This film, like Days of Wine and Roses, was originally a made for TV movie. This original starred Rod Steiger and was an amazing film. The Hollywood remake starred Ernest Borgnine (who received the Oscar for Best Actor) and was a little better than the original, as Borgnine played the role of Marty a little more subtly and was a bit more believable. The movie concerns a nice but not particularly handsome middle-aged bachelor who works in a butcher shop. He's lonely and has just about given up on ever finding a wife. Despite this, his mother tells him he is handsome and will find a girl. Marty, though, is much more realistic and their scenes together are heart rending and well done. Later, he meets a nice but not particularly attractive lady but his best friend doesn't particularly like her and he tells Marty he can certainly do better. This occurs about mid-way through the movie. What happens from here in this Paddy Chayefski movie I will leave to you to discover.

Having just seen Jeff Garlin's charmingly lightweight "I Want Someone to Eat Cheese With", I was curious to see its inspiration since there is constant reference to it throughout, including a scene where Gina Gershon and teen idol Aaron Carter are hilariously miscast in the leads of a stage version. Running only ninety minutes, the 1955 movie holds the distinction of being the shortest film to win the Best Picture Oscar, and its scale is indeed very small – it covers a weekend in the life of a lonely, overweight Bronx butcher named Marty Piletti. The eldest of six children, the youngest of whom just got married, Marty lives a routine life living with his widowed mother and hanging out with best pal Angie (the source of a classically circular piece of dialogue - "What do you feel like doing tonight?" "I don't know, Ange. What do you feel like doing?"). Pushed by his mother to go to the Stardust Ballroom where there are a "lot of tomatoes", he inadvertently meets Clara, an equally lonely spinster schoolteacher from Brooklyn. It's intriguing to see how cultural mores have changed since both characters are considered over-the-hill for marriage even though he is only 34 and she 29. As they grapple toward intimacy, they face not only their own doubts but those of the people closest to Marty since they become aware how dependent they are on his constant availability. Directed by Delbert Mann in his first time out at the helm, the production seems accurate in capturing the atmosphere of the mid-1950's lower middle class, and the dramatically effective setting allows Marty's story to take on a well-earned poignancy. This has primarily to do with the honest, unsentimental dialogue by Paddy Chavefsky (several years before "The Hospital" and "Network"). The observant performances complement the treatment with Ernest Borgnine giving his career-best performance in the title role. Even though he is sometimes too robust to be completely convincing as a socially defeated man, he brings surprising force to scenes when his self-awareness no longer can be hide his pain. Looking very much like Julie Harris at the time, Betsy Blair has a tougher role as Clara since her character is so withdrawn as to fade when Marty dominates the conversation. Even with her intentionally lank presence, Blair is too attractive to be considered mercilessly as a "dog". The rest of the cast takes more predictable turns – Esther Minciotti as Marty's clinging Italian mother, Joe Mantell as codependent Angie, Jerry Paris (a few years before his days as neighbor Jerry Helper on "The Dick Van Dyke Show") and Karen Steele constantly bickering as Marty's cousin and his wife. It's a solidly modest film with no pretensions. Other than the theatrical trailer featuring producer Burt Lancaster's glowing praises, the DVD has no significant extras.

How wonderful to see that this movie was made on site in New York City, not on some back lot in a studio. In this movie, you can feel the sense of the City, it is part of the movie itself. I am so happy that this movie was not made in color, the black and white greyness of the story lends itself to the mood. Ernest Borgnine shines as the lonely 30ish man, living with his widowed Italian mother, going to his day job as a butcher. Hanging out with his other lonely bachelor friends. "What do you want to do Marty?" "I don't know, what do you want to do?" Betsy Blair as Clara gives a believable performance as a lonely 30ish school teacher who is still living with her parents. She goes on a blind date to a dance with a cad who dumps her, and she stands there on the sidelines as a wallflower, which she is. Marty asks her to dance, they strike up a conversation, he takes her to his home where she meets his mother, he takes her home by bus, he realizes how much he cares for her! He says he will call, but he does not. Then the middle of the story with his mother being threatened by the fact that Marty might just marry some day and desert her, as her sister has been put out by her son and daughter in law. So much family angst here, but love triumphs! The part I love the most is when Marty calls Clara at the end of the movie. Clara's face just lights up like a Christmas tree when Marty calls her. Such fabulous acting! I was rooting for them. I hope they had a happy and long marriage, had kids whom Marty's mother embraced and made her happy in the last years of her life. One can only hope. I would give this 100 stars if I could.

Excellent movie! It starts out on a Saturday afternoon and goes into Sunday evening, in that brief time bringing us into the lives of these people in very deep and moving ways. It is very touching to see what can happen when people have a selfish heart or a caring heart. Have seen this picture 5 times now and it stays with me for days each time. Great way to see how we have choices, whether we realize them or not. We see how we all have our own things going on in our lives, our own agendas. We all impact others, and are impacted by others. Maybe we don't want to or think we do, but see how we do. These situations and characters are very easy to relate to. Shows how we could hurt or do anything we want to if we really want it and if our heart is in the wrong or the right place.

