cornish artist boho would be perfectly happy to be in love with two lovely men . . so bit of a plot hole there. The actress that played Laura Knight was perfect. Although location spotting was fun and authentic . . nothing else was. It seemed to lack real Cornishness . . a huge failing for me. Had I been directing I would have gone even more up the cheesy Mills and Boon route with it. Sorry but I was disappoint.

I thought this film was fantastic. It was beautiful to watch and seriously tore at the heart strings. I'm not particularly into art or horses but I loved it and I imagine if you are into art or horses, you'll be bowled over. Where I wasn't particularly keen on Dominic Cooper before, in this he had me completely invested. I think the star of the film however has to be Hattie Morahan. She had so much life in her portrayal of Laura Knight and she had me completely captivated from the beginning. Dan Stevens and Emily Browning were also good and there was a fascinating chemistry sparking off between all three leads. There's something for everyone here. Takes a bit of warming up from the beginning but I came out of the cinema buzzing. Go see.