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fantastic

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There are some good parts in David Lynch's much maligned version of Frank Herbert's famous novel but they are few and far between. The main score is generally excellent (except when it pointlessly switches to dated '80's guitar rock), some of the images of the endless deserts of Arrakis are quite well done, and, although primitive and simplistic by modern standards, the early use of CGI in the shielded fight scenes should be lauded. Unfortunately these plusses are greatly outweighed by the film's deficits. The producers seemed to have little faith in the actors, so almost every action is accompanied by an explanatory voice representing of the person's thoughts. Some of the acting, especially the various villainous Harkonnens, is awful. The novelty-casting of Sting as Feyd-Rautha doesn't help: he spends too much time trying to look evil by smirking and fiddling with a knife but whatever menace he establishes is quickly undone when he steps out of the steam-bath in leather pampers. Kyle MacLachlan, who plays the central character Paul Atreides, generally looks uncomfortable and out of place, which is not helped by the constant melodramatic voiceovers. Patrick Stewart's Gurney Halleck is good (although why he has to carry the little dog is beyond me), as is Max von Sydow who plays Kynes, the exobiologist and honorary Freman who introduces Paul to the desert planet. The special-effects set pieces (especially the sand-worms and the climactic battle) have not aged well and despite some nice 'steam punk' stylings, the film still looks like an overproduced 1980's Italian vision of the future. Lynch has essentially disowned the film as have many fans of the book. I didn't like "Dune" when I first saw it 34 years ago and a recent rewatch on Netflix didn't do much to change my overall opinion. There are rumours that Denis Villeneuve will soon direct a remake and, as there have been some great successes in filming 'unfilmable' books ("The Lord of the Rings" being an obvious example), perhaps the next film will better capture Herbert's stark and lofty vision.

This has got to be one of the most stupid movies I have ever seen. There is nothing good about this movie. The acting is horrid, the special effects are ludicrous. The story is incredibly boring. Don't waste your time on this movie.

Frank Herbert put on a good face and said he was pleased, but you could see the truth and the suffering in his eyes. He died shortly after release, probably to escape the horror. This movie sets special effects back by about a century or so, is a monument to bad acting and bad direction, and redefines "hopelessly muddled plotlines." Sad, because it's such a great book. If you've read the book you can barely figure out that it's supposed to be the same story. If you haven't read the book, you won't be able to understand even one thing that's going on. The sandworms are a joke, the stillsuit design completely ignores their purpose, the ornithopters are stupid, the space ships look like some kid playing with his mom's dishes, and the blue eyeballs look exactly like what they are-- some guy with an airbrush going over the movie frame by frame to try to convince you that these people really do have blue eyeballs. Not to mention that the musical score is a travesty. Can you tell?-- I hate this movie.

For those of you who have perhaps read Frank Herbert's original Dune, and are considering viewing this movie, here's some advice: don't. Swish orange juice, toothpaste, and clam chowder in your mouth: you'll get the same effect. Herbert wrote an epic masterpiece that should be regarded as the Hamlet of science fiction (actually, it is very vaguely adapted from Hamlet). David Lynch scripted and directed a butchery of this novel. He made so many mistakes, it is impossible to cover them all. Here's a general idea: the novel is summarized, not adapted. The movie contains about half of the elements involved in the story, and watching it makes you feel like you're falling asleep and missing half the plot. Everybody in the story has an agenda, but you get to see only half of these agendas, and are left to imagine the others. Character development was mediocre, and paled in comparison to the rich depth given in the novel. The writers obviously did not understand Herbert's technologies, because the movie displayed loads of horse dung where there should have been intricacies that would say, "Star Wars, eat your heart out." There was poor acting from everybody but Jurgen Prochnow as Leto, Patrick Stewart as Halleck, and Sting as Rautha. And finally, the special effects of the time simply weren't up to snuff for Herbert's vision. From the blue eyes to the force fields, everything looked horribly cheesy. If the folks had waited a decade, or maybe used something better than a third-grader's sketch pad, then they would have had stunning visual effects. Overall, what we are left with here is a definitive flop. I can only hope that the TV miniseries version that aired last year did a better job. On a scale of 1 to 10, this movie is somewhere around absolute zero (-273.15, FYI).

Over the years, I have come to the understanding that there are two schools of though here. Some people absolutely hate this movie and other absolutely love it. I'm of the latter school, regularly enjoying Lynch's twisted take on the late Herbert's fantastic story. The story follows the House Atreides on a planetary move to the spice mining world of Arakis. With it, comes the power struggle and life and death situations commonly associated with political struggle. Dark and interesting, Lynch has managed to capture all of Herbert's story and mix it with some of his sick and twisted ideas. A must watch for Lynch and Herbert fans. 8/10