1234money official logo1234money

Command Ctrl

Stream the signal

  • ہوم
  • ٹی وی شو
  • فلم
  • اینیمیشن
  • VSKit
  • سب سے زیادہ دیکھا گیا
  • 1234money ایپ
  • FM Download
  • Games
  • Old 1234money
English
العربية
Français
Bahasa Indonesia
हिन्दी
اردو
Filipino
1234money Download Appایپ
ایپ
مزید دیکھیں1234money home light arrow
1234money downloadلامحدود فلمیں اور شوز دیکھیں
1234money downloadاپنا پسندیدہ مواد ڈاؤن لوڈ کریں اور آف لائن دیکھیں
1234money downloadآسان انٹرفیس اور ہموار کارکردگی
QR کوڈ اسکین کریں اور ڈاؤن لوڈ کریں یا
ایپ ڈاؤن لوڈ کریں
For phones and tablets
TV
1234money TV APK
Android TV کے لیے
1234money header navigation
1234money official logo

1234money

1234money search icon
An Unsuitable Job for a Woman

An Unsuitable Job for a Woman

★ 5.91985Movie1 h 34 mمتحدہ سلطنت یونائیٹڈ کنگڈم
جرمڈرامہاسرار

Cordelia Gray is hired by a businessman to investigate the suicide of his estranged son. However, the young private detective soon develops feelings for the dead young man which thrust her into danger.

338 people rated
🔇

An Unsuitable Job for a Woman

1985

R

1 h 34 m

متحدہ سلطنت یونائیٹڈ کنگڈم

جرم

ڈرامہ

اسرار

Cordelia Gray is hired by a businessman to investigate the suicide of his estranged son. However, the young private detective soon develops feelings for the dead young man which thrust her into danger.
More

5.9 /10

338 people rated

آن لائن دیکھیں

ایپ میں دیکھیں

share

اقساط

film
lklk
Netflix
Plex

فلم کا ٹریلر

play
ٹاپ کاسٹ(14)
starring avatar
Billie Whitelaw
Elizabeth Leaming
starring avatar
Paul Freeman
James Calendar
starring avatar
Pippa Guard
Cordelia Gray
starring avatar
Dominic Guard
Andrew Lunn
starring avatar
Elizabeth Spriggs
Miss Markland
starring avatar
David Horovitch
Sergeant Maskell
default avatar
Dawn Archibald
Isobel
default avatar
Bernadette Shortt
Temp
default avatar
James Gilbey
Boy
starring avatar
Kelda Holmes
Girl
default avatar
Margaret Wade
Secretary
default avatar
Alex Guard
Mark Callender
default avatar
Peter Jaques
Priest
default avatar
Emma Lawrence
Girl 2

صارف کا جائزہ

author avatar

becoolsavage

29/05/2023 12:54
source: An Unsuitable Job for a Woman
author avatar

Marwan Younis

23/05/2023 05:38
The PD James book An Unsuitable Job for a Woman was turned into an ITV series in the late 1990s. Before then it had been a low budget feature film. Cordelia Gray (Pippa Guard) takes over the detective agency she was working for after her boss kills himself. Her first job is to find out the circumstances of why a young man Mark Calendar hanged himself. Mark was the son of a wealthy constructor James Calendar (Paul Freeman.) Elizabeth Leaming (Billie Whitelaw) is the stern housekeeper who approaches the detective agency. Cordelia becomes obsessed with Mark. He was estranged from his father. Cordelia discovers that Mark had been wearing women's clothes when he killed himself. Someone changed his clothes and cleaned the makeup off his face afterwards. She later doubts if Mark actually did commit suicide. This is an unsatisfactory movie for the viewer. An arty murder mystery. It is shot like a film noir. Director Christopher Petit wanted this to be like a ghost story that unearths hidden family secrets. He did not succeed. The characters are so thinly sketched, actors such as Freeman and Whitelaw are left struggling. Pippa Guard is underwhelming as Cordelia Gray. The scene when she nearly hangs herself is risible. Even the ending is underpowered.
author avatar

SYNTICHE JISCA

23/05/2023 05:38
The director did a good job of creating the atmosphere. Houses are characters as well as humans. The main actress does a good job. She was older in real life, but she conveys a much younger sensibility. This is a movie for people who appreciate moviemaking.
author avatar

