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Murder, Anyone?

Murder, Anyone?

★ 4.42023Movie1 h 21 mامریکہ
مزاحیہجرماسرار

Two Playwrights are tasked with creating the next avant-garde thriller; but as they write, the story comes to life and their own emotions and arguments begin to manifest on film.

716 people rated
🔇

Murder, Anyone?

2023

R

1 h 21 m

امریکہ

مزاحیہ

جرم

اسرار

Two Playwrights are tasked with creating the next avant-garde thriller; but as they write, the story comes to life and their own emotions and arguments begin to manifest on film.
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4.4 /10

716 people rated

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ٹاپ کاسٹ(14)
starring avatar
Kristos Andrews
Cooper
starring avatar
Galadriel Stineman
Bridgette
starring avatar
Maurice LaMarche
George
starring avatar
Charles M. Howell IV
Charlie
starring avatar
Carla Collins
Marie
starring avatar
Spencer Breslin
Blain
starring avatar
Dani Abraham
Stage Manager
starring avatar
James Cullen Bressack
The Director
starring avatar
Tyler Christopher
Richard
starring avatar
Hector David Jr.
Eduardo
starring avatar
Michael Gaglio
David
starring avatar
Theresa Ireland
Marilyn Monroe
starring avatar
Sally Kirkland
Nancy
starring avatar
Lisa Wilcox
Real Bridgette

صارف کا جائزہ

author avatar

khuMz AleEy

29/05/2023 18:07
source: Murder, Anyone?
author avatar

waren

15/05/2023 16:07
source: Murder, Anyone?
author avatar

LoLo233

12/05/2023 16:07
Directed by James Cullen Bressack and written by his father Gordon, this is a story within a story, as the film depicts George (Maurice LaMarche, the voice of The Brain from Pinky and the Brain, a show that the elder Bressack wrote 16 episodes of) and Charlie (Charles M. Howell IV, Gordon Bressack's real-life writing partner), two writers working on a new story that could be a movie or a play, a piece of art or a movie that will play for genre audiences. George is at the typewriter, stealing ideas from greater works, while Charlie keeps telling him how he's guilty of creative theft, as the story they are telling appears and changes as the film about literal art theft - a Picasso - plays out even as one character, Richard (Tyler Christopher) is replaced by Cooper (Kristos Andrews) - as he invades the home of Bridgette (Galadriel Stineman). Then there's a man dressed as a chicken (Spencer Breslin), the ghost of Marilyn Monroe (Theresa Ireland), a medium (Carla Collins), the neighbors (Sally Kirkland and Michael Galio) and more all appear and dare continually remake and reshaped as their authors keep fighting as they write. By the end, as the director appears and explains how this movie is a tribute to his father and a remembrance of him. It's pretty striking and makes this movie mean so much more. In the latter years of Gordon's life, he spent much of his own time and money writing and putting on plays, with his son wondering why he didn't make them into movies that might make money. It's interesting that the son has now put his own money into the movie which was inspired by the talk he had with his dad. As someone who struggles to reach the legacy of his father, I really felt this and a rewatch will make so much of it even more poignant.
author avatar

user8062051401883

26/04/2023 16:00
source: Murder, Anyone?
author avatar

Rajesh Singh🇳🇵🇳🇵

26/04/2023 16:00
Directed by James Cullen Bressack and written by his father Gordon, this is a story within a story, as the film depicts George (Maurice LaMarche, the voice of The Brain from Pinky and the Brain, a show that the elder Bressack wrote 16 episodes of) and Charlie (Charles M. Howell IV, Gordon Bressack's real-life writing partner), two writers working on a new story that could be a movie or a play, a piece of art or a movie that will play for genre audiences. George is at the typewriter, stealing ideas from greater works, while Charlie keeps telling him how he's guilty of creative theft, as the story they are telling appears and changes as the film about literal art theft - a Picasso - plays out even as one character, Richard (Tyler Christopher) is replaced by Cooper (Kristos Andrews) - as he invades the home of Bridgette (Galadriel Stineman). Then there's a man dressed as a chicken (Spencer Breslin), the ghost of Marilyn Monroe (Theresa Ireland), a medium (Carla Collins), the neighbors (Sally Kirkland and Michael Galio) and more all appear and dare continually remake and reshaped as their authors keep fighting as they write. By the end, as the director appears and explains how this movie is a tribute to his father and a remembrance of him. It's pretty striking and makes this movie mean so much more. In the latter years of Gordon's life, he spent much of his own time and money writing and putting on plays, with his son wondering why he didn't make them into movies that might make money. It's interesting that the son has now put his own money into the movie which was inspired by the talk he had with his dad. As someone who struggles to reach the legacy of his father, I really felt this and a rewatch will make so much of it even more poignant.
author avatar

