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Voodoo Passion (1977) * 1/2 (out of 4) Jess Franco film about a woman who goes to visit her husband in Haiti and soon discovers another woman living in the house who claims to be her husband's nympho sister. The wife buys the story but soon she begins to be haunted by dreams of voodoo and a mysterious woman coming to warn her. Ada Tauler, Jack Taylor, Vicky Adams and Karine Gambier star in this film, which is a remake of Franco's 1970 film Nightmares Come at Night, which wasn't the best film in the director's career but it's certainly better than this. The biggest difference between the two is that the original went for more of a psychological style while this one here is nothing but non-stop sex scenes, which grow quite boring after a while. There's some beautiful locations, a nice music score and great sets but that's about the only thing this film has going for it. There is one hot lesbian scenes and some really bad dialogue, which gets some laughs but you'll do better searching out other parts of Franco's career.

Susan (Ada Tauler) has come to Haiti to live with her husband Jack (Jack Taylor) and when you realize that this movie is also called Porno Shock, Voodoo Passion and Call of the Blonde Goddess, you know what you're in for. Housekeeper Inès (Muriel Montossé) explains that this is a place of sorcery. And then Susan finds her sister-in-law Olga (Karine Gambier) naked in her bed and she just might be more into her brother than she should be and definitely loves listening to the lovemaking he's enjoying with his new bride. Look, when your new sister-in-law says things about your husband such as "He likes me to come sleep with him. I'm his baby doll." you should worry. Then the nightmares begin - Nightmares Come At Night is a description and another movie that Franco made that is the same plot - and Susan dreams about violence and murder so real that she's sure that she's become a killer. I really feel like I've seen that plot so many times and yet it works for me every time.

As someone who makes a point of attempting to see every Jess Franco horror film, there comes a time when it becomes clear that the horror takes a very distant backseat to the erotica. Regular Jack Taylor - looking much better without his moustache - is only on screen for a few moments before he gets stuck in. As is often the case, the locations - Zurich and stock footage conveying persuasively the beauty of Haitii - are beautifully shot (some tropical Portuguese locations were previously used to even greater effect in 1971's 'Christine, Princess of Eroticism/Virgin Among the Living Dead'). The music, too, a percussive, tribal, jazz-infused dirge by Walter Baumgartner, is hallucinogenic and powerful. Olga (Karine Gambier), a bleach blonde, brightly-lipped, eyebrow-less tease is introduced as Jack's sister. {SPOILER} When it is revealed that she is in fact his lover, his wife Susan Haus (Ada Tauler) is the only one remotely surprised, such is their flirtatious relationship. Voodoo dolls, hypnotism, night clubs, nudity, mirrors and a deceptively sunny atmosphere where every little problem can be addressed with a nice bit of graphic - but not quite hard-core - sex; it's far from Franco's most rewarding production, but it is directed very cleanly and contains none of the frenzied zooms typical of his output at this time.