Babylatifah

23/05/2023 05:38
I don't know anything about the P D James source material, but Chris Petit's film of An Unsuitable Job for a Woman has a dark and unexpected take on its catchy title. As the detective doing the unsuitable job - engaged by a rich man to find out why his son hanged himself - Pippa Guard's Cordelia Gray unearths clues and follows leads as capably as any man probably would, and has sufficient physical agility and determination to escape at her major moment of peril. But she embodies little of the classic authority of the investigating protagonist: she expresses herself untidily and allows herself to identify too much with the dead man (to the point of almost accidentally replicating his suicide), and she's much more watched upon than she is the watcher - the fact that the dead man was found dressed as a woman contributes to the sense of destabilization. When she finds her way to the truth, it yields little sense of actual or figurative light - the denouement takes place in darkness and in near-silence, as the culmination of a long-standing familial fracture. The fracture isn't just that though - it's that of an England in which the stability of the grand houses and the bucolic cottages and the very proper accents is rotting from within, eaten away by avarice and evasion and hypocrisy (the solution to the mystery lies, literally, in the blood). Petit's minimizing of narrative in favour of mood and intuition has elements both of diagnosis and potential cure - given the movie's period, it's hard not to think of Margaret Thatcher as the overwhelming national reference point for any assessment of unsuitability, and for considering how that assessment might or might not correlate with gender identity. Certainly Thatcher's public persona was largely built on denying the intuitive, often - so to speak- un-Guarded openness that characterizes Gray here.
author avatar

makuayi🍫

23/05/2023 05:38
The real mystery is why this film was ever made. Goldcrest financed this and came a cropper. The film is so slow and leaden paced it is difficult to maintain any interest in what is going on. For this a large portion of the blame must attach to the director.
author avatar

El Ahnas

13/03/2023 13:06
source: An Unsuitable Job for a Woman
author avatar

Melanie.M

13/03/2023 13:06
The director did a good job of creating the atmosphere. Houses are characters as well as humans. The main actress does a good job. She was older in real life, but she conveys a much younger sensibility. This is a movie for people who appreciate moviemaking.
author avatar

Leidy Martinho

13/03/2023 13:06
The PD James book An Unsuitable Job for a Woman was turned into an ITV series in the late 1990s. Before then it had been a low budget feature film. Cordelia Gray (Pippa Guard) takes over the detective agency she was working for after her boss kills himself. Her first job is to find out the circumstances of why a young man Mark Calendar hanged himself. Mark was the son of a wealthy constructor James Calendar (Paul Freeman.) Elizabeth Leaming (Billie Whitelaw) is the stern housekeeper who approaches the detective agency. Cordelia becomes obsessed with Mark. He was estranged from his father. Cordelia discovers that Mark had been wearing women's clothes when he killed himself. Someone changed his clothes and cleaned the makeup off his face afterwards. She later doubts if Mark actually did commit suicide. This is an unsatisfactory movie for the viewer. An arty murder mystery. It is shot like a film noir. Director Christopher Petit wanted this to be like a ghost story that unearths hidden family secrets. He did not succeed. The characters are so thinly sketched, actors such as Freeman and Whitelaw are left struggling. Pippa Guard is underwhelming as Cordelia Gray. The scene when she nearly hangs herself is risible. Even the ending is underpowered.
author avatar

queen bee

13/03/2023 13:06
I don't know anything about the P D James source material, but Chris Petit's film of An Unsuitable Job for a Woman has a dark and unexpected take on its catchy title. As the detective doing the unsuitable job - engaged by a rich man to find out why his son hanged himself - Pippa Guard's Cordelia Gray unearths clues and follows leads as capably as any man probably would, and has sufficient physical agility and determination to escape at her major moment of peril. But she embodies little of the classic authority of the investigating protagonist: she expresses herself untidily and allows herself to identify too much with the dead man (to the point of almost accidentally replicating his suicide), and she's much more watched upon than she is the watcher - the fact that the dead man was found dressed as a woman contributes to the sense of destabilization. When she finds her way to the truth, it yields little sense of actual or figurative light - the denouement takes place in darkness and in near-silence, as the culmination of a long-standing familial fracture. The fracture isn't just that though - it's that of an England in which the stability of the grand houses and the bucolic cottages and the very proper accents is rotting from within, eaten away by avarice and evasion and hypocrisy (the solution to the mystery lies, literally, in the blood). Petit's minimizing of narrative in favour of mood and intuition has elements both of diagnosis and potential cure - given the movie's period, it's hard not to think of Margaret Thatcher as the overwhelming national reference point for any assessment of unsuitability, and for considering how that assessment might or might not correlate with gender identity. Certainly Thatcher's public persona was largely built on denying the intuitive, often - so to speak- un-Guarded openness that characterizes Gray here.
author avatar