Every one in awhile, a small movie cleans up at the Oscars. It seems to happen about once a decade. This might be the first, though. Ernest Borgnine is the title character. He is a butcher who is unmarried, Catholic, Italian and lives in New York where it would never occur to anyone to mind their own business. Everyone who buys a pork chop gives him grief over his bachlerhood, and that extends to his Mother, too. He is a sweet guy - loans money to his friends, is polite to strangers and considerate to his family. He is a little lonely and frustrated and doesn't have much to do. One night in a dance hall a stranger offers him $5 to take a girl home, since the guy doesn't want to have anything to do with this particular girl. Marty is amazed at the rudeness so to not humiliate the girl any more than she has to be, and since he's alone anyway..they meet and dance and have a very nice night. He is very nervous and has a lot to say and sometimes rambles on a little. Not the worse crime in the world. There is a small subplot over Marty's Aunt moving in with Marty and his Mom since she does not get along with her daughter-in-law. I suppose this is to show that even if you are married, life still hands out problems. And if you get to live long enough to be considered 'old', that sometimes you are uprooted and unwanted and a bit of a burden to your family. Borgnine is terrific and won Best Actor over pretty tough competition. Joe Mandell as Angie, Marty's best friend, and Betsy Blair as Clara, who is the girl he meets, were also nominated. This material was originally a television 'play' starring Rod Steiger as Marty and Nancy Marchand as Clara. I bet it was good. 8/10.

"Marty" is an absolutely fabulous movie which takes on a formidable approach to social realism, this is a feat which was not depicted all too frequently back in 1955!! The film, "Marty" won the academy award for best picture in 1955, and, with the plethora of talent this movie possessed, it is no wonder!! Ernest Borgnine is spectacular as the hard luck simpleton, his reputation in Hollywood speaks for itself! Betsy Blair (She was compelling in "A Delicate Balance") is a method actress who carries off her agitated emotions with a very subtle disposition! Jerry Paris (Jerry on "The Dick Van Dyke Show") is a wealth of talent who was incredibly believable in this film! Many of the other actors and actresses with smaller roles in this movie were powerfully cogent as well! Paddy Chayefsky, (Most famous for "Network") who writes the screenplay, has an amazing amount of talent regarding his ability to evoke heartfelt emotions which are esoteric in their comprehension!! The whole movie puts Ernest Borgnine on the spot to change the course of his floundering environment which was categorized by the negative associations to his cultural stereotype! To say that these two characters (Ernest Borgnine and Betsy Blair) were introverted, would be a masterpiece of understatement!! The ill-timed fiascoes of being loquacious one moment, and taciturn the next, became a volatile characteristic that obliterated the ground rules to casual dating!! The conversations with Ernest Borgnine and Betsy Blair, always encompassed the visceral components of perseverance!! Trapped in a situation of a lower middle class environment of an emerging ethnicity, the urge for Marty to necessitate a metamorphosis in his prevailing situation became an insurmountable obstacle course!! Ernest Borgnine's portliness was a good tool to convey his plight as the disgruntled curmudgeon who was perennially despondent! The uplifting insight to Marty meeting a girl, for whom he liked and had a lot in common with, became a necessary camaraderie that overcame circumstantial doubts and insecurities! Throughout this entire movie, Paddy Chayefsky's writing effort itemizes reality, and allows Marty to conquer adversity in a way that is thoroughly plausible! I liken this film to "Rocky" as both of these movies illustrate a boorish Italian-American environment to be the single biggest form of societal intimidation! The unassuming demeanor to the genre of "Marty" became the most stellar characteristic to the picture's success! I was pleasantly surprised at how wonderful the film "Marty" was, and, I think anyone who has a curiosity about academy award winning films, should definitely consider seeing this movie!!

Two things were puzzling to me about this film: 1 - Why Blair's looks were constantly insulted in this film; 2 - How it won Best Picture Of the Year. Blair was a good actress and very appealing. The fact she is described as a "dog" in this movie is ridiculous. The truth is, she was a very pretty (yes, in a plain way), wholesomely attractive woman. Hey, a lot of men, including me, would love to have a "dog" like that next to us. Outside of that unfair description, the movie is filled with believable characters in a story that makes you reflect. Ernest Borgnine does very well in his touching role. His looks fit the part in here perfectly. Was it worthy of the Academy's "Picture Of the Year?" Well, that's very debatable, but it's a pleasant enough film and the kind, frankly, I wish I would see more often.

