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source: Red Dust

A good film, unexpectedly so bearing in mind the entrenched opinions among film-makers and the media. There is the usual stereotyping of many characters, particularly those in the 'old' security services, but for anyone knowing South Africa that stereotyping is unavoidable. Beautifully filmed and well acted, the theme is unusual in concentrating on the Truth and Reconciliation process, which is probably unknown to 99% of Western populations. It was one of the few successes of the 'new' government, and presumably was a Mandela/Tutu initiative. Twenty years on from the process and the outcome and initial euphoria is long gone.

Sarah Barcant(Hilary Swank)is a beautiful human rights lawyer in New York that returns to her childhood village in South Africa. She is returning to work on the case of Alex Mpondo(Chiwetel Ejoiofor), now a member of South African Parliment, who is bringing charges against policeman Henricks(Jamie Bartlett), who beat and tortured him in 1986, because of his political activism. Alex's best friend was arrested at the same time and suffered the same injustices, but was never seen again. Police Captain Muller(Ian Roberts)has a lot to do with what happened, but wants to be left out of the proceedings. An emotional driven story about South Africa's Truth and Reconciliation Commisson, that traveled the country in 2000, conducting hearings to grant amnesty for apartheid atrocities. Gripping and provocative.

Where this movies differs from traditional Hollywood movie is that it shows a true depth of feelings. In Europe for example we've had years of war and though one nation could never eradicate the other, the old enemies always ended living next to each other or WITH each other at the end of the conflict. In the US, the immigrants white population exterminated the aboriginal population to near extinction. the US citizen never had to live with its enemy. This explains in my view the often simplistic nature of Hollywood movie when they try and explain a foreign country's strife. But in this movie, the director and screenplay did not fall into this cliché. It turns out everyone in the story has some right and some wrong. it's a great story of morality, hidden truth and compromise.

The South African lawyer Sarah Barcant (Hilary Swank) travels from New York back to her hometown to represent the member of the Parliament Alex Mpondo (Chiwetel Ejiofor) in the Truth and Reconciliation Commission since torturer police officer Dirk Hendricks (Jamie Bartlett) has made an application for amnesty. The parents of Steve Sizela request Sarah to represent them also since their son that was arrested with Mpondo but has gone missing. Hendricks uses one break in the trial to threaten Mpondo, promising to destroy his political career telling that he was a traitor. But Mpondo, who is a man traumatized with the torture, anticipates and tells what has happened to Steve Sizela and him in the hands of Hendricks and his superior Piet Müller (Ian Roberts). Will the remains of Steve be found and the truth disclosed? "Red Dust" is a very well-acted drama about amnesty of torturers, with stunning performance of Chiwetel Ejiofor. The story takes place in South Africa post-Apartheid but could have been in South America, for example, where many torturers have granted their amnesty despite their cruel past during dictatorships. Truth and reconciliation seem to be very difficult to achieve in these situations, when usually torturers grant their freedom and victims are forced to forget what they did to them and live with their traumas and losses. My vote is seven. Title (Brazil): Not Available

I was unsure of this movie before renting and did so on the assurance that Hilary Swank has always given excellent performances in her movies. She seems to rely on restraint to gain the emotional impact that she does. And she didn't prove me wrong in this movie. However the movie also had fantastic performances from all other members of the cast both speaking and non-speaking. I have to single out Jamie Bartlett and Chiwetel Ejiofor - the two main protagonists - for their outstanding acting abilities and portrayal of true human feelings and failings. The whole movie ran almost like a documentary. I must applaud Tom Hooper as the director and Avril Beukes as the editor for keeping a multiple layered story being revealed smoothly whilst keeping dialogue and action moving along in an understandable fashion. The opening sequence of the South African landscape was striking and I had to push the pause button to savour the photography. Why can't a movie like this ever get nominated for an International award. It seems to me to hit the high-rating button on all counts. It was not just a film it was a true experience of life in a country coming out of apartheid. A life of poverty was all around but it celebrated the dignity of the human spirit.

The Truth and Reconciliation process in South Africa is a vital and probably unique human experiment. This movie does an excellent job of revealing the complexity of the task and the incredible challenges facing South Africa. I believe every one should see this movie as I think few people outside of South Africa understand its past and what is being attempted in the Truth and Reconciliation process. Almost every country has some part of its own history which is still a source of continuing hatred and bitterness. We all need to understand ways of dealing with the past. What's happening in South Africa should guide us all. I found it credible, moving and at times upsetting. There were no outstanding acting performances but this added to the strength of the narrative. Once again the BBC has been instrumental in taking a complex topic and turning out a top class movie.

POSSIBLE SPOILERS No one is likely to pick up a DVD of Red Dust without knowing that it is about South Africa's Truth and Reconciliation Commission. Hilary Swank stars as a South African exile who returns to her home town as a lawyer representing Alex Mpondo (Chiwetel Ejiofer), a member of the South African parliament who was tortured by a prison guard, Pete Muller (Ian Roberts), who is seeking to escape prison by testifying before the Truth and Reconciliation Commission. They could certainly have found an actress who has or could imitate a South African accent; Ms. Swank makes no attempt whatsoever to cover her unmistakably American accent. Nevertheless she is the only well-known actor in the movie, and it would probably not have been made without her or someone equally well known. She does a passable job. However, Ejiofer and Muller (pronounced in the German way with an umlat over the "u") are outstanding as is Jamie Barlett as the chief of police, responsible for murdering Mpondo's comrade and fellow prisoner. The torture scenes are shown in brief flashes but they are vivid and believable. What is not believable is the Truth and Reconciliation process -- except that it actually happened. "Red Dust" should be seen for that reason alone because it was and is unbelievable that the ANC prisoners could actually forgive the torturers, and this is as close as we are likely to get to seeing the process in action.

As a South African, living in South Africa again after a 32 year stay in the UK, I am sorry to say that this movie is a huge disappointment. The three main problems I had with the movie was a) why Swank and Ejiofor - an American and a Nigerian - to play the leads. This country is bursting with talent and has no need of imports... b) Gillian Slovo has been trading off her Struggle credentials for years now. She's a very mediocre writer and even her novel doesn't stand up the flaccid direction of Mr Hooper... and c) Hilary Swank again, such a great actor, as proved in Million Dollar Baby (but that's Eastwood too), here dressed in the contemporary New York style whilst roaming freely around the poverty of the Karoo. Where was the consideration and sensitivity needed by the costumer and director? Yes, the film is ultimately moving - how could it not be? - but the overall mood at the conclusion is one of tremendous letdown. Heart's in the right place but needs a pace maker.