George Titus

13/03/2023 13:06
The real mystery is why this film was ever made. Goldcrest financed this and came a cropper. The film is so slow and leaden paced it is difficult to maintain any interest in what is going on. For this a large portion of the blame must attach to the director.

صارف کا جائزہ

author avatar

becoolsavage

29/05/2023 12:54
source: An Unsuitable Job for a Woman
author avatar

Marwan Younis

23/05/2023 05:38
The PD James book An Unsuitable Job for a Woman was turned into an ITV series in the late 1990s. Before then it had been a low budget feature film. Cordelia Gray (Pippa Guard) takes over the detective agency she was working for after her boss kills himself. Her first job is to find out the circumstances of why a young man Mark Calendar hanged himself. Mark was the son of a wealthy constructor James Calendar (Paul Freeman.) Elizabeth Leaming (Billie Whitelaw) is the stern housekeeper who approaches the detective agency. Cordelia becomes obsessed with Mark. He was estranged from his father. Cordelia discovers that Mark had been wearing women's clothes when he killed himself. Someone changed his clothes and cleaned the makeup off his face afterwards. She later doubts if Mark actually did commit suicide. This is an unsatisfactory movie for the viewer. An arty murder mystery. It is shot like a film noir. Director Christopher Petit wanted this to be like a ghost story that unearths hidden family secrets. He did not succeed. The characters are so thinly sketched, actors such as Freeman and Whitelaw are left struggling. Pippa Guard is underwhelming as Cordelia Gray. The scene when she nearly hangs herself is risible. Even the ending is underpowered.
author avatar

SYNTICHE JISCA

23/05/2023 05:38
The director did a good job of creating the atmosphere. Houses are characters as well as humans. The main actress does a good job. She was older in real life, but she conveys a much younger sensibility. This is a movie for people who appreciate moviemaking.
author avatar

Babylatifah

23/05/2023 05:38
I don't know anything about the P D James source material, but Chris Petit's film of An Unsuitable Job for a Woman has a dark and unexpected take on its catchy title. As the detective doing the unsuitable job - engaged by a rich man to find out why his son hanged himself - Pippa Guard's Cordelia Gray unearths clues and follows leads as capably as any man probably would, and has sufficient physical agility and determination to escape at her major moment of peril. But she embodies little of the classic authority of the investigating protagonist: she expresses herself untidily and allows herself to identify too much with the dead man (to the point of almost accidentally replicating his suicide), and she's much more watched upon than she is the watcher - the fact that the dead man was found dressed as a woman contributes to the sense of destabilization. When she finds her way to the truth, it yields little sense of actual or figurative light - the denouement takes place in darkness and in near-silence, as the culmination of a long-standing familial fracture. The fracture isn't just that though - it's that of an England in which the stability of the grand houses and the bucolic cottages and the very proper accents is rotting from within, eaten away by avarice and evasion and hypocrisy (the solution to the mystery lies, literally, in the blood). Petit's minimizing of narrative in favour of mood and intuition has elements both of diagnosis and potential cure - given the movie's period, it's hard not to think of Margaret Thatcher as the overwhelming national reference point for any assessment of unsuitability, and for considering how that assessment might or might not correlate with gender identity. Certainly Thatcher's public persona was largely built on denying the intuitive, often - so to speak- un-Guarded openness that characterizes Gray here.
author avatar

makuayi🍫

23/05/2023 05:38
The real mystery is why this film was ever made. Goldcrest financed this and came a cropper. The film is so slow and leaden paced it is difficult to maintain any interest in what is going on. For this a large portion of the blame must attach to the director.
author avatar

El Ahnas

13/03/2023 13:06
source: An Unsuitable Job for a Woman
author avatar

Melanie.M

13/03/2023 13:06
The director did a good job of creating the atmosphere. Houses are characters as well as humans. The main actress does a good job. She was older in real life, but she conveys a much younger sensibility. This is a movie for people who appreciate moviemaking.
author avatar