La rolls royce 😻

26/04/2023 16:00
Trailer—Murder, Anyone?
— No more content —

صارف کا جائزہ

author avatar

khuMz AleEy

29/05/2023 18:07
source: Murder, Anyone?
author avatar

waren

15/05/2023 16:07
source: Murder, Anyone?
author avatar

LoLo233

12/05/2023 16:07
Directed by James Cullen Bressack and written by his father Gordon, this is a story within a story, as the film depicts George (Maurice LaMarche, the voice of The Brain from Pinky and the Brain, a show that the elder Bressack wrote 16 episodes of) and Charlie (Charles M. Howell IV, Gordon Bressack's real-life writing partner), two writers working on a new story that could be a movie or a play, a piece of art or a movie that will play for genre audiences. George is at the typewriter, stealing ideas from greater works, while Charlie keeps telling him how he's guilty of creative theft, as the story they are telling appears and changes as the film about literal art theft - a Picasso - plays out even as one character, Richard (Tyler Christopher) is replaced by Cooper (Kristos Andrews) - as he invades the home of Bridgette (Galadriel Stineman). Then there's a man dressed as a chicken (Spencer Breslin), the ghost of Marilyn Monroe (Theresa Ireland), a medium (Carla Collins), the neighbors (Sally Kirkland and Michael Galio) and more all appear and dare continually remake and reshaped as their authors keep fighting as they write. By the end, as the director appears and explains how this movie is a tribute to his father and a remembrance of him. It's pretty striking and makes this movie mean so much more. In the latter years of Gordon's life, he spent much of his own time and money writing and putting on plays, with his son wondering why he didn't make them into movies that might make money. It's interesting that the son has now put his own money into the movie which was inspired by the talk he had with his dad. As someone who struggles to reach the legacy of his father, I really felt this and a rewatch will make so much of it even more poignant.
author avatar

user8062051401883

26/04/2023 16:00
source: Murder, Anyone?
author avatar

Rajesh Singh🇳🇵🇳🇵

26/04/2023 16:00
Directed by James Cullen Bressack and written by his father Gordon, this is a story within a story, as the film depicts George (Maurice LaMarche, the voice of The Brain from Pinky and the Brain, a show that the elder Bressack wrote 16 episodes of) and Charlie (Charles M. Howell IV, Gordon Bressack's real-life writing partner), two writers working on a new story that could be a movie or a play, a piece of art or a movie that will play for genre audiences. George is at the typewriter, stealing ideas from greater works, while Charlie keeps telling him how he's guilty of creative theft, as the story they are telling appears and changes as the film about literal art theft - a Picasso - plays out even as one character, Richard (Tyler Christopher) is replaced by Cooper (Kristos Andrews) - as he invades the home of Bridgette (Galadriel Stineman). Then there's a man dressed as a chicken (Spencer Breslin), the ghost of Marilyn Monroe (Theresa Ireland), a medium (Carla Collins), the neighbors (Sally Kirkland and Michael Galio) and more all appear and dare continually remake and reshaped as their authors keep fighting as they write. By the end, as the director appears and explains how this movie is a tribute to his father and a remembrance of him. It's pretty striking and makes this movie mean so much more. In the latter years of Gordon's life, he spent much of his own time and money writing and putting on plays, with his son wondering why he didn't make them into movies that might make money. It's interesting that the son has now put his own money into the movie which was inspired by the talk he had with his dad. As someone who struggles to reach the legacy of his father, I really felt this and a rewatch will make so much of it even more poignant.
author avatar

La rolls royce 😻

26/04/2023 16:00
Trailer—Murder, Anyone?
— No more content —
ڈس کلیمر: 1234money پر موجود تمام ویڈیوز اور تصاویر انٹرنیٹ سے ہیں، اور ان کے کاپی رائٹس اصل تخلیق کاروں کے ہیں۔ ہم صرف ویب پیج کی خدمات فراہم کرتے ہیں اور کسی بھی مواد کو اسٹور، ریکارڈ یا اپ لوڈ نہیں کرتے ہیں۔
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