As a kid I came to know Ernest Borgnine through "McHales Navy". Then I grew up and quickly forgot everything I ever knew about him. Then along came a movie called "Quiz Show", about the game show scandals of the 50's, where one of the plot points revolved around a game show question pertaining to this movie winning Best Picture and Ernest Borgnine winning Best Actor. And I thought to myself, is this made up? What could the guy from McHales Navy possibly do to win an Oscar for Best Actor? It seemed ridiculous. A fluke. Possibly made up for the movie "Quiz Show". After passing up numerous opportunities to see this film over the last 40 plus years I finally saw it on TCM and I am schooled. Everyone in their lives, no matter how beautiful they are, or think they are, has felt like these characters at some point. It is the universal feeling of loneliness and alienation and it is explored thoughtfully and sympathetically here. It also explores the casualties of love. A daughter gets married, equals a Mother loses her son. A guy falls in love with a girl, equals his best friend loses companionship. Falling in love shifts everything around it and not always gently. Love is messy even at its borders. So here we have Ernest Borgnine and Esther Minciotti, son and Mother in the film, giving truly once in a lifetime performances in this tiny little movie. Their kindness towards each other, far beyond the script they're working from, is touching. Jerry Paris, pre Dick Van Dyke show, is remarkable as another son with his own set of relationship problems. The sarge from "Gomer Pyle" is in this too. It's a proverbial cavalcade of upcoming '60's television. But at it's heart it is a touching movie that everyone should see. I wish I hadn't waited so long. Ernest Borgnine was given the chance of a lifetime to play Marty. Though terrific in everything he ever did, nothing before or after Marty gave him the opportunity to show what a truly gifted actor he is. Thank God someone was smart enough to cast him.

Despite having only the most basic of story-lines, this is a nicely-crafted movie with a worthwhile story. Ernest Borgnine deserves the praise he has received for his performance as "Marty", and he seems very natural in the part, for all that it seems so different from most of his other roles. The other characters are also rendered believably, and events develop naturally. While the two main characters may think of themselves as failures, viewers can see that they are just ordinary persons trying to be honest and sensitive, and this makes it easy to identify with them. The story efficiently introduces Marty and the other characters, showing how he interacts with them. Since the others are all so absorbed in their own concerns, they view Marty solely in terms of how he fits in with their own plans and desires, again making it easy for the viewer to relate to him. Joe Mantell, Esther Minciotti, Augusta Ciolli, and Jerry Paris make Marty's family and friends thoroughly believable, and they work well in their interactions with Borgnine. By the time that Marty meets Clara (Betsy Blair), everything is set up so as to get the most out of the possibilities. Praise also goes to Delbert Mann and Paddy Chayefsky for being willing to make a movie out of such low-key material. It may not impress those who have become benumbed by the ostentation of present-day film-makers, since its quality is of a subtler, more unaffected kind. But it's a worthwhile achievement in its own right, a story about ordinary persons and everyday concerns, of the kind that takes skill and understanding to make well.

Among other things Marty will be known for is being the best film Burt Lancaster ever produced without Burt Lancaster the actor. Hard to disagree with four Academy Awards credited to the film. Originally a made for television drama that starred Rod Steiger in the title role, Marty piqued the interest of both Burt Lancaster and his producer partner Harold Hill. Rod Steiger had gotten very good reviews for his interpretation of the part of the thirty something Bronx butcher. However upon getting the film rights, Lancaster himself did not want to cast Steiger again because he felt no one would see the film again after seeing Steiger on free television. Lancaster also personally cast Ernest Borgnine in the lead after having worked with him on From Here to Eternity. In 1955 Marty on television and the big screen struck a resonant cord with the American public. Something about the tale of the Bronx butcher longing anxiously for a life soul mate made it a universal theme about fear of loneliness. The plot such as it is has Marty going to the Stardust Ballroom and meeting plain jane school teacher Betsy Blair. Marty has a lot going against the relationship. His erstwhile friends, as big a pack of losers ever created for the screen, don't want to lose one of their number. His mother, after listening to her sister, changes from pushing him out the door to meet new people, to strongly urging him to forget Betsy Blair. The conversation between the two women, Esther Minciotti as Borgnine's mother and Agusta Ciolli as his Aunt Katherine is a classic. One of Marty's biggest boosters was columnist Walter Winchell. He plugged the film a lot in his column and was very instrumental in beating the publicity drums for Marty. Ironic since two years later, Burt Lancaster delivered a cinema indictment against Winchell in playing Winchell clone, J.J. Hunsecker in Sweet Smell of Success. No doubt Winchell helped because Marty scored with four Oscars. Best Picture of 1955, Best Actor Ernest Borgnine, Best Director Delbert Mann and Best Adapted Screenplay Paddy Chayefsky. There were also nominations for Best Supporting Actress for Betsy Blair and Best Supporting Actor for Joe Mantell as Marty's 'friend' Angie. Though its mores are definitely ground in the Fifties, Marty is a timeless tale that could easily be rewritten for the 21st centuries. There are still butchers in the Bronx and 30 something school teachers looking for love. It's what makes it universal.