Leidy Martinho

13/03/2023 13:06
The PD James book An Unsuitable Job for a Woman was turned into an ITV series in the late 1990s. Before then it had been a low budget feature film. Cordelia Gray (Pippa Guard) takes over the detective agency she was working for after her boss kills himself. Her first job is to find out the circumstances of why a young man Mark Calendar hanged himself. Mark was the son of a wealthy constructor James Calendar (Paul Freeman.) Elizabeth Leaming (Billie Whitelaw) is the stern housekeeper who approaches the detective agency. Cordelia becomes obsessed with Mark. He was estranged from his father. Cordelia discovers that Mark had been wearing women's clothes when he killed himself. Someone changed his clothes and cleaned the makeup off his face afterwards. She later doubts if Mark actually did commit suicide. This is an unsatisfactory movie for the viewer. An arty murder mystery. It is shot like a film noir. Director Christopher Petit wanted this to be like a ghost story that unearths hidden family secrets. He did not succeed. The characters are so thinly sketched, actors such as Freeman and Whitelaw are left struggling. Pippa Guard is underwhelming as Cordelia Gray. The scene when she nearly hangs herself is risible. Even the ending is underpowered.
author avatar

queen bee

13/03/2023 13:06
I don't know anything about the P D James source material, but Chris Petit's film of An Unsuitable Job for a Woman has a dark and unexpected take on its catchy title. As the detective doing the unsuitable job - engaged by a rich man to find out why his son hanged himself - Pippa Guard's Cordelia Gray unearths clues and follows leads as capably as any man probably would, and has sufficient physical agility and determination to escape at her major moment of peril. But she embodies little of the classic authority of the investigating protagonist: she expresses herself untidily and allows herself to identify too much with the dead man (to the point of almost accidentally replicating his suicide), and she's much more watched upon than she is the watcher - the fact that the dead man was found dressed as a woman contributes to the sense of destabilization. When she finds her way to the truth, it yields little sense of actual or figurative light - the denouement takes place in darkness and in near-silence, as the culmination of a long-standing familial fracture. The fracture isn't just that though - it's that of an England in which the stability of the grand houses and the bucolic cottages and the very proper accents is rotting from within, eaten away by avarice and evasion and hypocrisy (the solution to the mystery lies, literally, in the blood). Petit's minimizing of narrative in favour of mood and intuition has elements both of diagnosis and potential cure - given the movie's period, it's hard not to think of Margaret Thatcher as the overwhelming national reference point for any assessment of unsuitability, and for considering how that assessment might or might not correlate with gender identity. Certainly Thatcher's public persona was largely built on denying the intuitive, often - so to speak- un-Guarded openness that characterizes Gray here.
author avatar

George Titus

13/03/2023 13:06
The real mystery is why this film was ever made. Goldcrest financed this and came a cropper. The film is so slow and leaden paced it is difficult to maintain any interest in what is going on. For this a large portion of the blame must attach to the director.
ڈس کلیمر: 1234money پر موجود تمام ویڈیوز اور تصاویر انٹرنیٹ سے ہیں، اور ان کے کاپی رائٹس اصل تخلیق کاروں کے ہیں۔ ہم صرف ویب پیج کی خدمات فراہم کرتے ہیں اور کسی بھی مواد کو اسٹور، ریکارڈ یا اپ لوڈ نہیں کرتے ہیں۔
ہمارے متعلق :سرکاری لنک جاری 1234.money|1234money APK ڈاؤن لوڈ کریں|رازداری کی پالیسی|صارف معاہدہ
© 2026 1234money. All rights reserved.Telegram
1234money official logo

1234money

English
العربية
Français
Bahasa Indonesia
हिन्दी
اردو
Filipino
ہمارے متعلق
سرکاری لنک جاری1234money APK ڈاؤن لوڈ کریںرازداری کی پالیسیصارف معاہدہ
ڈس کلیمر: 1234money پر موجود تمام ویڈیوز اور تصاویر انٹرنیٹ سے ہیں، اور ان کے کاپی رائٹس اصل تخلیق کاروں کے ہیں۔ ہم صرف ویب پیج کی خدمات فراہم کرتے ہیں اور کسی بھی مواد کو اسٹور، ریکارڈ یا اپ لوڈ نہیں کرتے ہیں۔