Delivering Milo

Moviecut—Delivering Milo

Delivering Milo is a fantastic journey into the world that humans are unsure evens exists. What would happen if a soul refused to be born? It does get your mind turning. Granted, the plotline that the entire human race will die out is a bit tacky, but the idea is the important factor. I personally found it wonderfully refreshing in the way the writers(David Hubbard, and Diana Wagman) criss-crossed the different character's plotlines; however, the connections could be easily seen through hints scattered throughout. The characters did seem a little slow on the draw, but what can you do. I have to disagree with previous comments on the issue of blatantness. The plot turns were, for the most part, unexpected. Albert Finney also fills his roll as a high life gambler well. In all Delivering Milo is a good movie.

Albert Finney does an amazing job. He has so much enthusiasm. He is the perfect blue-collar New Yorker who isn't quite perfect but who is everyone's friend. Anton Yelchin does a good job too. Milo is just naughty enough and just appealing enough, but not overly sweet. I didn't care much for Bridget Fonda, but she is attractive. It was disappointing to me to see the woman I knew as Cinderella playing a bimbo. But she does a good enough job. I didn't understand an early scene with Milo and assumed we were seeing the child's future. This movie has important lessons to teach us about family and what is really important in life. And while it has a few bad words and acknowledges that some people don't wait until marriage, it is a family movie that older children can watch. At least I think so; I can't recall if it was edited. This movie delivers!

I had a near-death experience (NDE) 30 some years ago. I went on to become a researcher and interviewed more near-death experiencers than I can count. I have four published books on the NDE and natural spirituality -- I wish I had thought up this story myself. This plot is excellent. For anyone who has or believes in sychronicities and serendipity -- this movie goes right to the heart. The child actor is wonderful. He doesn't over act but walks around in this heartfelt plot like any child his age would. Albert Finney always gives a good performance and is particularly good here as a scoundrel. There are a panel of angels that add so much comedy in their very straight way. And, Bridget Fonda plays a believable role as the mother to be who is so traumatized by her father's abandonment when she was a child. It all comes together in the end not just cleverly -- but spiritually.

Wow .. I ended up being directed to watch this film because I watched City Of Angels ... This must be one of Albert Finney's most characterful roles .. This film has fun and sadness all rolled up into a tasty treat for the soul . Oh and Bridget Fonda is fantastic and Anton Yelchin showed what a talent he was even as a youngster . So if you haven't watched this film yet then you must ... Tim :)

"Delivering Milo" is a mild fantasy set between earth and a mythical place where young children are waiting their turn to be born. It's sort of an eternal kids' domain where children around seven years old wait until it's their turn to enter life. They then walk through a door into a bright light and the next scene is a mother delivering a baby. Milo is a boy who doesn't want to leave the comfort of the place he's in. He's nervous about the unexpected. He'd rather stay where he is. It's not nirvana or heaven. There seems to be no activity other than sitting around and waiting. There are no things known in life - eating, games, shows, working, etc. It's just being. You might say Milo has no ambition or interest in anything. The trouble is that he can stop the whole process of children being born by not going through the door. This is just one of a few kooky aspects about this fantasy about life, living and being born. Another one is the guy who's given another chance to reach a goal... probably heaven. He's in some other place that's not purgatory or hell, and he comes to take Milo in his current age to New York city to see what life is really like. Albert Finney plays Elmore Dahl, who has charge of Milo for this one day or two. Another part of the story is about Milo's mother and father, as they wait for his delivery. She's nervous and worries that her husband may leave her. Her dad had abandoned her mother and her after she was born. Putting two and two together, one might guess where this film goes from there. After one day in which no children were born anywhere in the world, Milo meets his mom and decides to take the step to be born. Before that he was turned off on life because of the environment that Elmore favored. Finney's character is distasteful, and doesn't seem to fit the story very well. Except for Bridget Fonda and Campbell Scott as Milo's parents, the characters and story seem listless. This is supposed to be a comedy fantasy, but it's a real stretch to find much humor. Here's a line that reflects the type and level of humor. Elmore Dahl, "Go ahead, you'll love it. There's no way anyone can teach you about the pleasure of eating. You gotta do it yourself." I enjoy truly inspirational and moving stories. But, for the life of me, I can't see what some other reviewers find is so uplifting in this film. Unless it's Milo's desire at the end to be born. And, that's just the natural inclination of all new life.

If one goes into this film knowing the plot and then complains that the concept is ridiculous, I would have to question that person's sanity. This is a fantasy; anyone taking it seriously lives in more of a fantasy world than this film. That said, does the film deliver? Acting: excellent all the way around; all of the actors deliver. Filming, music, sound, everything his fine. The problem is with the writing and subsequent directing. This film had a basic purpose, that purpose was well-established from the very beginning. But beyond that much of the presentation feels two-dimensional, without really getting down to the heart of the issues. The use of card reading as a major plot tool was a let-down. Instead of establishing solid, good reasons for the finale they resort to a rather lame plot device. There is one moment in the film where an emotional connection is made. Beyond that, while the characters were enjoyable and Finney was certainly a delight to watch, the entire film misses the personal, emotional connections that were essential to a film of this nature. In short, the director was so busy taking Milo (and the audience) on a sight-seeing tour, they regularly missed the heart of the story. They tried to make up for that in the end in the diner, but still didn't quite hit the target. This is one of those "could have been good" films, and probably one of the rare films that was 1 1/2 hours long and could have stood to be 2 hours, with more personal interaction and heart in the concept. As it is, while I enjoyed watching it, the end left me feeling somewhat let down and disappointed. They could have done better with the plot elements... and should have.

A classic story of redemption, Delivering Milo has great performances, humor, and perhaps a few tears. I watch a lot of films and often tire of Hollywood's penchant for the cynical. If you're looking for a positive message, Delivering Milo delivers. Aside from the sentimental value it's also an excellent creative concept. It will certainly hold your interest, and it does tug on the heartstrings a bit. But hey, if you're feeling too good about life after this film, just watch the evening news, that'll slap you back to reality.

its beauty seems be an old fashion one. and this does it special. because it is one of films who looking for values in convincing way. and, for an admirer of Anton Yelchin, like me, it is a kind of refuge. for the others, I suppose, it is a great film for admirable performances, for a story sweet-bitter, for Bridget Fonda performance and for Albert Finney proposing a real provocative perspective about duty of an angel and the virtues of friendship. so, a real, real beautiful film. with entire classic potential.